Mystic Arts Foundation's mission is to support artists across different disciplines who exhibit exceptional talent and creativity.

Mystic Arts Foundation is growing its base of artists and artist groups who are doing exceptional work that creates the opportunity for transformation. Any medium can be utilized to achieve an immersive, interactive, large-scale work of art and technology whether that be physical, aural, or visualization, and, of course, combinations of all 3 and beyond.

By meeting these artists and deciding to gift them some funding, you are participating in the Radical Collaboration of creating art together because your funding pays for supplies, transport, life support, and other things we still use money to pay for.  Someday we will evolve into the de-commodified Gift Economy, however, until then we greatly appreciate your consideration, generosity, and willingness to amplify this message for all in the Grand Playa.

ARTology ALL-STARS

Let's cultivate creativity and grow mutual empathy as building blocks for a more peaceful, prosperous, and sustainable future.

ICAF focuses on what matters most to children: How do they view themselves. ICAF employs the power of the arts for students' identity development in the following ways: 

1. **Arts Olympiad**
Objective: To transform children's self-identity through the arts for higher-order thinking and enhanced self-worth that teaches students to foster their creativity and engage in physical activity to counter the epidemic of declining creativity and rising obesity.

A school art programs, the Arts Olympiad introduces students to the "Artist-Athlete Ideal" of the creative mind and a healthy body (*mente sana in corpo sano*). The structured lesson plans motivate students to think of themselves and others not as techies, nerds, jocks, or artsy but as artist-athletes. The coalescing of artistic and athletic mindsets sprouts outside-the-box thinking and instills healthy lifestyles.

The Arts Olympiad requires students to visualize and depict themselves as artist-athletes in their paintings, drawings, or digital art, which solidifies their revised self-image as artist-athletes. When the number of artist-athletes grows, the school becomes a more creative, healthy, and forward-looking community.

The U.S. Olympic and Paralympic Committee has granted ICAF an exclusive license to use the "Arts Olympiad" mark.

**2.World Children's Festival**
Objective: To develop mutual empathy with three days of workshops, activities, and training at the National Mall across the U.S. Capitol.

The Arts Olympiad winners from the participating U.S. school districts and countries convene at their World Children's Festival (WCF) to celebrate Creativity, Diversity, and Unity.

The WCF workshops, training, and activities are designed to provide a transformative experience that infuses children's creativity with empathy, inspiring them to become "creative-empaths" who can work together to make the world a better place.

To be a creative-empath requires a quality of character that can help overcome adverse childhood experiences (ACEs) and disrupt the intergenerational transmission of trauma and hatred that seeps into the young, like physical traits or melanin. The WCF is not only fun and entertainment but an effective intervention that makes it unlike any other children's festival, nationally or globally.

**3.ChildArt Magazine**
Objective: Creative and empathic development of young readers. Published ad-free since 1998, ChildArt is a unique magazine that focuses on a single theme for each issue. Recent themes include Creativity, Human Security, Young Leaders, The Power of Words, Mindfulness, Metaverse, Animal Art, and Dance.

**4. Special Programs** 
ICAF conducts Healing Art Programs to restore faith in nature of child victims of natural disasters and Peace through Art Programs to revive trust in humanity of children in conflict zones.  In the summer of 2024, ICAF is organizing a global art contest for inclusion of young people in celebrating the Paris Olympics > https://MyFavoriteSport.org.

**Impact**
Over the past twenty-five years, ICAF has changed the world for children. More than five million schoolchildren have participated in and benefited from ICAF's free-of-charge programs. An estimated two million students, parents, and teachers have attended ICAF festivals, exhibitions, and conferences in over twenty major cities worldwide. ChildArt quarterly’s readership has grown to about 220,000.

**Funding**
Recent supporters include the National Endowment of the Art, D.C. Commission on the Arts and Humanities, Milton and Sally Avery Arts Foundation, Robert J. Bauer Family Foundation, Cretors Family Foundation, Skillman Foundation, Singing Field Foundation, and Ward & MM Family Fund.

Individual donors fund about one-half of ICAF program expenses. ICAF is independently ranked among the 25 Top Children's Charities in the United States.

ICAF is raising funds for the 7th World Children's Festival in June 2025 at the National Mall across the U.S. Capitol. We appreciate your support.

International Child Art Foundation

We're a no-audition community chorus, created by and for those who love to sing in Upper Manhattan. 

ABOUT THE CHOIR
WHCC is a no-audition community choir, one of a handful in NYC and the only one serving Upper Manhattan. We're a lively, diverse, and welcoming group that loves to sing and believes in the power of music to spread joy and build community!

REBUILDING OUR FOUNDATION
Established in 2016 by a local church, we were disbanded in May 2022 due to budget challenges. A resilient bunch, we quickly regrouped and reestablished ourselves as a sustainable, standalone nonprofit. We've been on our feet for nearly a year and are determined to remain standing for years to come!

HELP KEEP THE MUSIC ALIVE
We are supported mainly by choir member dues, but they only cover about 2/3 of our expenses. Money raised will help fill the gap, and go toward paying our Choir Director, accompanist, music licensing, marketing and other administrative costs.

Your donation will keep us singing and help us expand our activities in upper Manhattan!
 
Washington Heights Community Choir operates as a project of Players Philanthropy Fund, a Maryland charitable trust recognized by IRS as a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (Federal Tax ID: 27-6601178, ppf.org/pp). Contributions to Washington Heights Community Choir qualify as tax-deductible to the fullest extent of the law.

Washington Heights Community Choir

Providing sustainable and self-reliant rural development solutions since 1972

The Barefoot College, also known as the Social Work and Research Centre is a community-based grassroots organisation working since 1972 based on the Gandhian concept of reaching the last person. It was founded by Sanjit ‘Bunker’ Roy, to harness the skills and intelligence of rural people and ‘specialists’ people with degrees and formal professional competence, to work together to empower local communities. The SWRC/Barefoot aimed at addressing specifically the issues concerning the marginalised, the exploited and the impoverished rural poor living on less than minimum wages; in practical domains like water, education, solar, health, advocacy and rural livelihoods including handicrafts.

Barefoot has sought to provide the opportunity and the right support for communities to participate in planning, executing, and maintaining their own frameworks for development. These processes have provided the opportunity to the rural poor to lift themselves out of relative poverty with dignity and self- respect. The Barefoot College discussed, defined and consolidated the non-negotiables within its body politic (equality, collective decision-making, decentralisation, self reliance, austerity and openness to learning skills).

Barefoot College has been a place where sustainable ideas and the practical knowledge of the poor have been put into practice through work in education and skill development. This work has, in turn, resulted in large-scale impact in rainwater harvesting, solar electrification, non- formal education, health, conservation, women’s empowerment and culture. Barefoot has shown the potential of giving the rural poor an opportunity and support to develop self-sufficiency. What Barefoot has effectively demonstrated is the sustainability of the combination of traditional knowledge (symbolised by “barefoot”) and demystified modern skills.

Barefoot College

An organization focused on arts, culture, or humanities. It received its nonprofit status in 2022.

Bearded Ladies Cabaret

Inspiring emerging opera singers to achieve their full artistic potential through world class training programs and performances. 

Classic Lyric Arts Inc

A unique, cutting-edge, and ecologically sensitive multi-media art space and cultural ecosystem in Uganda.

Since its inception in 2006, Bayimba has been working towards the sustainability of its programming that has shaped Uganda’s cultural landscape and influenced a vibrant creative industry within the East African region. Championing platforms like the Bayimba International Festival, the Kampala International Theatre Festival, Amakula International Film Festival and DOADOA: a regional network of professional stakeholders. Over the years, more than 5,000 artists have shared stage at the Bayimba events, and more than 15,000 industry professionals have been skilled for the market through the Bayimba Academy.

