BCP is a group of exceptional musicians! They are truly world-class professionals. At every concert, I am blown away anew by their musicality, the subtle communication between players as they perform, and the inspiration I get as an amateur musician myself. I really appreciate being able to attend their concerts closer to home rather than having to trek to a bigger city. This group is an East Bay treasure!

TYF is our top favorite org with my husband Alex because we have seen its positive impact on millions of lives grow every year. So happy we have found a way to support TYF from where we are.  Thank you for the opportunity to share in the mission. Ad Majorem Dei Gloriam!

I love MCO. It is my favorite orchestra that has brought a lot of joy to my family and me.

In memory of Lorraine Becker.

Bonnie and Steven Dresner

ATA is one of few spaces that still feels like old san francisco. ATA forever!! 

Creative spaces are so important for supporting artistic vibrancy. Thank you for all that you do!

The ARChive has an incredibly audacious goal - to archive and preserve the world's popular music. 

The Holy Mass in Italy is so wonderful with the traditional Music supplied by these Organs

I stand with writers and actors and support staff!!

Founded in 2006, the Benicia Chamber Players’ mission is to provide a classical chamber music concert series to underserved East Bay areas including Benicia, Lafayette, Piedmont and Vallejo. Our aim is to cultivate a community of local and other world-class professional musicians with a love of playing chamber music who are dedicated to sharing that love with audiences.

Benicia Chamber Players

The Tanging Yaman Foundation is a non-profit Philippine organization which bridges the generosity of countless Filipinos. 

Tanging Yaman Foundation, Inc. (Tanging Yaman), a non-profit Philippine organization, was established in 1992 when Fr. Manuel "Manoling" Francisco, SJ first performed his original liturgical music with the Philippine Philharmonic Orchestra (PPO). Almost every year, Fr. Manoling would perform with the PPO or the Manila Philharmonic Orchestra.

 

These concerts, entitled Tanging Yaman: Himig at Pananalig, graced the Cultural Center of the Philippines, the Meralco Theatre, the UP Theatre, and other major Philippine theaters. The concerts even went on tour to Batangas, Quezon Province, and Ifugao.

 

In addition to the orchestra, these Tanging Yaman concerts featured choirs like Bukas Palad, Hangad, Bungang Himig, Tinig Barangka, the Pansol Choir, and popular artists like Basil Valdez, Dulce, Ogie Alcasid, Ariel Rivera, Jamie Rivera, and Nolyn Cabahug. Apart from celebrating Filipino music and Filipino faith, the concerts also raised funds for institutions that build and nurture local communities.

 

Some of the beneficiaries of the Tanging Yaman concerts were have been the Sibol-Hesus School for gifted public school children of Mr. Onofre Pagsanghan; the Alagad ni Maria Youth Center in Infanta; the Quezonians Home for the Aged; the Kiangan, Ifugao Scholarship Fund; the Diocesan Seminary in Lipa, Batangas; Our Lady of the Pentecost Parish in Loyola Heights; Mary the Queen Parish in San Juan; the Ateneo de Manila High School Scholarship Fund; and the School of Living Tradition in Benguet.

 

Tanging Yaman Foundation, Inc. has then evolved from being an annual liturgical concert to being a conduit foundation, bridging the generosity of countless Filipinos here and abroad to the vital needs of their fellow men and women in the Philippines.

 Tanging Yaman Foundation, Inc.

Collective of passionate musicians uniting for specific tours in Europe and across the world.

An orchestra committed to creating and sharing exceptional experiences in classical music.  
 
The Mahler Chamber Orchestra (MCO) was founded in 1997 based on the shared vision of being a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With 45 members spanning 20 different countries at its core, the MCO works as a nomadic collective of passionate musicians uniting for specific tours in Europe and across the world.

Mahler Chamber Orchestra gGmbH 

Ventfort Hall Association is a nonprofit organization focused on arts, culture, or humanities. It is based in Lenox, MA. It received its nonprofit status in 1997.

Ventfort Hall is an elegant Jacobean Revival mansion built in 1893 for George and Sarah Morgan in the Berkshires of Western Massachusetts. The estate, located in the heart of Lenox Village, is on the National Register of Historic Places. Ventfort Hall is now a museum dedicated to the history of the period between the Civil War and World War I, known as the Gilded Age, that was a time of transformational change in American social and economic life driven by industrialization, technological innovation, urbanization, the women’s and labor movements, and immigration.

THE GILDED AGE IN LENOX
Ventfort Hall was one of the many grand estates (called “Cottages”) built in Lenox in the late 19th century when the village was a popular resort for affluent urban families. Drawn by the region’s scenic beauty and its legacy as a home to artists and intellectuals, wealthy entrepreneurs and financiers built opulent summer homes in the Berkshires. 

“ONE OF THE MOST BEAUTIFUL PLACES IN LENOX” 
Ventfort Hall was designed by the prominent Boston architects Rotch & Tilden for Sarah, the sister of J. Pierpont Morgan, and her husband (and distant cousin) George Morgan. It was one of the most distinctive homes built in Lenox, the embodiment of Gilded Age prosperity and taste, characterized by innovative building technology and inspired by European art and craftmanship. The mansion has a red brick and brownstone exterior with slate roof, an elegant porte cochere entrance and a long wooden veranda across the back of the house. Inside, there are 28 rooms, a 3-story great hall and staircase with intricately carved woodwork, a billiard room, and bowling alley. The house was set on 26 acres (the museum now owns 11 acres) with landscaped gardens, arboretum, two gatehouses, a carriage house and stable, and six greenhouses. Ventfort Hall boasted the most modern amenities of its time with central heating (coal-fired boiler and hot air system), plumbing, electric and gas lighting, elevator, burglar alarm, and ventilated bathrooms.

Sarah Morgan died in 1896, only three years after building her beloved home. Following George’s death in 1911, the estate was used as a private home, hotel, and housing for a number of groups.

