BCP is a group of exceptional musicians! They are truly world-class professionals. At every concert, I am blown away anew by their musicality, the subtle communication between players as they perform, and the inspiration I get as an amateur musician myself. I really appreciate being able to attend their concerts closer to home rather than having to trek to a bigger city. This group is an East Bay treasure!

I gave because I'm deeply passionate about the way theatre brings people together.

ARTivism goes beyond the political bs and delivers mutual aid activism for and to the people!

So worth supporting a very special flower in this Texan cultural landscape!

Founded in 2006, the Benicia Chamber Players’ mission is to provide a classical chamber music concert series to underserved East Bay areas including Benicia, Lafayette, Piedmont and Vallejo. Our aim is to cultivate a community of local and other world-class professional musicians with a love of playing chamber music who are dedicated to sharing that love with audiences.

Benicia Chamber Players

We are a theatre arts education & community center dedicated to training, storytelling, artist support, and community enrichment. 

**A third place for the arts.**

Mission StageWorks is a San Francisco-based arts education and community center dedicated to bringing people together through theatre and performance training, storytelling, creative expression, and community enrichment. We cultivate a love for the stage, how to use it for expression, and a sharing of stories created by Bay Area people.  By providing a place for people to connect with a platform to uplift individual and collective voices, we strive to make a positive impact on the community and supercharge the human spirit.

We imagine a hub for people from all over the Bay Area to come together to exchange knowledge, skills, ideas, stories to build memories - personal and artistic. It intends to be the artistic bazaar where crossroads ignite creativity and a sharing of culture.

Our plan is offer:

- arts education class and workshops
- community events and engagements
- local artist support and development
- presentation and productions

Our vision is to be an arts community center, a home for creativity and connection for Bay Area people to experience arts through accessible and inclusive programs. Innovative, inspiring performances are symbols of the people we serve and the landscape we inhabit. We see a vibrant, welcoming family of seekers and practitioners learning from and with one another, building relationships, and celebrating our diverse city together through a love of the arts. 

Mission StageWorks

An archive for vital collections of Jazz and related music


**Crossing Tones** is a non-profit archive for significant collections of Jazz music and related items.

We gather, preserve, and use these essential source materials in meaningful teaching and listening initiatives.

Through our efforts we intend to facilitate research, deepen appreciation, and broaden the listener base for the music.

Crossing Tones Inc

ARTivism Virginia creates supported connections between artists and activists in the fight against new fossil fuel infrastructure.

Since 2017, ARTivism has been collaborating with artists and activists to support coalitions of grassroots organizations, regional advocates and national allies to fight new fracked gas pipelines, power plants and compressor stations in Appalachia and the Piedmont. We’ve successfully assisted in the campaigns against the canceled Atlantic Coast Pipeline, Chickahominy Pipeline and Power Station, and continue to serve in the long fights to defeat the Mountain Valley Pipeline, the MVP Southgate extension, the proposed MVP Boost and Swann Compressor Station, as well as the the Williams Transco SSEP.

Our services have included coordinating grassroots outreach and collaboration, event production, film & photography, messaging strategy, graphic design, music, art, dance, puppetry, set decoration, audio reinforcement, spoken word, stage management, and more. 

ARTivism Virginia

ISHIDA transforms everyday being through meaning-filled, entertaining, thought-provoking, highest-caliber contemporary dance.

ISHIDA Dance Company prompts existential questions through timeless narrative dance that celebrates universal themes of our psyche—belonging, hubris, loss and love.

ISHIDA Dance presents original ISHIDA poetic narratives as well as works by exciting new choreographers working with some of the most sought-after dancers around the world (Houston Ballet, Ballet BC, English National Ballet, Tanzmainz, Nederlands Dans Theater, American Ballet Theatre). These unique works evoke self-empathy that lead to greater kindness within the community.

Center to the mission, beyond beautiful, community-centric arts, ISHIDA brings the healing power of dance directly to marginalized communities.

- ISHIDA provides free dance workshops to at-risk youth and disabled people in the community. Outreach partners include The Mary Lee Foundation, The ARC of the Capital Area, and Title One schools: Marshall Middle and Northside High School.
- We also provide complimentary tickets to economically disadvantaged youth and adults to attend performances.