Through its hard work, careful saving and individual givers – the organisation managed to acquire Lunkulu Island - a leafy 92-acre semi-attached island in the midst of a lush environment at the shores of Lake Victoria in Mukono and Buikwe districts, with an idea of developing it to become a cutting-edge multi-media arts centre that uniquely serves the creative community from across the globe. 

From 2018, Lunkulu Island purposely accommodates Bayimba’s growing annual festivals and events, contributing to the long-term sustainability of Uganda’s creative arts. The development of physical structures is deemed necessary to further provide artists with a holistic safe-space that will enhance innovation, collaboration and creative development in East Africa. With a combined community of all mediums of art, professionally presented in one space where visitors can get a comprehensive artistic experience, creating jobs for the youth, preserving the local culture to a year-round tourism eco-system – the Bayimba Centre will be a hotspot for entrepreneurs where art, culture, and sustainability intersect—a place where creativity knows no bounds. 

But we can't do it alone. We need your support to make this vision a reality. Join us with a donation in building a brighter future for Uganda—where creativity, sustainability, and community thrive – so that together, we can create something truly extraordinary.

Bayimba Cultural Foundation Limited

We spark thoughtful conversation with provocative plays and entertaining musicals while empowering local and emerging artists. 

SpeakEasy produces intimate, entertaining plays and musicals that are new to Boston and compel thoughtful conversation. We champion new talent and future arts leaders, alongside a diverse community of experienced local theatre professionals who share our devotion to excellence. We treat our artists, audiences and supporters as collaborators, working with us to make Boston a city that is sustainable for artists.

SpeakEasy Stage Company

Coeurage Ensemble is LA's only Pay What You Want Theatre Company.  It received its nonprofit status in 2012.

Coeurage was founded in the fall of 2009, when 12 graduates from California State University, Fullerton met in the back of a pie shop to form a theatre company. **Our philosophy was simple: the cost of a ticket should never prevent anyone from seeing high quality theatre in Los Angeles.** With our Pay What You Want ticketing model in place, we produced our first piece in early 2010, an original series of monologues written for an all female cast titled “Head Over Heels.” The late Steve Julian attended and wrote a widely shared article with the headline, **"Six people see Head over Heels, millions show no Coeurage."** The writeup, which lauded our work while lamenting small LA theatre houses, helped put us on the map, and our attendance rose to a rare level of consistency amongst LA's intimate theatre scene.


We would have never conceived that the work we originally produced out of garages and now- condemned buildings could ultimately lead us to acclaim in **American Theatre Magazine** and a slot in the mainstage season at **Center Theatre Group's Kirk Douglas Theatre, where Coeurage was awarded the inaugural production of their Block Party program.** 

During the pandemic we were forced to pivot and create art in a different way. ***The Nomad Project*** was launched!  **The ongoing project currently has ten different stories based at specific coordinates around Los Angeles**, using existing locations as inspiration for fully produced aural journeys. Audiences can experience them in-person, on-the-go, or from the comfort of home. You can listen here: [https://www.coeurage.org/nomad-project](https://www.coeurage.org/nomad-project)

Our 2022 productions of RENT by Jonathan Larson, had a cast consciously composed largely with queer and Latinx representation, and a predominantly female-identifying production team. We brought on an EDI consultant for the casting process as well as throughout the entire process. Having her at casting was game-changing and we will continue this practice. And we consciously hired a woman of color to direct a play by a white man. Their contributions to the depth and richness of storytelling were invaluable to both Coeurage Ensemble as an organization and to our audiences. We were sold out by the end of opening night, and were running a waitlist throughout. 


Our 2023 production of FROZEN FLUID by Fly Jamerson was cast entirely with actors who identify as trans or nonbinary. Our partnership with The Los Angeles LGBT Center for this production allowed us to engage directly with the Center's extensive queer and trans community, expanding our Coeurage community and offering greater access to live theater with our Pay What You Want ticket model. We were able to tell a story that had not yet been told in Los Angeles, where stories of the trans, nonbinary experience tend to be grounded in Realism. By presenting Fly’s poetry-driven script, we reached folks in a heartspace. We are incredibly proud of the impact the piece had on our audiences. One (cis-gender male) reviewer wrote, “I’m grateful to Coeurage Ensemble and the Los Angeles LGBT Center for putting this play on. What’s the point of going to the theater if all it does is affirm our values rather than challenge them? To its profound credit, there’s nothing pedantic about this play, and even less so about this playful production. The production is an earnest attempt to figure something out, a noble impulse, and, for this audience member, it offered an invite to do the same.”

Coeurage Theatre Company

Atlantic Symphony Orchestra is a professional regional orchestra on Boston’s South Shore, under the baton of Maestro Jin Kim, 

Atlantic Symphony Orchestra

The Redmond Academy of Theatre Arts is a nonprofit organization focused on arts, culture, or humanities. It is based in Redmond, WA. It received its nonprofit status in 2014.

The Redmond Academy of Theatre Arts

The Brooklyn Orchestra is a symphonic ensemble dedicated to expanding the orchestral music repertoire and audience.

The Brooklyn Orchestra is a symphonic ensemble dedicated to new music, striving to focus on contemporary composers. Founded by composer/conductor Olivier Glissant, the group was conceived to fuse genres of music that rarely meet on the classical stage and to bring music from multiple cultures to the orchestral repertoire, in an effort to make symphonic music accessible to a wider and more diverse audience.

Since our creation in 2015 we have fought to achieve our mission of diversifying the orchestral and operatic stage and bringing modern works from different cultures to the classical mainstream, and have presented several new creations including multiple premieres, as we focus mainly on active composers.

Our 2023 Fall season included the World Premiere of artistic director Olivier Glissant's ballet LADJA featuring Yannick Lebrun, lead dancer for the Alvin Ailey Dance Company, as well as a World Premiere and New York Premiere of Philip Glass's SYMPHONY No. 14 (in the presence of the composer) and Aguas da Amazonia, arranged by Olivier Glissant.

We are also developing educational programming and creating performing arts workshops for children that will provide exposure to opera, orchestral music and ballet in order to encourage creativity, experimentation and a collaborative spirit.

We believe in education above all and in the importance of the Arts. Children are welcome to all our events for free, and will always have some time reserved for direct interaction with the musicians of the orchestra (and their instruments!). Our first regular series, SYMPHONIC SUNDAYS, takes place at the Old Stone House in Brooklyn on the first Sunday of every month.

Finally, part of the orchestra's mission is to create a community and make culture available to all. We are dedicated to increasing the artistic offerings of Brooklyn. To that effect we are creating outdoor summer concerts that will include film and live music, opera performances and more.

Brooklyn Orchestra Society Inc

The Front Porch Arts Collective is a black theatre company committed to advancing racial equity in Boston through theater.

**The Porch is...**
*A communal gathering place.*
For nearly a decade, Boston has existed without a professional black theatre company employing artists of color and demanding the consideration of the major news outlets in Greater Boston. Boston’s reputation as an unwelcoming and racist city, featured prominently in a seven-part Spotlight series in the Boston Globe, highlighted issues of structural racism, including the visible cultural segregation in the arts. As a black theater company committed to rewriting those narratives, our namesake signifies a communal spirit, inspiring us to serve communities of color and produce art that is inclusive of all communities and welcoming to all audiences, to inspire a more tolerant and inclusive Boston.  

Front Porch Arts Collective Of Boston

We are a company of immigrants that are dedicated to passionate, imaginative storytelling and new forms of theater.

ABOUT ARLEKIN

Arlekin Players Theatre, founded by Artistic Director Igor Golyak in 2009, is an artist­-driven company created with and for immigrant actors from the former Soviet Union. For over a decade, we have told powerful stories and invented new forms of theater in both Russian and English, working to build vital connections and create shared human experience. We take special pride in exploring questions of self-identity and working on productions that play on the ideas of culture, identity, home, tradition, the idea of nationality, finding common themes that unite us all.