FESTIVAL HOUSE & THE ARTS
Beginning in the 1950s, Ventfort Hall became Festival House, an affordable hotel and art center that was the first in the region to welcome members of racial and religious minorities. Musicians, artists, dancers, and actors stayed and performed there including folk musician Pete Seeger, playwright Lorraine Hansberry, trumpeter Dizzy Gillespie, and singer Odetta. When the hotel closed in the early 1960s, the property became the summer ballet camp of the Fokine Ballet where a generation of young people studied dance, music and drama in an idyllic Berkshire setting.

MUSEUM OF THE GILDED AGE
By 1991, Ventfort Hall had fallen into serious disrepair and was slated for demolition. A group of community members formed the Ventfort Hall Association in 1997, and raised funds to purchase and renovate the property which opened as a public museum in 2001. 

Open year-round for tours, as well as lectures, theatrical and musical events, special exhibits, and educational programs, Ventfort Hall brings nearly 11,000 visitors each year to downtown Lenox. 

The popular Tea & Talks lecture series features historians, journalists, and other experts on the multi-faceted history of Gilded Age. Topics have included  women’s suffrage, the growth of the labor movement, the advance of American architecture and landscape design, the rise of the railroads, the Gilded Age in literature and film, and notable women artists and entrepreneurs.

The beautiful six-foot rosewood Steinway piano purchased for by the Morgans in 1895 was returned to Ventfort Hall in 2022 and is now used for concerts and special events. 

HERITAGE TOURISM
Located in the downtown Lenox Historic District close to local inns, restaurants, stores, and theater, Ventfort Hall brings significant tourism business to the town. The property is also a desirable rental site for events and destination weddings, and has hosted major film shoots.

As a heritage tourism site, Ventfort Hall plays a key role in realizing the Town of Lenox’s 2021 Master Plan for economic and community development which cites tourism as its number one engine for growth:

The unique combination of Great Estates, cultural amenities, and the historical New England character of its villages distinguishes Lenox from other popular destination towns…Heritage tourism has helped distinguish Lenox as a destination and, in turn, serves to buoy the Town’s economy. 

The top goals of the Town’s Historic Preservation Plan are: 1) Make historic preservation and community character central to Lenox's quality of life; and 2) Use Lenox's historical identity as a core element of the Town's economic development strategy.

VENTFORT HALL NEEDS YOUR SUPPORT
Ventfort Hall is a significant cultural site that has welcomed thousands of visitors over more than 20 years. We need your help now to continue our restoration and educational mission:

Support our programs and tours so that we can bring the rich and complex history, arts, and culture of the Berkshires to a wide audience. We keep our admission fees reasonable, but they cover only part of the cost of maintaining the property and presenting programs.

Preservation is an ongoing process. A Master Plan, created by Spencer & Vogt Group in 2016, outlines a phased approach to the restoration of Ventfort Hall. Phase Two is currently underway, consisting of major repairs to the chimneys, roof, and tower. Future phases will address further interior restoration, building envelope, and site work.



To learn more about Ventfort Hall and our efforts to preserve and share this historic estate, please visit GildedAge.org or contact us:

Ventfort Hall
Mansion and Gilded Age Museum
104 Walker St
Lenox, MA 01240
413-637-3206
info@gildedage.org




Ventfort Hall Association

Artists' Television Access is an all-volunteer, artist-run, underground and experimental media arts gallery founded in 1984.

Artists’ Television Access is a San Francisco-based, artist-run, non-profit organization that cultivates and promotes culturally-aware, underground media and experimental art. We provide an accessible screening venue and gallery for the presentation of programmed and guest-curated screenings, exhibitions, performances, workshops and events. We believe in fostering a supportive community for the exhibition of innovative art and the exchange of non-conformist ideas.

Artists' Television Access

An archive for vital collections of Jazz and related music


**Crossing Tones** is a non-profit archive for significant collections of Jazz music and related items.

We gather, preserve, and use these essential source materials in meaningful teaching and listening initiatives.

Through our efforts we intend to facilitate research, deepen appreciation, and broaden the listener base for the music.

Crossing Tones Inc

Music library dedicated to collecting, preserving and providing information about popular music from around the world.

The ARChive of Contemporary Music is a not-for-profit music library dedicated to collecting, preserving and providing information about popular music from around the world.    Now in its twenty-eighth year of operation, ARC is the largest and most important popular music collection in the world – with over three million sound recordings and approximately four million  photographs, books, press kits, videos, memorabilia and related ephemera.   Our simple goal is to guarantee that the world’s musical heritage is preserved for future generations to study and enjoy.     We believe that all forms of popular music, jazz, be-bop, bluegrass, country, rock, rap, blues, enka, reggae, calypso, zydeco, and countless other forms are significant cultural expressions.  All musics entertain as well as reveal a people and their values to the rest of the world.

ARChive of Contemporary Music

San Rufino's history dates back to the 8th century. It is the main place of worship in Assisi, the city of peace. 

The organ repair US Fund will support the restoration of two organs to enable the Schola Cantorum of the Cathedral to continue performing concerts.

The project involves the restoration and arrangement of the two organs of the Cathedral, in particular the major organ (in the photo). Both organs need to be cleaned and retuned in order to function and to allow the Schola Cantorum of the Cathedral to be able to continue to perform concerts and the young students of the Perugia Music Conservatory to perform. The restorer is Maestro Valentini who also in 1997 took care of fixing the major organ after the earthquake.

The second organ is used for everyday celebrations. It is a smaller organ but damaged by wear and tear. The nuns of our cathedral use it to animate the celebrations.

The cathedral is the place where the Bishop celebrates, so we need to put these organs in order to ensure a good quality of the liturgy. The technical details of the interventions on the two bodies can be found in the attached file.

History of San Rufino, the Cathedral of Assisi:

San Rufino the first Bishop of Assisi, who was martyred by the Romans in 238 AD. It wasn't until the 8th century that his remains were transferred from the original burial place, to the "Parva Basilica"  built over the Roman temple of "Cupra/Mater" (4the century BC).