Ishida Dance Company Inc

The largest cultural institution in Switzerland, enjoying a high reputation far beyond the country’s borders. 

With over 300 events annually – opera, ballet, classical concerts, recitals – the Zurich Opera House is one of the most productive and renowned cultural venues in Europe. Each season the Zurich Opera House features numerous opera and ballet (world) premieres such as classical concerts and attractive revivals presenting casts with the best singers from all over the world.

The Zurich Opera House is home of the Ballet Zurich and the Orchestra of the Zurich Opera.

Donations are critical to the AFZOH’s success in achieving its ambitious goals on behalf of the Zurich Opera House. This includes among others tours and guest performances in the US, young artist exchanges between Switzerland and the US and the support of young American artists in Switzerland (education program).

The AFZOH is a not-for-profit organization that raises visibility, expands appreciation and provides support for the Zurich Opera House.

American Friends of the Zurich Opera House (AFZOH)

Kids’ Club supports underserved youth in our community by awarding grants for programs for kids from birth to age 18 and beyond. 

Kids’ Club of Tarrytown & Sleepy Hollow provides support for underserved youth.  As a community organization, we marshal resources, increase local awareness, advocate for programming, and strengthen services to improve the lives of children and families. We collaborate with a variety of community organizations to identify needs, close gaps in services and provide opportunities for children.

*Through our close ties to the community, we are able to find, fund, and facilitate programs we believe will have the greatest impact on the lives of those we serve.* 

At Kids’ Club, we are all volunteers; we have no paid staff.  We all live or work in the community or surrounding areas. **Administrative costs are covered through the generosity of our Board members, enabling 100% of every dollar you donate to Kids’ Club to help the children and families we serve.** 

Kids' Club of Tarrytown & Sleepy Hollow, Inc.

supports impactful initiatives for women and children, with a special focus on Mexico and projects that promote arts and education

**Education From The Heart**

We believe education is more than knowledge, it’s the chance to create, express, and belong. Our fund opens doors for children through access to education, music, and art, while also empowering women in the arts to share their voices with the world.

Corazones Unidos

TapIN channels the energy and enthusiasm of tap dancing back into the community to invoke positive social change.

TapIN Youth Dance Ensemble is dedicated to **expanding access to high-quality tap dance training in underrepresented communities**. We believe every child deserves the chance to experience the joy, discipline, and creative expression that come from rhythm and movement—regardless of financial or geographic barriers.

Through **free tap classes, school partnerships, mentorships, and performances**, TapIN builds a bridge between world-class tap education and the students who need it most. Our growing network includes ongoing enrichment programs at the East Oakland Youth Development Center, public school workshops, and collaborative showcases that bring students from diverse backgrounds together on the same stage.

Since our founding, TapIN has **collected over 500 pairs of tap shoes** for redistribution and raised **more than $18,000** through our annual Bay Area Tapathon to fund free community programming. Looking ahead, we’re developing a **scholarship initiative** that will provide Bay Area dance studios with resources to train talented young dancers who would otherwise be unable to afford tap education.

When you donate to TapIN, you invest directly in **equity in the arts**—helping to sustain a pipeline of opportunity that empowers young artists, celebrates cultural heritage, and keeps tap’s rhythmic legacy alive for the next generation.

TapIN Youth Dance Ensemble

Manzil Mystics empowers underserved youth through music, creating safe, joyful learning spaces and building skills for the future.

Manzil Mystics was founded by a group of young musicians who grew up in low-income families in Delhi and found their voice through Manzil; a learning community and nonprofit started by an IIM Ahmedabad graduate, Ravi Gulati. The nurturing and creative environment of Manzil gave them not just music, but confidence, purpose, and a happy, safe space to grow. Five of these youth (the co-founders of Manzil Mystics) went on to earn 100% scholarships to study in the USA. On returning, they realized that over 4.4 million children in Delhi-and millions more across India—lack the same opportunities to learn and express themselves through music.

They also discovered a deeper gap: while India has a centuries-old musical heritage, there was no structured, inclusive initiative to make music education accessible and meaningful for every child. To change this, they founded Manzil Mystics; a nonprofit dedicated to using the power of music to educate, empower, and create livelihoods.