During our first ten years, Arlekin was invited numerous times to perform on the world-famous stage of the Moscow Art Theatre and at international festivals including the prestigious Mondial du Théâtre in Monaco. During our 10th Anniversary Season, we received a sweep of Boston’s Elliot Norton Awards, including Best Production, Best Designer, Best Actress and Best Director, with a ceremony watched on Zoom due to the sudden closures of COVID. During the pandemic, while mosts theaters worldwide were shuttered, we wasted no time in transforming our small theater into the Zero Gravity (zero-G) Virtual Theater Lab, developing a new genre and producing two international virtual theater productions, State vs Natasha Banina and chekhovOS /an experimental game/, which featured Obie winner Jessica Hecht as Ranevskaya and Mikhail Baryshnikov as Anton Chekhov. These productions went viral, catapulting Arlekin onto the international stage, receiving international attention (with audiences in over 40 countries) and receiving rave press, including two New York Times Critic's Picks. This work has positioned Arlekin and our founder, Igor Golyak, as innovators and international leaders in the virtual theater movement. 

We remain committed to connecting in new ways, creating meaningful, groundbreaking artistic productions, and continually reinventing what theater is for our community in Boston and for an increasing audience across the globe.  

Arlekin Players Theatre

Bringing music across the planet to those who need it most. Can music change the world? We believe it can.

Keys of Change is a charity formed by individuals who deeply believe that playing music can make this world a better place. Keys of Change aims to advance the lives of children and young people around the world through musical education and access to live classical music performances. The charity was set up in early 2011 by the international concert pianist Panos Karan, who works with three other trustees, all involved in music and/or education, and a growing number of committed volunteers in many countries.  ​ Over the past years, Keys of Change has brought classical music, often for the first time, to deprived or suffering audiences, in remote areas of the Amazon basin, Uganda, Sierra Leone, Kolkata and the tsunami-ravaged Fukushima area in Japan, as well as in Greece, Russia and London. Our music has brought alive emotions - fascination, happiness, tears of sadness – and generated hope and encouragement.  Wherever we go to perform, we also set up and fund musical education projects, working in conjunction with local music teachers. In Ecuador, we organise weekly guitar lessons for young people from deprived backgrounds. In Uganda and Sierra Leone, we have provided instruments and music lessons. In Fukushima and India, we have made regular visits to work with young musicians to improve their playing, and give them the opportunity to perform in joint concerts with Keys of Change musicians. In the case of Fukushima this culminated in the founding of the Fukushima Youth Sinfonietta, and organising for up to 50 young Japanese musicians to travel to London, to give a concert at the Queen Elizabeth Hall in April 2014, to Tokyo, performing at Tokyo Opera City in August 2015, and Symphony Hall, Boston, in April 2016.

Keys of Change

Know Theatre is Cincinnati's Theatrical Playground. Let's Play.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

We envision a theatre that elevates underserved voices; has a commitment to gender parity, diversity and inclusion in the playwrights it produces and artists it employs; that creates a welcoming space in which to wrestle with challenging ideas; that is accessible for everyone regardless of economic circumstances; and that pays artists a living wage for the work that they create.

We envision a theatre that can change the world.



Know Theatre of Cincinnati

We are the only continuously active professional opera company on the African continent. 

Celebrating 25 years in 2024, Cape Town Opera's vision is to sustainably produce opera of the highest artistic standard, thereby safeguarding opera as part of South Africa’s cultural heritage and providing an aspirational internationally recognized and enduring platform for Africa’s world-class singing and creative talent.

The organization's schedule features a diverse and thrilling repertoire, encompassing opera, operetta, and musicals. It is dedicated to providing unparalleled skills development and hands-on training to aspiring young artists from various regions in the country. Cape Town Opera’s 2024 programming will be balanced and strategic, with a stellar line-up of singers for onstage operas in theatre and unconventional stages.

Equally important are our Youth Development and Education program. We continue to invest in our youth and ensure that they have the opportunity to pursue professional careers in the performing arts.

Cape Town Opera 

Transforms lives by restoring, expanding, and innovating music education in our schools.

Music education changes lives, but only those of the students it reaches.

Sometimes it doesn’t reach students because their school has no teacher or instruments. Sometimes it doesn’t reach them because they can’t see a connection between their music program and music they know and love. Music Will removes these barriers.

We help schools build music programs that are as diverse as the students they serve. Programs that are innovative, inclusive, and culturally meaningful to students . We’ve served over 1,200,000 K-12 students across the country. We know the lifelong benefits that music can bring to students. Our work is to make sure that music will.

Music Will

JACK Quartet , Eighth Blackbird, ICE, The Knights, John Luther Adams, Steve Reich, John Adams, Charles Wuorinen, yMusic, Novus, Derek Bermel, Hans Abrahamsen, Andrew Norman, Kate Soper

Erin Lesser  – flute; Christa Robinson - oboe; Elisabeth Stimpert – clarinet, sax; Bill Kalinkos – clarinet, sax; Michael Harley  – bassoon, contrabassoon, voic...e, keyboards; Matt Marks  – horn, keyboards, electronics, composer; Tim Leopold – trumpet; Michael Clayville  - trombone; Matt Smallcomb - percussion; Christopher Thompson  - percussion; John Orfe – keyboards, composer; Courtney Orlando – violin, voice, keyboards, accordion; Caleb Burhans  – violin, viola, voice, mandolin, banjo, electric guitar, composer; Nadia Sirota  - viola; Stefan Freund – cello, composer; Miles Brown – bass; Alan Pierson – Artistic Director, conductor, keyboards; Gavin Chuck – Managing Director, composer; Nigel Maister  – Staging Director; Jason Varvaro – Production Manager Meer weergeven

Alarm Will Sound

The Wildwood is a theater company based out of the Twin Cities aimed at unraveling stigmas surrounding mental health. 

The Wildwood Theatre unravels the stigma of mental health and mental illness by creating safe spaces where individuals can feel comfortable to ask personal questions, explore feelings, investigate social norms, and excavate truth.

Wildwood Theatre

Curtain Call Theatre Inc is a nonprofit community theatre based in Braintree, MA. It received its nonprofit status in 1987.

With a mission to entertain, inspire and challenge audiences by producing innovative and thought-provoking theatre of the highest caliber, Curtain Call Theatre has brought quality, affordable theater to the local community for over 60 years. In so doing, we've created a tight-knit theatre family where we hope all artists and patrons new to our space will feel welcomed and supported and join our seasoned supporters in calling Curtain Call Theatre their “home away from home.”

Curtain Call Theatre Inc

The Alliance for Middle East Peace is a network of over 170 NGOs conducting peacebuilding between Israelis and Palestinians.

Alliance For Middle East Peace Inc

Lyric Stage produces intimate, challenging and entertaining theatre with Boston-area artists for Boston-area audiences.

Founded in 1974, the Lyric Stage is Boston's oldest professional theatre company, producing a six-show theatrical season which ranges in theatrical styles from classic Broadway-style musicals to new plays. Since 1991, the Lyric Stage has been in residence at 140 Clarendon Street, in a 240-seat venue, that is widely regarded as the most intimate in Boston.

With few exceptions, the actors, directors, designers, stage managers, technicians, music directors, and musicians that work at Lyric Stage live in Greater Boston. In casting and hiring, the artistic department seeks to balance ongoing relationships with opportunities for emerging local artists. Our educational programming reflects a commitment to introduce theatre to Boston's residents and to inspire young people to discover the multiple ways in which theatre can enhance, or become, a life-long career.