Two Hundred years later after a dispute between Bishop Ugone and the faithful of Assisi a new church was built over this site. "Magnum Ecclesiam" was then named the Cathedral of the city in 1035.

In the year 1134 the Chapter of the canons of San Rufino, presided over by the Prior Raniero, decided to demolish the Ugonian Basilica and to build a new and more imposing cathedral. A plaque walled up outside the apse recalls that the works for the new church, carried out on a project by the master Giovanni da Gubbio, were started in 1140. Due to much civil discord between the city factions and conflicts with neighboring cities slowed down the progress of the construction site considerably. Finally in 1212 the bones of St. Rufino were moved to the presbytery, while the altar was consecrated in 1228 by Pope Gregory IX and only in 1253 Innocent IV consecrated the entire church.

In 1566 the Canons commissioned the Perugian architect Galeazzo Alessi to take care of the renovation of the interior: the works began on 18 June 1571 and lasted until 1585.

Since then there have been several additions and improvements during the 17th and leading into the 18th centuries. In 1834 the Eucharistic Chapel was adorned in the classical baroque style and in 1841 the "Martinelli" Organ built by Antonio and Francesco Martinelli was added.

A Major element of the Cathedral is the baptismal font. In the font Saint Francis, Saint Clare, Saint Agnes (Clare's Sister), and many of the early followers of Francis were baptized. Saint Gabriel of Our Lady of Sorrows and The Holy Roman Emperor Fredrick II, were also baptized here.

Cattedrale di San Rufino - Organ Repair US Fund

National human services organization. Our mission is to foster stability and resiliency, and provide a safety net for performing arts and entertainment professionals over their lifespan.

Founded in 1882, we serve all professionals—and not just actors—in film, theater, television, music, opera, radio and dance through programs that address our community's unique and essential needs.

Employment in any division of the performing arts and entertainment industry is unpredictable. Work is erratic, security is fleeting and health insurance is often just a dream. For all of these reasons and many more, The Actors Fund is an indispensable and deeply significant part of the entire entertainment community.

As a national organization with offices in New York, Los Angeles and Chicago, we directly serve thousands of performing arts and entertainment professionals across the country every year, in person and via our online resources. Our programs are wide in scope, responsive in nature and produce significant results.

Entertainment Community Fund (formerly The Actors Fund)

The largest cultural institution in Switzerland, enjoying a high reputation far beyond the country’s borders. 

With over 300 events annually – opera, ballet, classical concerts, recitals – the Zurich Opera House is one of the most productive and renowned cultural venues in Europe. Each season the Zurich Opera House features numerous opera and ballet (world) premieres such as classical concerts and attractive revivals presenting casts with the best singers from all over the world.

The Zurich Opera House is home of the Ballet Zurich and the Orchestra of the Zurich Opera.

Donations are critical to the AFZOH’s success in achieving its ambitious goals on behalf of the Zurich Opera House. This includes among others tours and guest performances in the US, young artist exchanges between Switzerland and the US and the support of young American artists in Switzerland (education program).

The AFZOH is a not-for-profit organization that raises visibility, expands appreciation and provides support for the Zurich Opera House.

American Friends of the Zurich Opera House (AFZOH)

One of the most sought-after young artist programs in France 

This Paris-based opera company is dedicated to lyric repertoire from the mid-18th century to the present. Founded and directed by American conductor David Stern, it combines an ambitious young artists program and a versatile instrumental ensemble.  Opera Fuoco has been in existence since 2003 initially as a top-level period instrument ensemble and later as an internationally recognized young artist troupe.  David Stern, Katharina Wolff and the Fuoco team have developed a multi-faceted program to develop young vocal talent at a professional level.  Opera Fuoco offers a unique, custom-made experience to young singers transitioning from conservatory to professional life.  Singers are able to work with Maestro Stern, experienced vocal coaches and stage directors in various contexts ranging from masterclasses and recitals to large-scale performances with orchestra and fully staged opera productions. The repertoire spans not only several centuries but a variety of genres, from baroque to contemporary, including musical comedy and jazz.  Opera Fuoco has shaped its young artist program not as an academy but as a professional company for young singers engaged for a period of three to four years. In its 13 years of existence, Opera Fuoco's Young Artist Program has trained approximately 50 singers from 15 different countries. Our 15 current members come from 5 different countries, and candidates from the last round of auditions represented 34 nationalities. Opera Fuoco's activities are largely Paris-area based, with masterclasses held in prestigious spaces such as the Petit Palais and regular concerts at the Philharmonie de Paris and the Théâtre des Champs-Elysées. The company has also enhanced its international reputation by developing regular performance partnerships with the Bachfest in Leipzig, the Beethovenfest in Bonn, the International Telemann Festival, the Swedish Chamber Orchestra as well as the Shanghai Baroque and Beijing Music Festivals in China. 

Opera Fuoco

Manzil Mystics empowers underserved youth through music, creating safe, joyful learning spaces and building skills for the future.

Manzil Mystics was founded by a group of young musicians who grew up in low-income families in Delhi and found their voice through Manzil; a learning community and nonprofit started by an IIM Ahmedabad graduate, Ravi Gulati. The nurturing and creative environment of Manzil gave them not just music, but confidence, purpose, and a happy, safe space to grow. Five of these youth (the co-founders of Manzil Mystics) went on to earn 100% scholarships to study in the USA. On returning, they realized that over 4.4 million children in Delhi-and millions more across India—lack the same opportunities to learn and express themselves through music.

They also discovered a deeper gap: while India has a centuries-old musical heritage, there was no structured, inclusive initiative to make music education accessible and meaningful for every child. To change this, they founded Manzil Mystics; a nonprofit dedicated to using the power of music to educate, empower, and create livelihoods.

