I gave to the Jodie Ruby Melodies for All fund because she was a friend and fellow board member. She is dearly missed. 

With AI you could cut the costs of high-quality art 1000x and put significant focus on AI for longevity. 

I gave because Jodie was a friend and fellow board member. She is dearly missed. 🎶

Good luck with your upcoming performances - thanks for spreading joy!

I gave because I love Tabitha, and I think music should be a bigger part of everybody’s life ❤️

Amazing movement of artists based in love and community!!

Your work is so important, WHCC! Go TABITHA, GO! Thank you!

Corey we can’t wait to see you and everyone else next weekend. 
Love Mom and  Ray

So proud of your commitment to this wonderful organization.

I would give 80 times more if I could, no gas…

Our mission is to change lives through accessible music education and experiences.

Music Works Northwest offers private lessons for all ages in the following instruments: Violin, Viola, Cello, String Bass, Piano (jazz, classical, contemporary), Voice (all styles), Flute, Clarinet, Saxophone, Oboe, Bassoon, French Horn, Trumpet, Trombone, Bass trombone, Tuba, Euphonium, Baritone,  Guitar (all styles), Ukulele, Electric Bass, Percussion, Drumset, Mallets, PLUS classes in computer recording and songwriting. We also have group classes and ensembles, summer camps, FREE concerts and events, music therapy, and so much more!

Music Works Northwest

Inspiring a Cultural Change to Transform Human Health

**ALSAE'**s (pronounced "All Say") is a nonprofit foundation whose mission is to unite longevity science and the arts through collaborations with creators and scientists, inspiring cultural change and accelerating progress in curing age-related diseases—such as Alzheimer’s, cardiovascular disease, and cancer—ensuring everyone can enjoy longer, healthier lives.

Alliance for Longevity Science, Arts & Entertainment

We're a no-audition, adult community chorus, created for those who love to sing in Upper Manhattan. 

ABOUT THE CHOIR
WHCC is a no-audition community choir, one of a handful in NYC and the only one serving Upper Manhattan. We're a lively, diverse, and welcoming group that loves to sing and believes in the power of music to spread joy and build community!

BUILDING A LASTING FOUNDATION
Founded by a local church in 2016, we disbanded in May 2022 due to budget cuts but quickly regrouped and reestablished the choir as an independent nonprofit. Now two years strong, we aim to become a lasting part of our community.

HELP KEEP THE MUSIC ALIVE
Choir membership dues cover about 70% of our expenses. Your donation helps bridge the gap, supporting our Choir Director, accompanist, music licensing, marketing, space rental, insurance, and other administrative needs. 

With your help, we can keep singing and grow our presence in Upper Manhattan!

Washington Heights Community Choir is a project of Players Philanthropy Fund, Inc. a Texas nonprofit corporation recognized by IRS as a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (Federal Tax ID: 27-6601178, [ppf.org/pp](https://ppf.org/pp)). Contributions to Washington Heights Community Choir qualify as tax-deductible to the fullest extent of the law.

Washington Heights Community Choir

Cultivating a sustainable world for future generations through Music, Art, Education, and Culture.

1. **“Audiopharmacy Prescriptions" (APP) is our collective & organization of cultural community artists dedicated to the love and empowerment of diverse communities through the medicine of Music, Art, Movement, Culture, Education and Indigenous Lifeways.**
2. **APP spawned from "Audiopharmacy" (AP) - a World Hip-Hop** **Ensemble** **representing the power of Love, Music, and Collective liberation.**
3. **“Bambu Pharm" is Audiopharmacy's headquarters / event / studio / education / wellness space, created to serve the underserved. It is located in West Oakland, California.**

Audiopharmacy Prescriptions

Helping artists actualize their vision since 1965!

Intersection for the Arts is a bedrock Bay Area arts nonprofit that’s dedicated to helping artists grow. Through vital resources, including fiscal sponsorship, low-cost coworking and event space, and professional development programs, we empower people to continue creating, thinking big, and taking weird and wonderful risks.

We believe art and culture are necessary elements of wellbeing. That’s why we serve people working in the arts—from artists to educators to administrators to funders.

We take the stance that artists should be at the top of the systems that were originally created to support their work. Art institutions would not exist but for artists’ creativity, sweat, blood, tears, and enormously generous hearts. We support those who take matters into their own capable hands and make their own opportunities. We stand by artists every day in their efforts to make our communities better, healthier, more exciting and dynamic places to live our lives.

Intersection for the Arts

Turnpark Art Space Inc is a nonprofit organization focused on arts, culture, or humanities. It is based in W Stockbridge, MA. It received its nonprofit status in 2014.

TurnPark Art Space is a 16-acre sculpture park and art venue for visitors of all ages, located in the Berkshires region of Massachusetts. It features an outdoor sculpture collection, two indoor exhibition spaces, and a marble amphitheater for outdoor performances. TurnPark offers a unique experience of art and nature within the historical context of a former marble and limestone quarry.