Our vision is simple yet powerful: every child deserves at least one hour of happy and safe space each week through music to learn, express, and heal.

Our mission is to enable access to quality music education for 1 million children by 2027 through our Learning Through Music (LTM) model, which combines education, livelihood, and community-building. We aim to nurture a generation of creative, empathetic, and confident children—while helping young musicians from low-income backgrounds earn dignified livelihoods as music facilitators.

Core Programs:

1. Learning Through Music:

A Curriculum implemented in government and low-income schools, this curriculum integrates music with academics and life skills, helping children develop focus, empathy, and confidence while learning subjects like language, math, and social-emotional awareness through songs.

2. Learning Through Music Fellowship:

An 18-month livelihood and leadership program for young musicians from underserved communities. Fellows are trained, mentored, and placed in schools to teach music while earning a stipend transforming both their own lives and those of thousands of children.

3. The Music Bus:

India’s first mobile music school, the Bus brings music to communities with little or no access. It creates joyful, safe learning spaces in schools and neighborhoods, reaching thousands of children and families each year.

Focus Areas:

Education: Building joyful and inclusive classrooms through music.

Livelihood: Empowering young musicians to become educators and community leaders.

Community Building: Fostering harmony, social change, and emotional wellbeing through music gatherings, festivals, and performances.

Why It Matters: In a country of over 52 million children under 18 children struggle with anxiety, stress, and lack of creative outlets, Manzil Mystics uses music as a pathway to mental wellness, self-expression, and social change. Music helps children learn better, feel safer, and believe in themselves. It bridges divides of gender, class, and faith—making it a universal language of hope and belonging.

Our Future:

By 2027, we aim to reach 1 million children and train 1,000 community musicians across India, creating a movement that redefines learning—not just as academics, but as joyful exploration through music.

We dream of a world where every child has access to music—not as a luxury, but as a right.

Manzil Mystics

**You Make Music Without Borders Possible** 

Your gift helps establish a lasting U.S. presence for one of Mexico’s leading orchestras.

You are at the heart of Sinfónica de Minería, a leading Mexican orchestra that unites, inspires, and transforms lives. From composers like Pulitzer laureate John Adams and Mexico’s own Gabriela Ortiz, to concert hall-packing virtuosos like violinist Joshua Bell and pianist Gabriela Montero, to Grammy-winning conductor Carlos Miguel Prieto and an all-star roster of symphonic musicians, we bring together the best of the Americas with performances at home in Mexico City and on tour across the United States:

- In 2023, we ignited audiences across the U.S. 
- In 2024, we became the first-ever Latin American orchestra invited to the Bravo! Vail Festival.  
- In 2025, we returned to Vail by popular demand and attracted capacity crowds for each concert. 
- And in 2026, we’ll embark on a coast-to-coast U.S. tour, sharing musical brilliance across borders. 

**Your support make this possible, for today’s audiences, and for generations to come.** 

**Why Your Gift Matters** 

- **Commission the Future** – fund fresh scores by emerging Mexican composers. 
- **Teach Without Barriers** – world-class artists mentoring kids who can’t afford lessons. 
- **Record Cultural Treasures** – the complete orchestral works of Silvestre Revueltas. 

**Why Give as an American Friend** 

- **Cultural Diplomacy** – strengthen U.S.–Mexico ties through art.  
- **Diversity & Inclusion** – amplify Latin voices in a field that needs them. 
- **Tax-Deductible Impact** – American Friends of Minería is a registered 501(c)(3) nonprofit — your donation is tax-deductible in the U.S. 

**Key Facts & Highlights** 

- Founded: 1978 
- Music Director: Carlos Miguel Prieto (Grammy-winner) 
- Latin Grammy (2023): Concerto venezolano by Paquito D’Rivera 
- Grammy Nominee (2009): Korngold Violin Concerto with Philippe Quint (Naxos) 
- Modern Classics Premiered: Gabriela Ortiz’s Concierto voltaje, Mario Lavista’s Ficciones, Manuel Enríquez’s Sonatina 
- Season 2025 Spotlight: Pulitzer laureate John Adams conducts his own Violin Concerto with soloist Augustin Hadelich 
- Community Mission: Year-round educational programs that use music as a social tool 

Music Unites Us. Every gift brings us closer to a future where music transcends borders and connects all of us. 