Our vision is simple yet powerful: every child deserves at least one hour of happy and safe space each week through music to learn, express, and heal.

Our mission is to enable access to quality music education for 1 million children by 2027 through our Learning Through Music (LTM) model, which combines education, livelihood, and community-building. We aim to nurture a generation of creative, empathetic, and confident children—while helping young musicians from low-income backgrounds earn dignified livelihoods as music facilitators.

Core Programs:

1. Learning Through Music:

A Curriculum implemented in government and low-income schools, this curriculum integrates music with academics and life skills, helping children develop focus, empathy, and confidence while learning subjects like language, math, and social-emotional awareness through songs.

2. Learning Through Music Fellowship:

An 18-month livelihood and leadership program for young musicians from underserved communities. Fellows are trained, mentored, and placed in schools to teach music while earning a stipend transforming both their own lives and those of thousands of children.

3. The Music Bus:

India’s first mobile music school, the Bus brings music to communities with little or no access. It creates joyful, safe learning spaces in schools and neighborhoods, reaching thousands of children and families each year.

Focus Areas:

Education: Building joyful and inclusive classrooms through music.

Livelihood: Empowering young musicians to become educators and community leaders.

Community Building: Fostering harmony, social change, and emotional wellbeing through music gatherings, festivals, and performances.

Why It Matters: In a country of over 52 million children under 18 children struggle with anxiety, stress, and lack of creative outlets, Manzil Mystics uses music as a pathway to mental wellness, self-expression, and social change. Music helps children learn better, feel safer, and believe in themselves. It bridges divides of gender, class, and faith—making it a universal language of hope and belonging.

Our Future:

By 2027, we aim to reach 1 million children and train 1,000 community musicians across India, creating a movement that redefines learning—not just as academics, but as joyful exploration through music.

We dream of a world where every child has access to music—not as a luxury, but as a right.

Manzil Mystics

The Berliner Philharmoniker, founded in 1882 as a self-governing orchestra.

"To the limits and beyond"  
The Berliner Philharmoniker – a world-class orchestra    

Outstanding expertise, uncompromising commitment to music: that is the Berliner Philharmoniker. In passionate interpretations, they make the great works of the repertoire shine and open up new horizons with performances of exciting contemporary music. 

Legendary chief conductors have left their mark on the orchestra's history and sound. Today they thrill a worldwide public in the Philharmonie and on tour, during live broadcasts and on acclaimed recordings. 

Communication with audiences will also be their focus in the future, whether in the concert hall or in the media. With digital programming, with education projects, but above all with concerts that enable listeners to experience the inexhaustible power and intensity of classical and contemporary music first-hand.   

The Berliner Philharmoniker Foundation

**You Make Music Without Borders Possible** 

Your gift helps establish a lasting U.S. presence for one of Mexico’s leading orchestras.

You are at the heart of Sinfónica de Minería, a leading Mexican orchestra that unites, inspires, and transforms lives. From composers like Pulitzer laureate John Adams and Mexico’s own Gabriela Ortiz, to concert hall-packing virtuosos like violinist Joshua Bell and pianist Gabriela Montero, to Grammy-winning conductor Carlos Miguel Prieto and an all-star roster of symphonic musicians, we bring together the best of the Americas with performances at home in Mexico City and on tour across the United States:

- In 2023, we ignited audiences across the U.S. 
- In 2024, we became the first-ever Latin American orchestra invited to the Bravo! Vail Festival.  
- In 2025, we returned to Vail by popular demand and attracted capacity crowds for each concert. 
- And in 2026, we’ll embark on a coast-to-coast U.S. tour, sharing musical brilliance across borders. 

**Your support make this possible, for today’s audiences, and for generations to come.** 

**Why Your Gift Matters** 

- **Commission the Future** – fund fresh scores by emerging Mexican composers. 
- **Teach Without Barriers** – world-class artists mentoring kids who can’t afford lessons. 
- **Record Cultural Treasures** – the complete orchestral works of Silvestre Revueltas. 

**Why Give as an American Friend** 

- **Cultural Diplomacy** – strengthen U.S.–Mexico ties through art.  
- **Diversity & Inclusion** – amplify Latin voices in a field that needs them. 
- **Tax-Deductible Impact** – American Friends of Minería is a registered 501(c)(3) nonprofit — your donation is tax-deductible in the U.S. 

**Key Facts & Highlights** 

- Founded: 1978 
- Music Director: Carlos Miguel Prieto (Grammy-winner) 
- Latin Grammy (2023): Concerto venezolano by Paquito D’Rivera 
- Grammy Nominee (2009): Korngold Violin Concerto with Philippe Quint (Naxos) 
- Modern Classics Premiered: Gabriela Ortiz’s Concierto voltaje, Mario Lavista’s Ficciones, Manuel Enríquez’s Sonatina 
- Season 2025 Spotlight: Pulitzer laureate John Adams conducts his own Violin Concerto with soloist Augustin Hadelich 
- Community Mission: Year-round educational programs that use music as a social tool 

Music Unites Us. Every gift brings us closer to a future where music transcends borders and connects all of us. 

Join us. Be the bridge that connects cultures through music. 

Sinfónica de Minería | Academia de Musica del Palacio de Mineria A.C.

The Academy is at the heart of the Verbier Festival — a dynamic laboratory where future talents are discovered and nurtured.

**BECOME A MEMBER OF THE FRIENDS**

[Web site Friends of Verbier Festival](https://https://www.verbierfestival.com/en/support/friends/)

The Verbier Festival Friends Associaton was launched in 1993, when a group of music-loving donors was inspired by the idea of a two-week festival of classical music in the Swiss Alps in Valais. The Founder & Director Martin Engstroem calls his Verbier Festival "a waking dream"— a dream that would not have been realised without the consistent generosity and personal commitment of the Friends. Their support for the Festival as a whole, and notably for its learning programmes and major artistic projects, has been crucial to its rise to the top: the Verbier Festival is now one of the world's most renowned classical music events, blazing a trail into the 21st century.