Lyric Stage Company

Revolutionizing classical music education by bringing world-class piano lessons to new urban environments

Keys 2 Success was founded by Jee-Hoon Krska, a Juilliard-trained classical musician with a doctorate in Electrical Engineering from MIT.  Launched in 2016 with 12 students at a single Newark public school, Keys 2 Success now teach over 150 student in public housing, gardens, parks, and churches all around Newark. 

Keys 2 Success

HERE builds a community that nurtures career artists as they create innovative hybrid live performance in theatre, dance, music, puppetry, media, and visual art.

HERE Arts Center

Inspiring children of all ages to reach their full potential.

We help children build confidence, character, and creativity through our unique music and theater productions while instilling the value of community outreach and philanthropy.

The heart of the PPF is about giving back to those in need, our community, and the world while also enriching the lives of our participants through music and theater.

Participants in our various productions learn confidence, creativity, empathy, and how to help others. All the while, becoming part of a loving and supportive environment; one that helps foster positive self-image and lifelong friendships.

Peter Pan Foundation

ASP is an award­-winning professional theater company with extensive education, youth and community programs.

Actors’ Shakespeare Project, founded in 2004, is an award­-winning professional theater company with a [Resident Artist Company](https://www.actorsshakespeareproject.org/about-asp/resident-acting-co/) and extensive [education](https://www.actorsshakespeareproject.org/project-education/insideschools), [youth](https://www.actorsshakespeareproject.org/project-education/outside-schools/), and [community](https://www.actorsshakespeareproject.org/project-education/community-events/) programs.

ASP performs and works in found spaces, schools, theaters and neighborhoods to present and explore robust language, resonant stories, and deeply human characters.

Our work is ensemble-­based and focused on intimacy, storytelling, language, relationships, voice, risk and artistry within and throughout the Boston area.

Actors' Shakespeare Project

Kids’ Club supports underserved youth in our community by awarding grants for programs for kids from birth to age 18 and beyond. 

Kids’ Club of Tarrytown & Sleepy Hollow provides support for underserved youth.  As a community organization, we marshal resources, increase local awareness, advocate for programming, and strengthen services to improve the lives of children and families. We collaborate with a variety of community organizations to identify needs, close gaps in services and provide opportunities for children.

*Through our close ties to the community, we are able to find, fund, and facilitate programs we believe will have the greatest impact on the lives of those we serve.* 

At Kids’ Club, we are all volunteers; we have no paid staff.  We all live or work in the community or surrounding areas. **Administrative costs are covered through the generosity of our Board members, enabling 100% of every dollar you donate to Kids’ Club to help the children and families we serve.** 

Kids' Club of Tarrytown & Sleepy Hollow, Inc.

Metropolis Ensemble supports outstanding performers and composers through the creation of new work. We are building a thriving artist collective and a dynamic online platform, supported by a generous community of monthly donors. Out platform provides opportunities for our artists to do what they do best: make and share new music with music lovers everywhere. Please make a donation today and help us bring music to life. You can enter any amount to provide crucial unrestricted funding for Metropolis artists and initiatives. 

Metropolis Ensemble

BlackStar, home of the BlackStar Film Festival, celebrates the work of Black, Brown, and Indigenous artists.

BlackStar produces year-round programs including film screenings, exhibitions, our annual film festival, a filmmaker seminar, a film production lab, and a journal of visual culture. These programs provide artists opportunities for viable strategies for collaborations with other artists, audiences, funders, and distributors.

BlackStar Projects

Our programs help young performing artists bridge the gap from university training to careers in opera and musical theatre.

Music Theater Bavaria (DBA Musiktheater Bavaria) is a Florida-based nonprofit devoted to performing arts education for emerging professional opera and musical theatre performers between the ages of 19 and 30. Students from throughout the United States (singers, dancers, and pianists) are competitively selected for our summer study-abroad program in Germany, where they train intensively for one month with world-class international faculty and perform in public concerts in either our Opera Studio or our Musical Theater Studio.

Our programs offer our students practical career training beyond what is provided in even very fine university and conservatory music and theater degree programs, giving them an extra edge that can make a difference in successfully launching their professional careers, introducing them to international opportunities they may have never dreamed exist, and providing the maturing effect of studying side by side with other highly talented colleagues from throughout the U.S. who are serious about learning how to compete in a tough business where their talent alone does not guarantee a career.

Need-based scholarship funding is a very important part of our mission, as the per-student cost of our month-long program in Germany (including room and board) is about $6,000. Our ability to offer scholarships is wholly dependent on donations to our scholarship fund. Donations to Musiktheater Bavaria through every.org will directly and personally benefit young performing artists, helping us to ensure that top applicants from all economic backgrounds can access these transformative opportunities for career-building and personal growth. Each summer our scholarship fund starts anew from zero, as each year we have awarded all the funds we have raised. Your gift is a gift of access to a highly talented student who could not otherwise dream of enrolling in our program.

Music Theater Bavaria Inc

The festival revives, studies, and stages Gioachino Rossini's musical legacy, and features a number of forgotten Rossini operas.

The Rossini Opera Festival is an autonomous body (ente autonomo) promoting international opera festival performances, going under the same name, entirely devoted to Gioachino Rossini. Its aim is to revive, to perform on stage and to study the musical heritage connected with the composer, who, by leaving all his considerable fortune to the town council of Pesaro, gave birth to the Conservatory of Music and the Foundation that bear his name today.

The Rossini Opera Festival was instituted in 1980 by the town council of Pesaro with the intention of backing up and developing, by means of theatrical performances, the scientific work of the Rossini Foundation: this has given birth to a unique multi-disciplinary workshop of applied musicology, aiming at the revival of all Rossini's lesser-known works through musicological research, theatrical performance and publication.

The development and growth of the event has also been made possible thanks to the financial contributions of public and private bodies, such as the Ministero dello Spettacolo e dei Beni Culturali (the government ministry responsible for cultural and archaeological activities), the Regional governmental board of the Marche, the Provincial government of Pesaro and Urbino, banks such as the Cassa di Risparmio di Pesaro and the Banca Popolare Pesarese (now re-named Intesa Sanpaolo), not to mention the local Pesaro industrial firm Scavolini, for more than thirty years a contributor.

For the first five years the Rossini Opera Festival was under the direct control of the Pesaro town council, but then in 1985 it was declared an ente autonomo supported by the local town and provincial governments of Pesaro.

As from April 1994 the Festival has been legally denominated a Foundation, whilst still keeping its original name. The new organisation is supported by the Pesaro town council, the Province of Pesaro and Urbino, the Fondazione Cassa di Risparmio di Pesaro, the Banca Popolare dell'Adriatico (now Intesa Sanpaolo) and the Scavolini Foundation. In this new institutional guise the governing body, of whom the Mayor of Pesaro is chairman, is nominated by an assembly of the founder members.

The sovrintendente is appointed by this same assembly; his is the responsibility for artistic appointments and decisions, in which he is able to call upon the collaboration of the artistic director. The Rossini Foundation is the Festival's internal guarantee of musicological standards.

On the 20th December 2012 parliament approved Law N. 238, which includes the Rof in the restricted group of "musical and operatic festivals of great international prestige". A legislative decision such as this underlines the interest that the State has always evinced in the Rof's restoration of Rossini's works, officially included among the operations that govern the artistic heritage of our country ever since Law N. 319/13 of August 1993: "Regulations in support of the Rosssini Opera Festival", which was subsequently confirmed when transmuted into the current Law N. 237/12 of July 1999.

The Rossini Opera Festival is a member of Italiafestival and Opera Europa.


FORMULA AND METHOD

These institutional developments form the background to more than thirty years of practising the formula "musicology applied to theatrical performance": in effect this is the story of a real-life musical pilgrimage in search of Rossini's lost masterpieces, which we have undertaken together with our enthusiastic audiences.

In fact, the Festival has become noted for its own very special atmosphere, which, besides acting as an incentive to work on the stage and behind the scenes, ends up by involving the operagoers themselves in the sense of solidarity binding together performing artists, musicologists, skilled workers, organisers and technicians, each of whom feels himself to be an important link in a rare and unique cultural adventure.