Turnpark Art Space Inc

São Paulo-based Ilumina creates global pathways to inclusion, education, and opportunity for extraordinary musical talent.

**ILUMINA**
**From farm to stage and to the world, Ilumina creates bridges that change the flow of talent around the globe.** 

A diverse community of artists and thinkers with a transformative social mission, Ilumina is writing a new narrative for 21st-century music-making, where worthy talent gets an equal chance to shine, no matter where they come from.

Violist and director **Jennifer Stumm** founded Ilumina on a coffee farm in Brazil in 2015. Its creator-led model unites young artists from diverse origins with global leaders in the field, develops new leaders by opening doors to top quality education, and builds lasting community, all while bringing joy to the world stage. Already, nearly 150 young artists from Ilumina projects have embarked upon performing careers, having attended world-leading conservatories at a 96% acceptance rate. Thousands more benefit from Ilumina’s digital education projects. Artists in the Ilumina community include **Christian Poltera**, **Paul Lewis**, **Liza Ferschtman**, **Tai Murray**, **Anthony Marwood**, **Julian Steckel**, **Boris Brovtsyn**, the **Danish Quartet** and many more, who commit their time to amplify opportunity for young people from very different backgrounds.

Ilumina performances immerse listeners in diverse musical worlds, radically fueled by the freshness of cultural exchange and the power of community, whether in a warehouse, on a farm, or in one of the legendary concert halls of the world. Internationally, Ilumina made a highly lauded **Lucerne Festival debut in 2022**, followed by invitations around the world. In 2024, it became the first Brazilian ensemble to have a **full residency at the Edinburgh International Festival**, made its large hall debut in the **Concertgebouw Amsterdam**, toured in Germany, Austria and Italy and will release its debut album, “Transfigurada,” recorded at the Grafenegg Festival. On September 26, 2024, the prestigious **Kronberg Academy** (Germany) awarded Jennifer Stumm the **Pablo Casals Award - For a Better World** in recognition for her visionary work in cultivating worthy talent from Latin America through Ilumina.

The annual Ilumina Festival every January in São Paulo is firmly established as one of the most significant and innovative music festivals in Latin America, with a majority of its large audience coming from urban and agricultural peripheries and hearing classical music for the first time. Ilumina is a sought-after creator of new festivals, having replicated its innovative model in Austria, Bolivia and Bahia, and, in 2024 it will build its newest musical immersion in the mountains above Bogotá, Colombia.

Since 2019 Jennifer Stumm has regularly spoken at NASA about how thinking like an artist inspires solutions for the world’s grand challenges. Moreover, there has been much interest in Ilumina’s model of efficient musical and social development. During the global pandemic, Ilumina’s digital project, “Equal Music,” united 1,000 musicians around the world to offer private lessons for those who lack access to arts education, leading to multiple full scholarships to universities for its young participants. In 2022 it launched “ECO,” in partnership with the pioneering sustainable coffee farm Fazenda Ambiental Fortaleza, connecting music and sustainability and democratizing access in agricultural communities to quality of life in all forms.

**The Philosophy of Ilumina**
by Jennifer Stumm, Founder and CEO of Ilumina

The source of Ilumina’s creative energy, where it all began, is a sustainable coffee farm in Brazil’s Atlantic Rainforest. Fazenda Ambiental Fortaleza is a magical place teeming with life, where every organism resonates, from giant trees to tiny hummingbirds. You change one tiny detail, and the entire system evolves, for better or for worse. Just like the farm, Ilumina is an ecosystem. When I founded the project in 2015, first as a grassroots festival project, the dream was to build a new kind of global community of artists and thinkers, driven by social ideals, where people from very different backgrounds inspire and help each other, leaving traditional hierarchies behind and building powerful new creative paths. From the very start, when we were playing a few concerts in a sawmill for farm workers, we could feel something transformative happening between us.

My grandmother, a self-taught pianist with an ear far better than mine, had no chance to study music as a Cherokee person in depression-era Appalachia. The only difference between her story and mine is that I had the chance to be heard. The reality of global inequity is that everywhere in the world there are talented and brilliant people with ideas, creative solutions and unique voices but the vast majority of them are not heard in the halls of power. We at Ilumina believe that talent does not choose where it is born. If we want greater equity and diversity in the world, and the world of music, there must be equity and diversity in the process of creation. That means looking honestly at the intrinsic barriers that keep diverse voices from the mainstream, how systems and traditions can be full of inequities, even with the best of intentions. For example, in classical music it is assumed that a violinist must start playing as a small child to be successful. But a large number of Ilumina musicians start playing in their teens and within a few years are accepted to study at top conservatoires.