Each donation made to The Friends of the Verbier Festival fund at Myriad (ex-KBFUS) is subject to a 5% administrative fee. These fees constitute costs to Myriad to administer donations made to the VF Friends Association; they total less than it would cost to operate a U.S. chapter of the Friends Association as a separate 501-C3 entity. The Association is nevertheless grateful to donors willing to top-up their donations by 5% to cover these fees.

The Verbier Festival is an international classical music event that takes place each summer in the mountain town of Verbier, Switzerland. The Festival's mission is to build a community of exchange between great masters and young artists from all over the world and to be a leader in its field by providing meaningful music education programmes.

Launched in 1994, and now globally renowned, the Festival welcomes audiences with a distinctive and exhilarating blend of events, both large-scale and intimate. Audiences from around the globe come to experience music-making at the highest level in a setting that brings them close to star performers, rising talent and a complete process of learning, rehearsal and performance.

The Festival's Academy is its respiratory system—a laboratory where future talents are discovered and nurtured. It sets the gold standard for the training of emerging soloists, chamber and orchestral musicians, singers and conductors. Each summer, audiences witness these musicians in action at more than 100 masterclasses, rehearsals and performances. The Verbier Festival Orchestra has become a rite of passage for today's exceptional young orchestral musicians and the Academy's programmes for soloists, chamber musicians and singers include an impressive list of alumni from over 60 countries who have been engaged by the world's leading concert presenters since their time in Verbier.

Verbier Festival Friends Association / Association des Amis du Verbier Festival

A catalyst for creative freedom and cultural vitality across the Arab world.

As the largest fund for independent artists and cultural institutions in the Arab world, AFAC serves the collective necessity to pursue bold ideas, reclaim space, and share stories from our region on our own terms.

Culture shapes how we see ourselves, how we remember the past, and how we imagine the future. Independent voices are being silenced by war, repression, and economic collapse. Youth, who represent the region’s largest demographic, are largely excluded from cultural production and denied platforms to shape their futures. The threat of talent drain and cultural fragmentation has never been higher.

Since 2007, we have supported over 2,400 projects across 22 countries and their diasporas, awarding over $40 million in grants. Our model sustains not only the production of art but the long-term resilience of the cultural ecosystem. 

AFAC stands at the forefront of expression—investing in independent storytellers, visionaries, and institutions who challenge convention, spark dialogue, and preserve the richness of our collective narratives. We must act now to preserve cultural sovereignty and ensure that artists continue to imagine, question, and build the future of the region.

Our support spans cinema, music, literature, performance and visual arts, documentary photography, research, and critical training, reaching emerging talents and established voices, from the heart of the region to the edges of the diaspora. 

AFAC is more than a funder. We are a platform for connection, advocacy, and continuity. Through open calls, mentorship, strategic partnerships, and direct support to institutions, we create ecosystems, for the region and by the region, that allow independent culture to thrive.

At a time when global attention often overlooks the nuance of Arab realities, AFAC helps ensure that our stories—rooted in diversity, contradiction, and creative force—are not just told, but heard, remembered, and felt. We invite you to imagine a world where every voice can create, connect, and contribute to the cultural future of the region.

**With your support, AFAC can:**

- Sustain and expand critical funding for artists and institutions
- Launch bold new programs in underserved geographies
- Build a long-term ecosystem for Arab cultural philanthropy

Arab Fund for Arts and Culture

Sing Democracy 250 is a stirring musical odyssey commemorating the 250th anniversary of the Declaration of Independence.

In a world where division seems to be the norm, we stand united. 

We are musicians, singers, artists, and advocates, all bound by the belief that music can bridge the gaps and mend the divides. 

Our mission is simple yet profound: to bring people together, to celebrate our shared humanity, and to recommit to the promise of a "more perfect union."

Founded by Gary Aamodt and Celia Ellingson, Together In Hope Project, a Minneapolis-based nonprofit organization, serves as the driving force behind Sing Democracy 250.

Sing Democracy 250 

WHCC is a vibrant, diverse, and welcoming community chorus in Upper Manhattan. 

ABOUT THE CHOIR
WHCC is a no-audition community choir, one of a handful in NYC and the only one serving Upper Manhattan. We're a lively, diverse, and welcoming group that loves to sing and believes in the power of music to spread joy and build community!

HELP KEEP THE MUSIC ALIVE
Choir membership dues cover about 60% of our expenses. Your donation helps bridge the gap, supporting our Choir Director, accompanist, music licensing, marketing, space rental, insurance, and other administrative needs. 

With your help, we can keep singing and grow our presence in Upper Manhattan!

Washington Heights Community Choir is a project of Players Philanthropy Fund, Inc. a Texas nonprofit corporation recognized by IRS as a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (Federal Tax ID: 27-6601178, [ppf.org/pp](https://ppf.org/pp)). Contributions to Washington Heights Community Choir qualify as tax-deductible to the fullest extent of the law.

Washington Heights Community Choir

We plant the seeds of freedom by cultivating students' creativity and harvesting mutual empathy for a peaceful, prosperous future.

[**Rai·son d'ê·tre**](https://icaf.org/about/why-icaf)

A 501(c)(3) nonprofit with EIN 52-2032649, ICAF has served American children since 1997 as their national arts organization. ICAF seeds their imagination, cultivates creativity, and grows mutual empathy among them (for “a more perfect union”) and with their peers worldwide (for a peaceful future).

Creativity is now more crucial than ever before as a career skill, while empathy is considered humanity's survival skill. 

What young people contribute or create in their lives depends on their self-identity. The development of a holistic student identity underlies ICAF’s theory of change.

Through its free school art program, ICAF promotes the Artist-Athlete Ideal, which embodies a creative mind and a healthy body (*mente sana in corpore sano*). This holistic identity awakens a student's dormant “inner artist” or the slumbering “inner athlete,” helping mitigate obesity risks and creativity slumps.