This climate has favoured the emergence of a method of work based on the parallel activities of musicians, musicologists and theatre technicians: problems of staging are dealt with together with problems arising from the score, whilst the musical experts deal with the solving of musicological problems whilst they take an active part in rehearsals. In all this the contribution of the Accademia Rossiniana has been of fundamental importance; this is a permanent seminar of studies on problems of interpretation designed to help theatrical professionals.

Year by year it has become increasingly clear that as the long-forgotten scores are revived one by one, problems in their musical performance and in their staging for modern audiences become increasingly numerous and complex. For this reason the strategy of the Festival is to accompany the re-discovery of Rossini's little-known operas - and, since 1990, the exploration of all his chamber and salon works - with the systematic study of the problems involved with presenting a contemporary audience, for the first time, with theatrical works based upon expressive formulas that are so out of date and apparently out of touch. All this has allowed us gradually to overcome false impressions stemming from conceptions of a supposed Rossinian orthodoxy, dry and dusty, and to create, instead, a meeting place for discussion and research, for ideas and projects.

Apart from the classic masterpieces of the Rossinian canon (such as L'Italiana in  Algeri, Semiramide,
Tancredi, Guillaume Tell, La Cenerentola and others), which have here been restored to their authentic form by musicologists of the Fondazione Rossini, the Festival can also boast a long list of unknown titles, revived in important productions, which critics and audiences alike have greeted in each case as authentic cultural events.

Amongst these we might quote Il viaggio a Reims, Maometto II, La donna del lago, Mosè in Egitto, 
Edipo a Colono, Ermione, Bianca e Falliero, Armida, Ricciardo e Zoraide, Adina, Zelmira, Matilde di Shabran, Sigismondo, Demetrio e Polibio forgotten scores that have gone out from Pesaro to theatres all over the world. The crowning point of this systematic revival of Rossini's "buried" works was the recovery of Il viaggio a Reims, the mythical score that disappeared after its first performances in 1825, and of which not even manuscript copies seemed to have survived. Its accidental re-discovery and its revival in Pesaro in 1984 under Claudio Abbado constitute one of the most important musical events of this century. The fact that Rossini's operas are ever increasingly present in the repertoire of theatres the world over is the best testimony to the decisive contribution made by the Pesaro festival to the Rossini-renaissance.

Rossini Opera Festival

We teach for-credit classes in Denver schools and offer free out of school programs at our Youth Media Studio.

Youth on Record empowers Colorado’s underserved youth to achieve their academic, artistic, and personal best by employing local, professional artists as their educators.

We are committed to ensuring that the youth we serve graduate from high school and are ready to enter the workforce, and transition to college or enter advanced technical training and careers. Our programs empower 3,000 teens in some of Denver/Aurora's most vulnerable communities to make life choices that positively impact their future by teaching them to develop the coping tools, inspiration, and wherewithal to succeed in today’s world and to become leaders of tomorrow.  

Youth on Record

Harmony Theater is an organization focused on performing arts for people with disabilities based in southeastern PA. 

Harmony Theater

The International Beethoven Project, est. 2008 as a NFP, celebrates the extraordinary lives & creative music of unique composers.

​​The mission of the International Beethoven Project is threefold: 

1) to celebrate Beethoven's music and humanist legacy

2) to make classical music more engaging, exciting and meaningful for all people

3) to serve as an educational resource 

By showcasing Beethoven as the revolutionary musician he was, we believe we can inspire new generations of listeners, performers and arts administrators to appreciate and engage with this art form. To do this, IBP has used many different approaches, from producing numerous events to making films, recordings and educational media.

Launching the "International Beethoven Day" initiative in 2021, IBP seeks to engage even more people across the world in carrying Beethoven's legacy of humanism and music forward.

Upcoming projects include a sweeping multi-media traversal of Beethoven's epic 32 piano sonatas that will include, in addition to recordings and films of the originals, music by contemporary composers and musicians inspired by the sonatas, along with readings of Beethoven's letters by actors and musicians and visual works of art to accompany the whole.

This project will be presented globally as well as brought to schools around the world.

IBP is also currently organizing the first-ever web3/blockchain/metaverse/NFT conference focused on the classical music sector.

From annual celebrations of Beethoven's birthday every December since 2010 and through his 250th anniversary in 2020, to multi-disciplinary festivals that have brought all the arts and many musical genres together under one roof, we have sought engagement across generations and society. 

"An event of world-class importance" (Chicago Tribune), IBP's Beethoven Festival has served as a showcase for what was possible in the future of classical music.

The International Beethoven Project has also produced several critically-hailed recordings, including a now-legendary album with a first-ever recording of a work by Beethoven, the Trio Hess 47, a top 25 on the Classical Billboard charts in 2010.

In the last few years, IBP has produced several music films and documentaries on Bach and Beethoven and continues to work on future productions. IBP's goal is to leverage the wide-reaching impact of audiovisual media to create novel ways of appreciating classical music's great classics, as well as inspiring contemporary composers and musicians. 


Stay up to date by visiting our website or following on social media.

www.internationalbeethovenproject.com 


International Beethoven Project

Celebrate and share Estonian culture in an architectural jewel in the heart of Toronto, North America's 4th largest city.

Estonian Arts Centre (EAC) is the charity associated with KESKUS International Estonian Centre being built in the heart of Toronto, North America's 4th largest city.  EAC promotes development of KESKUS in Toronto in which to further its charitable objects, and these include promotion and support of the arts, multiculturalism, preservation of literary, musical and visual arts and the welfare and education of artists. 

KESKUS will be a dynamic hub showcasing Estonian heritage and promoting Estonian innovation. It will be a vibrant gathering place for Estonians of all generations and backgrounds to connect, celebrate, and share Estonian culture and achievements with each other and the world. It is scheduled to open in the spring of 2025.

Please sign up for the monthly newsletter at our website and donate today, to help EAC achieve its mission in KESKUS.

KESKUS International Estonian Centre

MJW cultivates young musicians through jazz education and performances with professional artist while embracing Jazz.

Presently, Memphis Jazz Workshop programs consist of our Masterclass Series and Elite Saturdays. The Masterclass Series enlists international artists to provide lectures, instruction, and performances for students. In select instances, students are also afforded the opportunity to audition for college scholarships with some of the teaching artists who are college professors. The goal of the Masterclass Series is to host eight sessions throughout the calendar year. Dates for the Masterclass Series are selected and scheduled based upon the availability of each teaching artist. 

Elite Saturdays affords students the opportunity for deeper instruction and learning through four-hour Saturday sessions. Students meet twelve Saturdays during both the fall and spring semesters with an additional three weeks in the summer.

Serving nearly 150 students from the greater Memphis community over the last two years, the Memphis Jazz Workshop has realized several significant successes. MJW graduates are continuing music education and jazz studies in many of the nation’s most prestigious colleges and universities. Students have not only learned the language of jazz, but more importantly, they have learned the language spoken by its people through jazz improvisation. Because jazz education and jazz pedagogy are MJW priorities, our workshops directly support and resource many local school music programs. The students we teach go back to their respective schools and their communities with a better understanding of the importance of this vibrant art form.

MJW is committed to college placement and scholarship. MJW student Ljuliana Thomas, earned a full Presidential Scholarship to the prestigious Berklee College of Music in Boston, MA – one of only five scholarships awarded at that time. Ljuliana is an excellent example of how a Memphis student can aspire to bold opportunity with the right teaching, training and support network. It is for our students' benefit that we work in partnership with many area high schools, increase interest in jazz education in many middle schools, and provide the space for jazz musicians to assemble, jam, and pass the torch to young musicians.