Join us. Be the bridge that connects cultures through music. 

Sinfónica de Minería | Academia de Musica del Palacio de Mineria A.C.

An SF Queer Theater Company, fiscally sponsored project of Intersection for the Arts

Eye Zen Presents illuminates and preserves hidden LGBTQ+ histories through interdisciplinary performance, archival activation, and intergenerational exchange. We create immersive public art rooted in place, memory, and accessibility that connects queer elders, artists, and audiences. Our practice pairs hands-on archival preservation with new creative works so that endangered legacies are safeguarded and shared as living culture. 


Eye Zen Presents

A catalyst for creative freedom and cultural vitality across the Arab world.

As the largest fund for independent artists and cultural institutions in the Arab world, AFAC serves the collective necessity to pursue bold ideas, reclaim space, and share stories from our region on our own terms.

Culture shapes how we see ourselves, how we remember the past, and how we imagine the future. Independent voices are being silenced by war, repression, and economic collapse. Youth, who represent the region’s largest demographic, are largely excluded from cultural production and denied platforms to shape their futures. The threat of talent drain and cultural fragmentation has never been higher.

Since 2007, we have supported over 2,400 projects across 22 countries and their diasporas, awarding over $40 million in grants. Our model sustains not only the production of art but the long-term resilience of the cultural ecosystem. 

AFAC stands at the forefront of expression—investing in independent storytellers, visionaries, and institutions who challenge convention, spark dialogue, and preserve the richness of our collective narratives. We must act now to preserve cultural sovereignty and ensure that artists continue to imagine, question, and build the future of the region.

Our support spans cinema, music, literature, performance and visual arts, documentary photography, research, and critical training, reaching emerging talents and established voices, from the heart of the region to the edges of the diaspora. 

AFAC is more than a funder. We are a platform for connection, advocacy, and continuity. Through open calls, mentorship, strategic partnerships, and direct support to institutions, we create ecosystems, for the region and by the region, that allow independent culture to thrive.

At a time when global attention often overlooks the nuance of Arab realities, AFAC helps ensure that our stories—rooted in diversity, contradiction, and creative force—are not just told, but heard, remembered, and felt. We invite you to imagine a world where every voice can create, connect, and contribute to the cultural future of the region.

**With your support, AFAC can:**

- Sustain and expand critical funding for artists and institutions
- Launch bold new programs in underserved geographies
- Build a long-term ecosystem for Arab cultural philanthropy

Arab Fund for Arts and Culture

SFNF is San Francisco's premiere performance art troupe and a fiscally sponsored project of Intersection for the Arts.

The San Francisco Neo-Futurists are a collective of wildly prolific artists dedicated to the perpetual creation of experimental theatre that is immediate, ephemeral, accessible, and cheap. We believe the stage is an extension of daily life: we perform as ourselves in a non-illusory, interactive style that challenges the audience to create alongside us as active participants with a voice of their own. We respect and uplift each other on and off stage through non-hierarchical accountability, collective decision-making, and anti-oppression practice of all kinds. We do over 100 shows a year and we will never stop. 

San Francisco Neo-Futurists

WHCC is a vibrant, diverse, and welcoming community chorus in Upper Manhattan. 

ABOUT THE CHOIR
WHCC is a no-audition community choir, one of a handful in NYC and the only one serving Upper Manhattan. We're a lively, diverse, and welcoming group that loves to sing and believes in the power of music to spread joy and build community!

HELP KEEP THE MUSIC ALIVE
Choir membership dues cover about 60% of our expenses. Your donation helps bridge the gap, supporting our Choir Director, accompanist, music licensing, marketing, space rental, insurance, and other administrative needs. 

With your help, we can keep singing and grow our presence in Upper Manhattan!

Washington Heights Community Choir is a project of Players Philanthropy Fund, Inc. a Texas nonprofit corporation recognized by IRS as a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (Federal Tax ID: 27-6601178, [ppf.org/pp](https://ppf.org/pp)). Contributions to Washington Heights Community Choir qualify as tax-deductible to the fullest extent of the law.