At its World Children's Festival, ICAF's methodology infuses creativity with empathy, motivating students to become "creative empaths" who can work together to shape a brighter future.

[**Research & Publications**](https://icaf.org/resources/publications)
ICAF’s seminal research has been published in several leading journals, including [The Lancet](https://www.thelancet.com/pdfs/journals/lancet/PIIS0140673606699157.pdf) and [Dynamische Psychiatrie](https://icaf.org/resource/pdfs/CreativeEmpaths.pdf). Since 1998, ICAF has published the ad-free quarterly, the ChildArt magazine. Please preview the [AI & Art ](https://www.icaf.org/AI&Art/)magazine and the [Human Security ](https://icaf.org/resource/flipbooks/HumanSecurity/)magazine.

[**The Arts Olympiad**](https://icaf.org/mission/arts-olympiad.)
ICAF’s Arts Olympiad has evolved over the years into the world’s largest school art program. Its structured lesson plans culminate in art contests on the theme "My Favorite Sport." ICAF selects the most exceptional artworks and invites the young Artists-Athletes as delegates to the World Children’s Festival. The U.S. Olympic and Paralympic Committee has granted ICAF an exclusive license to utilize the "Arts Olympiad" mark.

The 7th Arts Olympiad, currently taking place in the United States and nearly fifty countries, is projected to benefit more than half a million students worldwide. For more information about the program in select countries, please click [here](https://icaf.org/resource/pdfs/Arts-Olympiad-Stories-Texas.pdf).

[**World Children’s Festival**](https://WorldChildrensFestival.org)
The World Children’s Festival (WCF) offers a transformative experience, infusing creativity with empathy to give them hope. While learning is a biological process that creates new neural connections, developing empathy necessitates unlearning ingrained biases and prejudices to activate the “mirror neurons” that underpin empathetic responses. As empathy flourishes, divisions diminish, polarization lessens, consensus emerges, nations come together, and the world becomes more peaceful. The educational programming for this three-day public celebration of children's talents is rooted in STEAMS education, an innovative approach developed by ICAF that integrates Arts and Sports into the STEM disciplines. For an overview of the WCF, please click [here](https://www.icaf.org/resource/flipbooks/Creativity,DiversityandUnity/).

The 7th World Children’s Festival, held at the National Mall from June 30 to July 2, 2026, will also serve as the children's celebration of America's 250th birthday. 

**Other Art Programs**
ICAF occasionally organizes [Peace through Art Programs](https://icaf.org/mission/peace-through-art) to restore the trust in humanity of children in conflict zones and [Healing Art Programs](https://icaf.org/mission/healing-arts-program) to revive faith in nature of child victims of natural disasters. ICAF also pays attention to [climate change](https://icaf.org/mission/climate-change) because of its impact on children’s lives.

**Sport Art Exhibitions**
As the largest children’s art organization, ICAF curates exhibitions worldwide to bring its unprecedented collection to significant venues and museums. ICAF exhibitions embolden children and kindle the inner child in professionals. Please watch this [3:22-minute clip](https://youtu.be/0Cv7qHQM7fM?si=XFAHo8MZDs2Sj7e_).

**Art & Sports Online Contests**
To engage children worldwide in the LA28 Olympics, ICAF has launched an online art contest for students aged 8 to 20. This inclusive platform allows participants to create artwork about their favorite sport, share it with family and friends, and receive votes from any sports fan or art lover, contributing to the selection of the winners. https://MyFavoriteSport.org. 

[**Partnerships**](https://icaf.org/about/partnership)
ICAF has worked with the United Nations, the National Institutes of Health, the International Society for Education through Art, the World Bank, and the World Health Organization. 

ICAF’s sponsors have included corporations and grant makers such as the DC Commission on the Arts and Humanities, the National Endowment for the Arts, and several private philanthropies.

International Child Art Foundation

How’s it bee? is an interactive children’s art song recital using music, theater, dance, puppetry, and illustrations.

How’s it bee? is an interactive children’s art song recital.  Award-winning recitalist Courtney Miller and pianist Rebecca Hass use theater, dance, puppetry, and illustrations to follow bees, butterflies, and other winged creatures around the garden.  

Courtney and Rebecca also engage the audience in writing a poem and encourage dance. The program features stories of self-acceptance, including Prokofiev’s The Ugly Duckling and Lenny the Leopard by Irving Fine. Wonderful Bay Area artists Nidhi Chanani and Kevin Okulolo contribute illustrations and animations for the program.  While geared towards children, the show is for all ages.  

**The goal is to bring this recital to schools, libraries, community centers, and the like around the Bay Area - and beyond!**

**Program Notes**

"As a classically trained opera singer, I continue to see music literacy and appreciation declining in our country; and that starts with the lack of arts education in schools.  Through my work in schools around the Bay Area with the San Francisco Opera Guild, I see first hand how few schools have music or art programs in their curriculum and how eager kids are to perform and be involved in the arts.  I have curated this recital to help bring both music, theater, and visual art to local Bay Area families.  The multidisciplinary shows that I create reflect my belief that art fosters connection and deepens empathy.  Every performance strengthens my conviction that art is not only about personal expression, but about building relationships – both with other artists and with the audiences we serve.  In these times when connection can feel fractured, art provides a shared space to reflect, heal, and celebrate our common humanity." - Courtney

The length of the program is adjustable based on need with an optional butterfly puppet making craft. 

**Immediate funding needs:**

Artist fees for each performance - $600

Ongoing administration fees - $1000

Projector - $86

Projector screen - $100

Foldable wagon for transport of equipment - $120

Additional art supplies - $200

**Long-term funding goals:**

Additional illustrations and animations - $3,000-$10,000

Recording fees for album and YouTube distribution - $3,000-$10,000

How's it bee?

Story House Ithaca brings people together to share, study, create, and enjoy stories in all their forms.