Sixty-five MJW students have achieved (50) Blue Band and (15) Red Band at All-West through The West Tennessee School Band and Orchestra Association. Over the past three Ten MJW students have achieved superior All-State status along with other accolades.

In Memphis, STAX is the only organization that could be considered similar or competing. When it comes to jazz study, MJW is intentional in breaking down the theory behind the music and its history. All MJW instructors have a total of 365 years of performing and/or teaching jazz.


Memphis Jazz Workshop

Teatro del Lago enriches lives through world-class arts, education, and community engagement. Join us in fostering creativity.

Fundación Teatro del Lago is committed to transforming lives through the arts. We achieve our mission by offering world-class performances, innovative educational programs, and community engagement initiatives. Our diverse offerings include music, dance, theater, and visual arts, all designed to inspire and educate audiences of all ages. Your donation helps us provide scholarships, support emerging artists, and expand our reach to underserved communities. Join us in making a profound impact through the power of creativity and cultural exchange.

Fundacion Teatro del Lago

At LPTM, Black and Brown boys express themselves; navigate life challenges; mentor their peers; and transform their communities.

Life Pieces To Masterpieces (LPTM) provides opportunities for Black and Brown boys and young men ages 3-25 to express themselves; navigate the challenges in their lives; teach and uplift others as mentors; and contribute positively to their communities. 

Boys enter the program as early as age three, with programming including a daily afterschool arts and education mentoring program from 3:00-7:00, which involves transportation and a meal, a college- and career-prep Saturday Academy for high school young men who also serve as mentors, a full-day six-week summer program, and family and community engagement. All programs are free for all youth and families. 

In all programs, LPTM provides an environment of love, security, and expression. Black boys and young men, from pre-school to grad-school and beyond, discover their authentic selves; awaken to a sense of purpose; have their brilliance and humanity valued and nurtured – and see themselves as the beautiful Masterpieces they are. In their artwork, advocacy, and model of mentorship, our Black boys and young men are protagonists of positive change.

Life Pieces To Masterpieces

Culture Scholar Corporation enhances the lives of older adults through the therapeutic power of music, the arts and performances.


**About Culture Scholar Corporation's Music for Mental Health Initiative**

The "**Music for Mental Health**" initiative is designed to bring the profound benefits of music to seniors in retirement and assisted living communities. Music is a powerful tool for enhancing mental health, cognitive function, and overall well-being. 
Our program offers a variety of musical experiences tailored to the needs and interests of elderly residents, aiming to create a vibrant and supportive environment where music can flourish.

Since 2001 **Culture Scholar** has been the brainchild of Benjamin Barnes. 
In addition to being the Director and CEO of Culture Scholar Corporation 501(c)(3), 
Ben is an instructor and performer who creates and teaches the *Culture Scholar Music for Mental Health* classes and concerts. 

[Culture Scholar Corporation](https://www.culturescholar.org/) i**s a 501(c)(3) nonprofit organization**. **** 

**Thank You for Your Support**!

Culture Scholar Corporation 501(c)(3)

Vashon Events is a dedicated to building community and supporting artists-musicians on Vashon Island, WA. 

Our mission is to create, provide, and expand positive life experiences through music and art for all. We provide an information hub for Vashon Island including a business directory, information about events and classes happening on the island, and programs that support arts and local music. We believe that keeping Vashon Island vibrant means supporting our local businesses and artists.

Our programming provides critical and unique support for artists and musicians. We also produce concerts and other performing arts events at festivals, showcases, concerts in the park, and venues all over the island. We believe the arts should be accessible to everyone, therefore all our events are free or low-cost. At the same time, at every event we provide, we ensure that musicians and other performers are fairly compensated.

We support local musicians and artists by providing programs and services dedicated to helping them succeed in making their art. 

Music Instrument Library - Vashon Events’ musical instrument lending library provides free access to musical instruments for children and adults. We loan amplifiers, cords, tuners, and other accessories needed to make music.

Music Teacher Directory - Vashon Events’ Music Teacher Director provides a portal for information about local music teachers so students of all ages can learn to play music on a range of instruments.

Vashon Events

We are driven by a single goal to do our part to make the world better. Community Resource Hub for the Community  and Nonprofits 

Provide Community Resources & Awareness for Seniors, Children, Veterans, Homeless Out Reach, Disaster Relief, Donation Hub. Help Victims and Survivors of Domestic Violence and Human Trafficking Families, Juveniles with support services for Restoring their lives.

Collaborating Voices Foundation

A grassroots Cambodian theatre group, dedicated to the inclusion of marginalised people and unheard voices.

**Our vision:**
An unheard voice at the centre of every theatre performance in Cambodia.

**Our mission:**
To expand opportunities to create, perform, witness and participate in theatre that explores personal stories and experiences from Cambodian society.

**About LKO:**
Lakhon Komnit Organization (LKO) is a grassroots Cambodian theatre group, dedicated to working with vulnerable, marginalised and excluded community members who face severe barriers to social and artistic participation.

Working as an informal theatre group since 2017, LKO registered as a local NGO in 2019. *Lakhon Komnit* means “Thinking Theatre” in Khmer language: everything we do is motivated by the desire to make people think deeply.

A thriving artform until its destruction by the genocidal Khmer Rouge regime of 1975-1979, *Lakhon Niyeay* is now almost completely unknown. Today, there are only three *Lakhon Niyeay* groups in the whole country, and Lakhon Komnit Organization is the only one based outside the capital Phnom Penh.

From our base in Battambang, we run workshops, projects and performances which engage marginalised people as participants, creators, performers and audience members.

Our team have direct personal experience of poverty, marginalisation, addiction and family violence. We work with communities to explore their issues of concern: domestic violence, discrimination against disabled people, drug and alcohol use, human trafficking, unmanageable debt, emotional and financial abuse.

We perform in non-traditional theatre spaces, on the roadside in remote villages, in school playgrounds, addiction rehabilitation centres and pagodas.

Specialised in Forum Theatre, we address challenging issues in a culture where direct discussion is taboo, asking our audiences to intervene in the action on stage to change the outcome of the play. We create space for people to take a step back and reflect on situations which seem impossible to change when we are too close to them. Opportunities for choice are revealed and participants are motivated and empowered to change their own lives.

*Lakhon Niyeay* fosters critical thinking and connection, improving the lives of Cambodian communities. Lakhon Komnit Organization is dedicated to theatrical regeneration and development, so that Cambodian people can know, benefit from and value this powerful artform.

Lakhon Komnit Organization

ARTNOIR is a female-majority and Black + brown owned, with a mission to celebrate and highlight the work of creatives of color.


ARTNOIR is a female-majority and black + brown owned, NYC-based global collective and 501(c)(3) with a mission to celebrate and highlight the work of creatives of color while catalyzing cultural equity across the arts and culture industries. 

We seek to empower artists, enthusiasts, curators, forward-thinking organizations, storytellers, designers, and patrons to explore alternative perspectives to the traditional arts narrative while leveraging the intersectionality of art and culture to develop new access points for discussion, exploration, and collaboration.

Over the last 10 years, we have worked with artists, organizations, brands, and collectors around the world, including Hank Willis Thomas, Derrick Adams, Nina Chanel Abney, Mickalene Thomas, Kehinde Wiley, Harvard University, Airbnb, Google, UBS, Sotheby’s,  The New Museum, Coca Cola, KITH, and Essence to name a few. We have been featured in press outlets such as CULTURED, Artsy, Complex, and Black Enterprise. 

We were listed in ARTnews's “The Deciders” issue in 2021 as an institution currently contributing to the cultural conversation in a pointed way. 

ARTNOIR has cultivated a global community of over 30,000 people actively working to change the paradigm of the global arts and culture ecosystems while creating forums for all creatives of color and communities of color to thrive and succeed. 