Washington Heights Community Choir

We plant the seeds of freedom by cultivating students' creativity and harvesting mutual empathy for a peaceful, prosperous future.

[**Rai·son d'ê·tre**](https://icaf.org/about/why-icaf)

A 501(c)(3) nonprofit with EIN 52-2032649, ICAF has served American children since 1997 as their national arts organization. ICAF seeds their imagination, cultivates creativity, and grows mutual empathy among them (for “a more perfect union”) and with their peers worldwide (for a peaceful future).

Creativity is now more crucial than ever before as a career skill, while empathy is considered humanity's survival skill. 

What young people contribute or create in their lives depends on their self-identity. The development of a holistic student identity underlies ICAF’s theory of change.

Through its free school art program, ICAF promotes the Artist-Athlete Ideal, which embodies a creative mind and a healthy body (*mente sana in corpore sano*). This holistic identity awakens a student's dormant “inner artist” or the slumbering “inner athlete,” helping mitigate obesity risks and creativity slumps.

At its World Children's Festival, ICAF's methodology infuses creativity with empathy, motivating students to become "creative empaths" who can work together to shape a brighter future.

[**Research & Publications**](https://icaf.org/resources/publications)
ICAF’s seminal research has been published in several leading journals, including [The Lancet](https://www.thelancet.com/pdfs/journals/lancet/PIIS0140673606699157.pdf) and [Dynamische Psychiatrie](https://icaf.org/resource/pdfs/CreativeEmpaths.pdf). Since 1998, ICAF has published the ad-free quarterly, the ChildArt magazine. Please preview the [AI & Art ](https://www.icaf.org/AI&Art/)magazine and the [Human Security ](https://icaf.org/resource/flipbooks/HumanSecurity/)magazine.

[**The Arts Olympiad**](https://icaf.org/mission/arts-olympiad.)
ICAF’s Arts Olympiad has evolved over the years into the world’s largest school art program. Its structured lesson plans culminate in art contests on the theme "My Favorite Sport." ICAF selects the most exceptional artworks and invites the young Artists-Athletes as delegates to the World Children’s Festival. The U.S. Olympic and Paralympic Committee has granted ICAF an exclusive license to utilize the "Arts Olympiad" mark.

The 7th Arts Olympiad, currently taking place in the United States and nearly fifty countries, is projected to benefit more than half a million students worldwide. For more information about the program in select countries, please click [here](https://icaf.org/resource/pdfs/Arts-Olympiad-Stories-Texas.pdf).

[**World Children’s Festival**](https://WorldChildrensFestival.org)
The World Children’s Festival (WCF) offers a transformative experience, infusing creativity with empathy to give them hope. While learning is a biological process that creates new neural connections, developing empathy necessitates unlearning ingrained biases and prejudices to activate the “mirror neurons” that underpin empathetic responses. As empathy flourishes, divisions diminish, polarization lessens, consensus emerges, nations come together, and the world becomes more peaceful. The educational programming for this three-day public celebration of children's talents is rooted in STEAMS education, an innovative approach developed by ICAF that integrates Arts and Sports into the STEM disciplines. For an overview of the WCF, please click [here](https://www.icaf.org/resource/flipbooks/Creativity,DiversityandUnity/).

The 7th World Children’s Festival, held at the National Mall from June 30 to July 2, 2026, will also serve as the children's celebration of America's 250th birthday. 

**Other Art Programs**
ICAF occasionally organizes [Peace through Art Programs](https://icaf.org/mission/peace-through-art) to restore the trust in humanity of children in conflict zones and [Healing Art Programs](https://icaf.org/mission/healing-arts-program) to revive faith in nature of child victims of natural disasters. ICAF also pays attention to [climate change](https://icaf.org/mission/climate-change) because of its impact on children’s lives.

**Sport Art Exhibitions**
As the largest children’s art organization, ICAF curates exhibitions worldwide to bring its unprecedented collection to significant venues and museums. ICAF exhibitions embolden children and kindle the inner child in professionals. Please watch this [3:22-minute clip](https://youtu.be/0Cv7qHQM7fM?si=XFAHo8MZDs2Sj7e_).