Story House Ithaca brings people together around stories. We define “story” very broadly, to include fiction and nonfiction, poetry and song, documentary, journalism, photography, audio, film, theater, puppetry, visual and performance art, graphics, dance, and every other way of communicating ideas and experience. Our definition of “house” is also broad. We hope eventually to settle into our own space, but for now we’re excited to be popping up around the community.

**The Problem**

Our society is going through a period of fracturing, as people of different socioeconomic, cultural, and educational backgrounds divide into ever more insular groups. One reason for this is a lack of opportunities for people to interact in meaningful and non-threatening ways. This has had disastrous consequences in politics, public health, and many other areas.
  
 **Our Approach**

- Story House creates. We dream up, organize, and present workshops, discussions, readings, talks, screenings, exhibitions, performances, participatory projects, and other activities. 
- Story House collaborates. We work with organizations, artists, activists, scholars, and others to plan and present compelling programming. 
- Story House connects. We help creative people and groups find new partners and reach new audiences. 
- Story House empowers. We help members of our community acquire the skills they need to tell the stories they want to tell.

In all our programs and activities, we are committed to creating inclusive spaces that welcome diversity. We strive to foster interactions between people of different cultures, ethnicities, and socioeconomic backgrounds, with the goal of working toward shared understanding and a more equitable, anti-racist society.
 
**Our Team**

Lesley Greene (co-director) is a producer, designer, writer, and director. She worked for many years at the Kitchen Theatre Company, where she curated and produced three performance series, created sound and projection designs, and served as chief grant writer and head of marketing. She is a co-founder and co-organizer of Porchfest, a festival that began in Ithaca in 2007 and now takes place in more than 150 cities across North America.
  
Jonathan Miller (co-director) is a writer, journalist, editor, radio producer, podcaster, and media project leader whose work has taken him to more than 20 countries. Since 2006, he has been executive director of Homelands Productions, an award-winning journalism collective that specializes in public radio features and documentaries. Jon serves on the board of Ithaca City of Asylum and coordinates the ONWARDS project, which seeks to help displaced writers, artists, human rights defenders, and scholars find stability in the USA.
 
**Contact information** 

Lesley Greene and Jonathan Miller, co-directors
[info@storyhouseithaca.org](mailto:info@storyhouseithaca.org) 
   

Story House Ithaca

A fiscally sponsored project of Intersection for the Arts, Dulcimoon is a woman-led virtual dulcimer festival and community. 

Dulcimoon is a vibrant, woman-led virtual dulcimer festival dedicated to creating a welcoming and supportive community for players of all levels. Our mission is to celebrate the spirit of collective exploration, personal expression, and joyful learning, while highlighting the inspiring contributions of women in the dulcimer world. Children are welcome and encouraged to participate in free workshops and online activities created just for them! 

Your donations support a scholarship fund for the festival, twice per month Dulcimoon Talks interviews, and community events hosted online for mountain and hammered dulcimer players. 

Dulcimoon

The Together In Hope Project is a nonprofit organization focused on changing lives through music with a purpose. 

The Together In Hope Project is a nonprofit organization focused on changing lives through music with a purpose. We create unique, music-anchored projects on issues of our shared humanity to promote healing and reconciliation.

Together In Hope Project

Nonprofit co-op housing and venues for artists, writers and musicians in the city of San Francisco


P Segal, nee Roberta Pizzimenti, was born & raised and still lives in San Francisco’s North Beach. She is a professional writer. She established ArtHouse to help artists, writers and musicians to remain in San Francisco.

P Segal has been a lifelong member of the city’s arts community. In 1990, she suggested moving Burning Man to the Black Rock Desert, and she opened the Center Camp Cafe in 1995. The event was planned in her flat for a decade.

Her zine, [**Proust Said That**](https://proustsaidthat.blog), was the first serial publication on the World Wide Web, and it’s the longest running publication online. In 1994, she introduced the engineers developing the Web to the young artists who would apply their skills to building the new field of computer graphics.

The need for [**ArtHouse**](https://arthousesf.org) became apparent when the cost of living escalated in San Francisco, and the once enormous community of artists was priced out. 

According to a 2017 Arts Commission survey, 75% of the artists still here in 2010 had already moved away or were planning to soon. Much of the community was already gone by 2010. P began to develop plans for a co-op format project for artists’ housing and venues that would enable them to come back.. 

In 2019, ArtHouse joined forces with the Intersection for the Arts, our fiscal sponsor. Since then, we’ve searched for foundations that had artists’ housing in their funding guidelines, and found none, and we looked for individual-nonprofit—or corporate-nonprofit—partnerships.

In recent months, we’ve opened discussion with the Community Arts Stabilization Trust, that wants to help us find buildings and return artists to the city. Artists created a new art movement here nearly every decade of the 20th century. The last new movement was Burning Man, and we’re curious about what magic will happen when the community returns.  

ArtHouse

c89.5 is listener-supported public radio, playing uplifting dance music and providing career-connected learning for our students.

c89.5 is a listener-supported, non-commercial radio station owned by the Seattle Public Schools and operated by professional adult staff and students in the electronic media program at Nathan Hale High School. The station is almost entirely self-funded: over 95% of its operating revenue comes from listener donations and local businesses.

Over 150,000 listeners throughout Puget Sound tune to c89.5 every week for a diverse range of music celebrating individual differences and focusing on the joy in life. The station reaches a broad range of listeners, with a high concentration in both the 18-24 and 45-54 age ranges. Over 30% of c89.5 listeners identify as LGBTQ+.

c89.5 supports the personal and professional growth of our students, giving them the skills and confidence to succeed in careers in media and other professions. Our students gain practical experience in digital media production, public speaking, and professional presentation. Many of our alumni have gone on to careers in journalism, radio, television, and digital media.