The ARTNOIR Jar of Love Fund is intended to provide relief for artists, curators, and cultural producers of color. The Jar of Love Fund has distributed over $100,000 USD and was first launched in 2020 in response to the unprecedented times of uncertainty, unrest, and the subsequent adverse impact on our community.  

As an organization based on the foundation of community first, we want to do our part to provide love and care for artists, curators, and cultural producers of color when they need it most. 



ARTNOIR

HipHopForChange, Inc. uses grassroots activism to educate people about socio-economic injustices and advocate solutions through hip hop culture.

We are the revolution you have been waiting for!

To enhance opportunities for marginalized people in the Bay Area, HipHopForChange Inc (HH4C) is reclaiming Hip Hop culture as a vehicle for education, empowerment, and cultural innovation. Out of displacement and neglect, inner-city neighborhoods birthed Hip Hop as an outlet for oppressed people to address socio-economic injustices and validate their experiences through music, artistic expression, and storytelling; however, this beautiful cultural art form has been co-opted. 

White Media has historically portrayed Black and Brown communities through skewed frames and stereotypes by centering gross misrepresentations of our experiences and humanity. These media giants have used consumer capitalism and colonization tools to dictate the tone, narratives, and mediums by which people of color can adequately and safely express themselves. This unethical cultural hijacking has usurped Hip Hop's artistry, innovation, and power, caricaturing the culture as hyper-violent and hyper-sexual, promoting criminality, toxic masculinity, and materialism.

We provide solutions through Hip Hop culture by implementing grassroots organizing, arts programming, and educational events to advance our mission. We work with state and local partners such as the City of Oakland, the California Arts Council, the Zellerbach Foundation, the Sierra Club, and others that recognize the importance of arts and culture in POC communities.

We advocate for systemic change rooted in our community, owning the means of our creative production, amplifying our voices, and taking back our narrative. We recognize the colonial systems that use white supremacy to maintain practices that undermine communities of color by denying access to the opportunities needed to secure self-determination and liberty. Our core values stand with diversity, equity, and inclusion. Our goal is to advocate for all marginalized communities, including POC, LGBTQAI, Indigenous/Tribes, Immigrants, disabled bodies, poverty-stricken, systems impacted, and others affected by colonialism in all its forms. 

Hip Hop for Change Inc.

Teaching teens to relentlessly fight for positive social change through practical application of the performing arts since 1999.

A BRIEF HISTORY & MISSION
Developing Artists (DA) teaches undervalued teens to relentlessly fight for positive social change through practical application of the performing arts.  We help diverse students to proclaim themselves as artists and activists, to find their place and their connection in their community, and to bring about positive social change through participation in the arts. 

DA offers rigorous theater education to underserved high school students (aged 13-19) in the New York City metropolitan area and produces REBEL VERSES Youth Arts Festival. Our goal is to provide young people with professional performing arts training that will equip them with valuable artistic and life skills, and the confidence to take action in their lives. 
DA was founded in 1999 with a simple act of protest against youth discrimination. Following Artistic Director Jill DeArmon's experiences teaching performing arts in NYC public schools and established studios, she was astonished by the lack of freedom students were given to create and empower and felt they were censored rather than amplified and trusted. While teaching at one of these institutions, she was threatened to either stay and stick to the status quo or be fired. Jill told her class that she was leaving, because she could not accept ageism towards her students. Every student decided to follow her out and the first DA Ensemble was born. In collaboration with the ensemble, Jill offered classes where teens could be heard, with support to create original work that tackles important social issues. She committed to empowering students through art by giving them practical tools to express themselves and learn to collaborate.

THE NEED OR PROBLEM WE WORK TO ADDRESS 
We impact students by creating a forum to navigate life's increasing challenges (e.g. age discrimination, social injustices, gender inequality, institutional racism, economic disparity, sexism); to use their voice in dealing with these issues; and channel that energy into self-expression and self-confidence. DA has a track record of engaging positively with those who face significant barriers in their daily lives. 

Developing Artists serves students aged 13 to 19 from all five boroughs of New York. 35% of our students identify as Latinx, 40% as African American, 20% as Caucasian, and 5% as Asian/other. Most of our students face socio-economic challenges; many experience physical, sexual or emotional abuse. We are committed to invite and include all of these young artists so their voices can be heard, their lives healed and their lifetime trajectory changed. 

We can confidently say that participation in our programs has a life-changing long-term impact on the young people we serve – 95% of whom go onto college. We know that our students subsequently utilize their arts training in their careers in a variety of different ways – as professional artists, writers, producers, drama therapists, etc. In our recent past, we helped DA students get into notable high school and college performing arts programs, and some have gone on to study at prestigious institutions such as The Juilliard School, University of North Carolina School of the Arts, New School, Royal Conservatory of Scotland, Liverpool Institute of the Performing Arts, Fordham University, Rutgers University, NYU Tisch School of the Arts, AMDA, Elon College and Yale Drama.

In the past, we charged for classes while providing full or partial scholarships for students in need (about 85% of students received a full or partial scholarship). In 2018, Developing Artists began making all classes 100% FREE so that we could abolish this financial barrier once and for all, and serve those students who were overlooked by so many other programs.

As emphasized in our mission, equity, access and inclusion are some of our primary objectives.  The last three years also helped solidify the identity of DA: Our ensemble engages with individuals on the frontline of important social issues then utilizing various performing arts, we bring to light these issues to a broader audience as we seek allies along the way to impact positive social change. Developing Artists was tapped to perform in numerous events including: We Rise: A Celebration of Resistance at the Delacorte Theatre (Public Forum in Collaboration with Resistance Revival Chorus), New York Women’s Foundations Celebrating Women Breakfast 2019, City Hall rally hosted by New York 4 Culture and Art to protest the proposed 6 millions dollar cut in cultural and arts funding. Developing Artists’ trajectory is leading us to connect and work with many social justice organizations for our future projects. 

Through the years, DA has directly served over 3,000 students and thousands of audience members. DA fostered a community of diverse artist citizens and maintains ongoing connections with our alumni network, some of which return as Teaching Artists. One alumnus, Julian Elijah Martinez, recently made his Broadway debut in NETWORK starring Bryan Cranston and was one of the stars of WU-TANG: AN AMERICAN SAGA on Hulu. Another alumna, Jessica Asch, Program Creator and Lead Clinician at Shine MSD, Inc, became a licensed arts and drama therapist whose work with at-risk youth has included developing and implementing a creative arts therapy program around collective healing in Parkland, Florida.

REBEL VERSES Youth Arts Festival
Founded in 2001, REBEL VERSES is a 2-week festival of performances by some of the best youth companies in NYC & beyond. This festival was born out of the dire need here in New York City for new voices in theater.  It is a journey into the unapologetic, unrelenting creativity of the next generation. Since the festival’s inception, REBEL VERSES has provided youth companies with the opportunity to collaborate and network with their peers and prominent artists, encouraging the development of new works in theater through this two-week event.  In 2017, Developing Artists began a partnership with the notable Vineyard Theatre to co-produce REBEL VERSES. The Vineyard Theatre (108 East 15th) hosts RV at its 132-seat off-Broadway venue and provides technical, management, audience development and promotional support, resulting in increased visibility, participation and audiences for REBEL VERSES.

TESTIMONIAL
"I’ve been continually impressed with these students’ critical engagement with the most pressing issues of our day: social responsibility, economic access, representational inequity, voting rights, and much more. On top of their mastery of civic literacy, they are astonishingly talented artists, both as writers and performers.

These teens’ capacity for this level of discourse and creativity is clearly traceable to their training and experience through Developing Artists. Jill and Jinn’s personal and professional dedication to the holistic development and success of each student is total. Their high expectations elicit excellence, dedication, maturity, and long-lasting relationships across a wide diversity of backgrounds. They’ve formed a family commitment to one another that far exceeds any after-school arts program I know."