**Art & Sports Online Contests**
To engage children worldwide in the LA28 Olympics, ICAF has launched an online art contest for students aged 8 to 20. This inclusive platform allows participants to create artwork about their favorite sport, share it with family and friends, and receive votes from any sports fan or art lover, contributing to the selection of the winners. https://MyFavoriteSport.org. 

[**Partnerships**](https://icaf.org/about/partnership)
ICAF has worked with the United Nations, the National Institutes of Health, the International Society for Education through Art, the World Bank, and the World Health Organization. 

ICAF’s sponsors have included corporations and grant makers such as the DC Commission on the Arts and Humanities, the National Endowment for the Arts, and several private philanthropies.

International Child Art Foundation

How’s it bee? is an interactive children’s art song recital using music, theater, dance, puppetry, and illustrations.

How’s it bee? is an interactive children’s art song recital.  Award-winning recitalist Courtney Miller and pianist Rebecca Hass use theater, dance, puppetry, and illustrations to follow bees, butterflies, and other winged creatures around the garden.  

Courtney and Rebecca also engage the audience in writing a poem and encourage dance. The program features stories of self-acceptance, including Prokofiev’s The Ugly Duckling and Lenny the Leopard by Irving Fine. Wonderful Bay Area artists Nidhi Chanani and Kevin Okulolo contribute illustrations and animations for the program.  While geared towards children, the show is for all ages.  

**The goal is to bring this recital to schools, libraries, community centers, and the like around the Bay Area - and beyond!**

**Program Notes**

"As a classically trained opera singer, I continue to see music literacy and appreciation declining in our country; and that starts with the lack of arts education in schools.  Through my work in schools around the Bay Area with the San Francisco Opera Guild, I see first hand how few schools have music or art programs in their curriculum and how eager kids are to perform and be involved in the arts.  I have curated this recital to help bring both music, theater, and visual art to local Bay Area families.  The multidisciplinary shows that I create reflect my belief that art fosters connection and deepens empathy.  Every performance strengthens my conviction that art is not only about personal expression, but about building relationships – both with other artists and with the audiences we serve.  In these times when connection can feel fractured, art provides a shared space to reflect, heal, and celebrate our common humanity." - Courtney

The length of the program is adjustable based on need with an optional butterfly puppet making craft. 

**Immediate funding needs:**

Artist fees for each performance - $600

Ongoing administration fees - $1000

Projector - $86

Projector screen - $100

Foldable wagon for transport of equipment - $120

Additional art supplies - $200

**Long-term funding goals:**

Additional illustrations and animations - $3,000-$10,000

Recording fees for album and YouTube distribution - $3,000-$10,000

How's it bee?

Story House Ithaca brings people together to share, study, create, and enjoy stories in all their forms.

Story House Ithaca brings people together around stories. We define “story” very broadly, to include fiction and nonfiction, poetry and song, documentary, journalism, photography, audio, film, theater, puppetry, visual and performance art, graphics, dance, and every other way of communicating ideas and experience. Our definition of “house” is also broad. We hope eventually to settle into our own space, but for now we’re excited to be popping up around the community.

**The Problem**

Our society is going through a period of fracturing, as people of different socioeconomic, cultural, and educational backgrounds divide into ever more insular groups. One reason for this is a lack of opportunities for people to interact in meaningful and non-threatening ways. This has had disastrous consequences in politics, public health, and many other areas.
  
 **Our Approach**

- Story House creates. We dream up, organize, and present workshops, discussions, readings, talks, screenings, exhibitions, performances, participatory projects, and other activities. 
- Story House collaborates. We work with organizations, artists, activists, scholars, and others to plan and present compelling programming. 
- Story House connects. We help creative people and groups find new partners and reach new audiences. 
- Story House empowers. We help members of our community acquire the skills they need to tell the stories they want to tell.

In all our programs and activities, we are committed to creating inclusive spaces that welcome diversity. We strive to foster interactions between people of different cultures, ethnicities, and socioeconomic backgrounds, with the goal of working toward shared understanding and a more equitable, anti-racist society.
 
**Our Team**

Lesley Greene (co-director) is a producer, designer, writer, and director. She worked for many years at the Kitchen Theatre Company, where she curated and produced three performance series, created sound and projection designs, and served as chief grant writer and head of marketing. She is a co-founder and co-organizer of Porchfest, a festival that began in Ithaca in 2007 and now takes place in more than 150 cities across North America.
  