Education, sustainability, community, equity, world-class performance and boundary-shifting creativity —these elements of our universe enrich and depend on each other. We don’t prioritize one over the other but view interdependence as proof of a healthy cultural ecosystem. We don’t see concerts on big stages as more important than education and community. A young artist might come to the Ilumina Festival for a couple of years or participate in digital lessons, receive support and a scholarship to study at a great conservatoire, and years later perform on tour as part of our artist collective. Further down the line, they might build their own collective or social project and invest onwards in new communities. Or an established artist might come to our festival or perform on tour with us and make friends with people they never would have otherwise, gaining new perspectives on social and educational inequality, and perhaps ultimately changing the way they view and value audiences. They might start to make different creative decisions, pick up the phone for people who might not have equal access, or notice who is sitting at the tables of power.

On stage, we think diversity is something you should hear. An Ilumina rehearsal might begin with freestyle Brazilian funk dance while improvising on a Baroque bass line but could equally dive so deep into a Ludwig van Beethoven score that we spend an hour working our way into the rhythmic identity of a few bars of music. We use movement and rhythm as connectors, a way to read each other on stage, to stretch our emotional vulnerability and flexibility. Our collective is a rich mix of humans with strong points of view and individual talents, and we lean into the inspiration and friction born from that. We try not to fear looking deeply at hard things. And while for sure there is joy in performing on the world’s big stages, the heart of Ilumina will always be our community. Artists, thinkers, agricultural workers, the amazing people who work on the farm and know every musician by name. Our large urban audience, who fill every seat in the biggest hall in São Paulo no matter how wild and adventurous the program. It’s human connection that powers our creativity.

Ilumina derives from the Portuguese verb ‘iluminar’, meaning ‘to enlighten’. We believe the future is multi-disciplinary and that music is a great illuminator for every other part of life. Music is language, science, emotion, history, and all the complexities of being human. It’s one of the most powerful connectors of both hemispheres of the brain, allowing us to link what we think with how we feel at the same time, to see the world and each other with deeper compassion and clarity. Just like the ecosystem of the forest, music helps us understand why the inclusion of diverse voices is not just a nice ideal but an imperative for the health of the global community. If we believe inclusion is right and true, we should expect better, more challenging and life-changing impact, on stages, in boardrooms and governments, and in ourselves.

Ilumina

Founded in 2006, the Benicia Chamber Players’ mission is to provide a classical chamber music concert series to underserved East Bay areas including Benicia, Lafayette, Piedmont and Vallejo. Our aim is to cultivate a community of local and other world-class professional musicians with a love of playing chamber music who are dedicated to sharing that love with audiences.

Benicia Chamber Players

Kids’ Club supports underserved youth in our community by awarding grants for programs for kids from birth to age 18 and beyond. 

Kids’ Club of Tarrytown & Sleepy Hollow provides support for underserved youth.  As a community organization, we marshal resources, increase local awareness, advocate for programming, and strengthen services to improve the lives of children and families. We collaborate with a variety of community organizations to identify needs, close gaps in services and provide opportunities for children.

*Through our close ties to the community, we are able to find, fund, and facilitate programs we believe will have the greatest impact on the lives of those we serve.* 

At Kids’ Club, we are all volunteers; we have no paid staff.  We all live or work in the community or surrounding areas. **Administrative costs are covered through the generosity of our Board members, enabling 100% of every dollar you donate to Kids’ Club to help the children and families we serve.** 

Kids' Club of Tarrytown & Sleepy Hollow, Inc.

SFNF is San Francisco's premiere performance art troupe and a fiscally sponsored project of Intersection for the Arts.

The San Francisco Neo-Futurists are a collective of wildly prolific artists dedicated to the perpetual creation of experimental theatre that is immediate, ephemeral, accessible, and cheap. We believe the stage is an extension of daily life: we perform as ourselves in a non-illusory, interactive style that challenges the audience to create alongside us as active participants with a voice of their own. We respect and uplift each other on and off stage through non-hierarchical accountability, collective decision-making, and anti-oppression practice of all kinds. We do over 100 shows a year and we will never stop. 

San Francisco Neo-Futurists

Harmony Theater is an organization focused on performing arts for people with disabilities based in southeastern PA. 

Harmony Theater

An SF Queer Theater Company, fiscally sponsored project of Intersection for the Arts

Eye Zen Presents illuminates and preserves hidden LGBTQ+ histories through interdisciplinary performance, archival activation, and intergenerational exchange. We create immersive public art rooted in place, memory, and accessibility that connects queer elders, artists, and audiences. Our practice pairs hands-on archival preservation with new creative works so that endangered legacies are safeguarded and shared as living culture. 


Eye Zen Presents

supports impactful initiatives for women and children, with a special focus on Mexico and projects that promote arts and education

**Education From The Heart**

We believe education is more than knowledge, it’s the chance to create, express, and belong. Our fund opens doors for children through access to education, music, and art, while also empowering women in the arts to share their voices with the world.