Kenneth J. Cerniglia, PhD
Former Literary Manager and Dramaturg, Disney Theatrical Productions Past President, Literary Managers and Dramaturgs of the Americas (LMDA) 

Developing Artists Theater Company

Theatre starring people with intellectual disabilities and autism. Actors gain confidence, social skills, friends.

Mission: Through collaborative performance and lifelong learning opportunities, people with intellectual and developmental disabilities gain the skills and confidence to engage with the world.

ArtStream fuels students' imagination, creativity, and focus. We offer over 850 classes and workshops each year for 1,617 participants, six Theatre Companies totaling 90 participants and four Cabaret Companies totaling 30-40 participants, all of whom create and perform original theater works.

WHY ARTSTREAM?
People with Intellectual and Developmental Disabilities - including Autism - frequently face isolation or marginalization, and are excluded from activities and spaces where community, friendships, and connections are made. Creative opportunities are even fewer and farther between. In ArtStream’s drama and performing arts classes, workshops, and theatre companies, participants learn skills that apply to all aspects of life, including how to be present, pay attention, listen to instructions, participate in the activities that the class is doing that day, and perhaps most important of all, build friendships. 

Performance is transformative for every actor. This is also true for people with Intellectual and Developmental Disabilities, including Autism. Whether in classes, workshops, or rehearsals, ArtStreamers play theatrical games that require them to listen, to engage, to communicate, and to collaborate with each other; and improvisational games that teach them how to make eye contact, think on their feet, make connections, synthesize information, and solve problems. ArtStream’s demanding and very entertaining process encourages ArtStreamers to discover their creativity and strengths, and perform with confidence! What’s more, at ArtStream, our participants create their own scenes, dances, and songs for their performances, whereas most other theaters and non-profits serve people with disabilities by enacting or adapting plays or scenes written by professional playwrights. This is the “ArtStream difference.” 

A 55-year-old, 15-year ArtStream veteran expressed it better than we could ourselves: “I don’t get nervous on stage because I feel such happiness. I like to perform 24 hours a day! I love this place! ArtStream is making me happy!” 

ArtStream’s collaborative programming gives people with interest, talent, drive, and creativity – but few opportunities – a unique chance to build skills they will carry with them throughout their lifetimes. Our retention rate is 90%, attesting to the effectiveness of our organization in carrying out our mission. 



ArtStream, Inc.

Our mission is to help students Discover, Strive, and Inspire them to become the critical thinkers, creative leaders and technologists of tomorrow.

Dreams for Schools was established to inspire, create and educate students to be STEM literate with hard and soft skills needed to become the critical thin

Dreams for Schools

Our mission is to create safe online ecosystems for children, educate tweens on internet safety, discover & promote youth talent.

**KIDS INC.**  is a nonprofit organization founded in 1990 by an Educator/Entertainer who created and produced a very popular multicultural youth performing arts group that were known as Safety Ambassadors. They troupe toured schools empowering kids with important safety tips through live and televised performances featuring original songs, dance, improve and the Safety Challenge Gameshow.

Today KIDS INC. is committed to empowering talented youth and providing solutions to help keep children safe online. And to discover and promote youth artists, entertainers and athletes.

Donations raised will help fund **kidsinc.ONE** so we may empower families' and youth by providing a safe online ecosystem with opportunities for young artists to unite, collaborate, connect with sponsors and create a space to connect with their young fans.





is committed to children's safety and empowering youth. Donations raised will help fund **kidsinc.ONE,** a family friendly safe online youth creators community free of pornography, stalkers, bullying, scams, phishing, tracking, keylogging, collection and selling of children's data.

**KIDSINC.one** is an alternative to mainstream social media that empowers families and youth by providing a safe online ecosystem with opportunities for young artists to unite, collaborate, connect with sponsors and create a space to connect with their young fans.

We're super excited to introduce kidsinc.ONE, featuring, showcasing and connecting youth performers, actors, artists, athletes, creators, dancers, models, micro and mini influencers, entertainers, their families and fans. It's the first safe social space parents can trust. Accessed by invitation.

**kidsinc.ONE** aspires to be a supportive community where members promote their talent, showcase profiles, host livestream events, gain sponsorships, monetize creativity,  start fan clubs, fundraise and more.

Parents will have access to many of the same features their accustom to from other apps that allow them to connect with other parents (more privately) and  help establish the vibe of the community into one families trust and find value.

**WHY ONE IS NEEDED**
There is no family friendly all ages social space designed with the safety of children in mind that does not seek financial gain on children's time, attention and data.

Mainstream social networks and popular apps are owned by investors seeking a return on investment. They're in business to make money. They monetize users time, attention and data. Users are products without regard to their privacy or humanity. Mainstream is biased, manipulative and hardcore porn is only one accidental click away from young eyes.  Mainstream is toxic and havens for fake news, stalkers and child predators.

Studies conclude that mainstream social networks have devastating effects on the mental health, safety, privacy and well being of young users.

kidsinc.**ONE** is a safe alternative for celebrity youth and millions of families who prefer their kids not use mainstream social media networks/apps.

**ONE** is perfect for tweens just starting out. It's our safe corner of the net to create, learn and explore. Great for first time social network users.

**ONE** offers parents peace of mind.

**KEY SAFETY FEATURES**

- Privacy controls
- No unprovided data collection
- No sales of data collected for site functionality
- No tracking
- No keylogging
- No pornography
- No bullying
- No stalking
- 

**KEY USER FEATURES**

- Publish Artist/Entertainer profiles
- Showcase gallery images and videos
- Create subscription based fan pages
- Marketplace to sell merch and digital downloads
- Play games, watch movies, publish blogs
- Create Fan pages and groups
- Artist/Entertainers Directory Listing
- Special Livestream Events
- Educational Workshops
- Casting Opportunities 
- Scheduled Virtual Concerts
- Monetization Opportunities
- Sponsorship Opportunities
- and much more!

**ABOUT US**
KIDS INC.

KIDS INC.

Steps Dance Studio Scholarship Foundation, Inc. is based in the Philippines and gives scholarship aid to students & teachers.

Steps Dance Studio Scholarship Foundation, Inc. (the Foundation) was incorporated and domiciled in the Republic of the Philippines.  The Foundation’s registered office and principal place of business is at 3rd Floor, Makati Stock Exchange Bldg., Ayala Triangle, Ayala Avenue, Makati City.



The Foundation was registered with the Securities and Exchange Commission (SEC) May 29, 2008 primarily to initiate, sponsor, assist or finance programs designed for talented individuals, to promote social, cultural and community development, to receive from any source whatsoever and to make use of them in various activities necessary for the Foundation, and to invest such receipts to carry out the purposes of the Foundation.



The Philippine Council for NGO Certification (PCNC) has granted the foundation the certification as donee institution status. The first certification with a one (1) year validity was granted on April 14, 2016 while the second certification with a three (3) year validity was granted on March 31, 2017.



On August 24, 2020, the PCNC granted the foundation a five-year validity certification per Certificate No. 2020-037. The BIR accreditation is valid up to August 25, 2025 per Certificate of Registration No. 099-2021.



The scholars of the Foundation have joined various local and international competitions such as "Philippine Dance Competition," "Youth American Grand Prix," "Kaatsbaan Summer Dance Program," "Ballet Workshop with Stella Abrera" and  "Genee International Ballet Company." Some scholars were also given scholarship to American Ballet Theatre Jacqueline Kennedy Onassis School (ABT-JKO). Royal Academy of Dance (RAD) examination fees were also provided to the scholars.



The Foundation is continuously providing financial support and same training opportunities to students who belong to low-income families. The Foundations is also supporting deserving Filipino dance teachers who can further enhance their skills in teaching dance, coaching for competition and becoming better choreographers.

Steps Dance Studio Scholarship Foundation, Inc.

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