Jonathan Miller (co-director) is a writer, journalist, editor, radio producer, podcaster, and media project leader whose work has taken him to more than 20 countries. Since 2006, he has been executive director of Homelands Productions, an award-winning journalism collective that specializes in public radio features and documentaries. Jon serves on the board of Ithaca City of Asylum and coordinates the ONWARDS project, which seeks to help displaced writers, artists, human rights defenders, and scholars find stability in the USA.
 
**Contact information** 

Lesley Greene and Jonathan Miller, co-directors
[info@storyhouseithaca.org](mailto:info@storyhouseithaca.org) 
   

Story House Ithaca

A fiscally sponsored project of Intersection for the Arts, Dulcimoon is a woman-led virtual dulcimer festival and community. 

Dulcimoon is a vibrant, woman-led virtual dulcimer festival dedicated to creating a welcoming and supportive community for players of all levels. Our mission is to celebrate the spirit of collective exploration, personal expression, and joyful learning, while highlighting the inspiring contributions of women in the dulcimer world. Children are welcome and encouraged to participate in free workshops and online activities created just for them! 

Your donations support a scholarship fund for the festival, twice per month Dulcimoon Talks interviews, and community events hosted online for mountain and hammered dulcimer players. 

Dulcimoon

The Together In Hope Project is a nonprofit organization focused on changing lives through music with a purpose. 

The Together In Hope Project is a nonprofit organization focused on changing lives through music with a purpose. We create unique, music-anchored projects on issues of our shared humanity to promote healing and reconciliation.

Together In Hope Project

Nonprofit co-op housing and venues for artists, writers and musicians in the city of San Francisco


P Segal, nee Roberta Pizzimenti, was born & raised and still lives in San Francisco’s North Beach. She is a professional writer. She established ArtHouse to help artists, writers and musicians to remain in San Francisco.

P Segal has been a lifelong member of the city’s arts community. In 1990, she suggested moving Burning Man to the Black Rock Desert, and she opened the Center Camp Cafe in 1995. The event was planned in her flat for a decade.

Her zine, [**Proust Said That**](https://proustsaidthat.blog), was the first serial publication on the World Wide Web, and it’s the longest running publication online. In 1994, she introduced the engineers developing the Web to the young artists who would apply their skills to building the new field of computer graphics.

The need for [**ArtHouse**](https://arthousesf.org) became apparent when the cost of living escalated in San Francisco, and the once enormous community of artists was priced out. 

According to a 2017 Arts Commission survey, 75% of the artists still here in 2010 had already moved away or were planning to soon. Much of the community was already gone by 2010. P began to develop plans for a co-op format project for artists’ housing and venues that would enable them to come back.. 

In 2019, ArtHouse joined forces with the Intersection for the Arts, our fiscal sponsor. Since then, we’ve searched for foundations that had artists’ housing in their funding guidelines, and found none, and we looked for individual-nonprofit—or corporate-nonprofit—partnerships.

In recent months, we’ve opened discussion with the Community Arts Stabilization Trust, that wants to help us find buildings and return artists to the city. Artists created a new art movement here nearly every decade of the 20th century. The last new movement was Burning Man, and we’re curious about what magic will happen when the community returns.  

ArtHouse

Helping artists actualize their vision since 1965!

Intersection for the Arts is a bedrock Bay Area arts nonprofit that’s dedicated to helping artists grow. Through vital resources, including fiscal sponsorship, low-cost coworking and event space, and professional development programs, we empower people to continue creating, thinking big, and taking weird and wonderful risks.

We believe art and culture are necessary elements of wellbeing. That’s why we serve people working in the arts—from artists to educators to administrators to funders.

We take the stance that artists should be at the top of the systems that were originally created to support their work. Art institutions would not exist but for artists’ creativity, sweat, blood, tears, and enormously generous hearts. We support those who take matters into their own capable hands and make their own opportunities. We stand by artists every day in their efforts to make our communities better, healthier, more exciting and dynamic places to live our lives.

Intersection for the Arts

The Civic Circle empowers students students to understand and participate in democracy through music and the arts.