Corazones Unidos

The Civic Circle empowers students students to understand and participate in democracy through music and the arts.

The Civic Circle launched in 2018 to empower low-income students with civic skills, lift youth voices through the arts, and close a well-documented equity gap in civic learning and engagement.

Since then, we’ve reached more than 5,000 underserved students with our after-school workshops, assembly shows and community civic events. The heart of our program is seven civic skills we call “steps to democracy”— Listen, Learn, Choose, Join, Speak, Act and Lead. In other words, be a compassionate, informed, engaged citizen.

Civic learning correlates to better school performance, and college and career readiness. Students in our programs do Social Studies and service-learning activities, and work with teaching artists to create and perform their own civic songs, poems, and art pieces. Along the way they build literacy, confidence, self-expression, and social and emotional skills.

Our innovative, multicultural program equips students with the civic skills they will need to become voters and leaders in their communities, a mission that is increasingly crucial both for student achievement, and for our success as a democratic society. For more information, please contact info@theciviccircle.org, or visit www.theciviccircle.org.

The Civic Circle

Pollinator is a growing network of aligned peers.

The inaugural Pollinator Program launches in October of 2025.

The Pollinator Program is like a virtual residency of mutual support. Participants get matched with a small cohort of compatible peers, and work on your new website in good company.

**How it Works**

1. Get invited to join: All members are alumni from our network of vetted residencies, fellowships, and cultural institutions.
2. Match with an aligned peer circle: We place you in a dedicated cohort with five other members. These are your people. (One might even be your creative soulmate?)
3. Learn a new goal-setting method: Join video calls with your circle each week, guided by our curriculum.
4. Make real connections, and real progress: join the next Program cycle to continue cross-pollinating.

**Network**

Pollinator supports interdisciplinary practitioners across art, technology, ecology, and social impact. We are currently accepting alumni of over 50 institutions and programs. See https://pollinator.coop for the full list of institutions.

**Team**

We build collaborative technology for artists, by artists. We believe in the magic of human-to-human intelligence and see Pollinator as a way to strengthen cultural ecosystems through peer-to-peer connection.

Pollinator Co-Directors Caroline Woolard and Or Zubalsky are artists, educators, and technologists who have been collaborating for 15 years. From 2008-2018, they built and maintained TradeSchool.coop, an international peer-to-peer learning platform that was used in 30 cities internationally. Caroline Woolard is the co-founder of Art.coop, a national network of art and design cooperatives, and the co-author of Making and Being, a book about collaborative pedagogy. Zubalsky and Woolard have taught for over a decade at The New School, Rhode Island School of Design, Cooper Union, the School of Visual Arts, the University of New Mexico, Bennington College, George Washington University, and the University of Hartford. Learn more about Zubalsky here and Woolard here.

Zubalsky and Woolard got together to build Pollinator with a team of aligned engineers in 2024. The team at Minima has worked together since 2014 to deliver cutting-edge software-based solutions for corporate clients. Minima has built and managed widely used web, mobile, and server-side applications, including Apple's Music TV. Minima builds complex systems that scale, are maintainable, and cost effective. Minima prioritizes the end user across axes of accessibility, security, communication, and simplicity.

**Praise**

“We need more networks to connect us to share resources at this time.” —Wendy Woon Artist, former Edward John Noble Deputy Director for Education, MoMA

“Pollinator is something all artist-serving organizations want to offer but struggle to pull off alone. It's an investment in all the artists [and aligned peers] we're supporting across all 40+ organizations.” —Blair Benjamin, Assets For Artists

“We have been gathering artists and technologists across borders for over a decade. Finally, Pollinator can help us to connect people in small groups at scale on an international level.” —Mechu Rapela, Tenthaus Oslo

“Pollinator is a great idea because it takes existing networks of fellows and says: We’ve been missing an opportunity to interconnect Fellows. What if we did this in a meaningful way?” —Cate Fox, Center for Cultural Innovation

“The world doesn’t need another big tech platform; it needs pollinators— something fluid, alive, and relational. Circles foster interconnection, cross-pollination, and shared growth.” —Martin Pettis, YMCA

“Pollinator is another example of what the founder has been doing for the last fifteen years - finding ways to connect people in the arts so that they can support one another. She is persistent in her dedication and vision.” —Samuel Hoi, former president of Otis College of Art and Design and Maryland Institute College of Art

Pollinator

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We are a nonprofit, so instead of charging fees we rely on the generosity of donors like you.

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Music Works Northwest

Washington Heights Community Choir

Alliance for Longevity Science, Arts & Entertainment

Washington Heights Community Choir

Music Works Northwest

Audiopharmacy Prescriptions

Performing Arts