The Civic Circle launched in 2018 to empower low-income students with civic skills, lift youth voices through the arts, and close a well-documented equity gap in civic learning and engagement.

Since then, we’ve reached more than 5,000 underserved students with our after-school workshops, assembly shows and community civic events. The heart of our program is seven civic skills we call “steps to democracy”— Listen, Learn, Choose, Join, Speak, Act and Lead. In other words, be a compassionate, informed, engaged citizen.

Civic learning correlates to better school performance, and college and career readiness. Students in our programs do Social Studies and service-learning activities, and work with teaching artists to create and perform their own civic songs, poems, and art pieces. Along the way they build literacy, confidence, self-expression, and social and emotional skills.

Our innovative, multicultural program equips students with the civic skills they will need to become voters and leaders in their communities, a mission that is increasingly crucial both for student achievement, and for our success as a democratic society. For more information, please contact info@theciviccircle.org, or visit www.theciviccircle.org.

The Civic Circle

Pollinator is a growing network of aligned peers.

The inaugural Pollinator Program launches in October of 2025.

The Pollinator Program is like a virtual residency of mutual support. Participants get matched with a small cohort of compatible peers, and work on your new website in good company.

**How it Works**

1. Get invited to join: All members are alumni from our network of vetted residencies, fellowships, and cultural institutions.
2. Match with an aligned peer circle: We place you in a dedicated cohort with five other members. These are your people. (One might even be your creative soulmate?)
3. Learn a new goal-setting method: Join video calls with your circle each week, guided by our curriculum.
4. Make real connections, and real progress: join the next Program cycle to continue cross-pollinating.

**Network**

Pollinator supports interdisciplinary practitioners across art, technology, ecology, and social impact. We are currently accepting alumni of over 50 institutions and programs. See https://pollinator.coop for the full list of institutions.

**Team**

We build collaborative technology for artists, by artists. We believe in the magic of human-to-human intelligence and see Pollinator as a way to strengthen cultural ecosystems through peer-to-peer connection.

Pollinator Co-Directors Caroline Woolard and Or Zubalsky are artists, educators, and technologists who have been collaborating for 15 years. From 2008-2018, they built and maintained TradeSchool.coop, an international peer-to-peer learning platform that was used in 30 cities internationally. Caroline Woolard is the co-founder of Art.coop, a national network of art and design cooperatives, and the co-author of Making and Being, a book about collaborative pedagogy. Zubalsky and Woolard have taught for over a decade at The New School, Rhode Island School of Design, Cooper Union, the School of Visual Arts, the University of New Mexico, Bennington College, George Washington University, and the University of Hartford. Learn more about Zubalsky here and Woolard here.

Zubalsky and Woolard got together to build Pollinator with a team of aligned engineers in 2024. The team at Minima has worked together since 2014 to deliver cutting-edge software-based solutions for corporate clients. Minima has built and managed widely used web, mobile, and server-side applications, including Apple's Music TV. Minima builds complex systems that scale, are maintainable, and cost effective. Minima prioritizes the end user across axes of accessibility, security, communication, and simplicity.

**Praise**

“We need more networks to connect us to share resources at this time.” —Wendy Woon Artist, former Edward John Noble Deputy Director for Education, MoMA

“Pollinator is something all artist-serving organizations want to offer but struggle to pull off alone. It's an investment in all the artists [and aligned peers] we're supporting across all 40+ organizations.” —Blair Benjamin, Assets For Artists

“We have been gathering artists and technologists across borders for over a decade. Finally, Pollinator can help us to connect people in small groups at scale on an international level.” —Mechu Rapela, Tenthaus Oslo

“Pollinator is a great idea because it takes existing networks of fellows and says: We’ve been missing an opportunity to interconnect Fellows. What if we did this in a meaningful way?” —Cate Fox, Center for Cultural Innovation

“The world doesn’t need another big tech platform; it needs pollinators— something fluid, alive, and relational. Circles foster interconnection, cross-pollination, and shared growth.” —Martin Pettis, YMCA

“Pollinator is another example of what the founder has been doing for the last fifteen years - finding ways to connect people in the arts so that they can support one another. She is persistent in her dedication and vision.” —Samuel Hoi, former president of Otis College of Art and Design and Maryland Institute College of Art

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