The station is also a pioneer and worldwide leader in dance music, monitored by Nielsen and by MediaBase, and one of eight stations tracked for the Billboard Dance chart.

c89.5 has won numerous awards and is recognized as an influential radio station on the cutting edge of dance music as well as a premier high school broadcast facility.

Your donation is fully tax-deductible and supports the general operating fund of c89.5.

c89.5 Public Radio

The Civic Circle empowers students students to understand and participate in democracy through music and the arts.

The Civic Circle launched in 2018 to empower low-income students with civic skills, lift youth voices through the arts, and close a well-documented equity gap in civic learning and engagement.

Since then, we’ve reached more than 5,000 underserved students with our after-school workshops, assembly shows and community civic events. The heart of our program is seven civic skills we call “steps to democracy”— Listen, Learn, Choose, Join, Speak, Act and Lead. In other words, be a compassionate, informed, engaged citizen.

Civic learning correlates to better school performance, and college and career readiness. Students in our programs do Social Studies and service-learning activities, and work with teaching artists to create and perform their own civic songs, poems, and art pieces. Along the way they build literacy, confidence, self-expression, and social and emotional skills.

Our innovative, multicultural program equips students with the civic skills they will need to become voters and leaders in their communities, a mission that is increasingly crucial both for student achievement, and for our success as a democratic society. For more information, please contact info@theciviccircle.org, or visit www.theciviccircle.org.

The Civic Circle

Pollinator is a growing network of aligned peers.

The inaugural Pollinator Program launches in October of 2025.

The Pollinator Program is like a virtual residency of mutual support. Participants get matched with a small cohort of compatible peers, and work on your new website in good company.

**How it Works**

1. Get invited to join: All members are alumni from our network of vetted residencies, fellowships, and cultural institutions.
2. Match with an aligned peer circle: We place you in a dedicated cohort with five other members. These are your people. (One might even be your creative soulmate?)
3. Learn a new goal-setting method: Join video calls with your circle each week, guided by our curriculum.
4. Make real connections, and real progress: join the next Program cycle to continue cross-pollinating.

**Network**

Pollinator supports interdisciplinary practitioners across art, technology, ecology, and social impact. We are currently accepting alumni of over 50 institutions and programs. See https://pollinator.coop for the full list of institutions.

**Team**

We build collaborative technology for artists, by artists. We believe in the magic of human-to-human intelligence and see Pollinator as a way to strengthen cultural ecosystems through peer-to-peer connection.

Pollinator Co-Directors Caroline Woolard and Or Zubalsky are artists, educators, and technologists who have been collaborating for 15 years. From 2008-2018, they built and maintained TradeSchool.coop, an international peer-to-peer learning platform that was used in 30 cities internationally. Caroline Woolard is the co-founder of Art.coop, a national network of art and design cooperatives, and the co-author of Making and Being, a book about collaborative pedagogy. Zubalsky and Woolard have taught for over a decade at The New School, Rhode Island School of Design, Cooper Union, the School of Visual Arts, the University of New Mexico, Bennington College, George Washington University, and the University of Hartford. Learn more about Zubalsky here and Woolard here.

Zubalsky and Woolard got together to build Pollinator with a team of aligned engineers in 2024. The team at Minima has worked together since 2014 to deliver cutting-edge software-based solutions for corporate clients. Minima has built and managed widely used web, mobile, and server-side applications, including Apple's Music TV. Minima builds complex systems that scale, are maintainable, and cost effective. Minima prioritizes the end user across axes of accessibility, security, communication, and simplicity.

**Praise**

“We need more networks to connect us to share resources at this time.” —Wendy Woon Artist, former Edward John Noble Deputy Director for Education, MoMA

“Pollinator is something all artist-serving organizations want to offer but struggle to pull off alone. It's an investment in all the artists [and aligned peers] we're supporting across all 40+ organizations.” —Blair Benjamin, Assets For Artists

“We have been gathering artists and technologists across borders for over a decade. Finally, Pollinator can help us to connect people in small groups at scale on an international level.” —Mechu Rapela, Tenthaus Oslo

“Pollinator is a great idea because it takes existing networks of fellows and says: We’ve been missing an opportunity to interconnect Fellows. What if we did this in a meaningful way?” —Cate Fox, Center for Cultural Innovation

“The world doesn’t need another big tech platform; it needs pollinators— something fluid, alive, and relational. Circles foster interconnection, cross-pollination, and shared growth.” —Martin Pettis, YMCA

“Pollinator is another example of what the founder has been doing for the last fifteen years - finding ways to connect people in the arts so that they can support one another. She is persistent in her dedication and vision.” —Samuel Hoi, former president of Otis College of Art and Design and Maryland Institute College of Art

Pollinator

A world-class chamber orchestra at the highest standards of artistic excellence that enriches the Twin Cities community.

Our mission is to sustain a world-class chamber orchestra at the highest standards of artistic excellence that enriches the Twin Cities community by sharing dynamic, distinctive and engaging performances. We are actively committed to accessibility and intentional inclusivity in all aspects of our work and continually strive to provide all people in our community with opportunities to connect with the music we perform.

Renowned for its artistic excellence, remarkable versatility of musical styles and adventurous programming, The Grammy Award-winnning [Saint Paul Chamber Orchestra](https://www.thespco.org/) is one of the finest chamber orchestras in the world. Now in its 67th season, the SPCO is primarily an unconducted ensemble that performs a broad range of repertoire, from Baroque works to new music, in close collaboration with a dynamic roster of [Artistic Partners](https://www.thespco.org/meet-our-musicians/artistic-partners/). The current roster of Artistic Partners consists of British Baroque specialist Richard Egarr, American pianist Richard Goode, South African cellist Abel Selaocoe, Hungarian conductor Gábor Takács-Nagy and German violist Tabea Zimmermann.

In its commitment to making music accessible to everyone, the virtuoso musicians of the SPCO present over 80 concerts each season, sharing live music with over 70,000 people throughout the Twin Cities from September through June. Regular subscription series are performed in [a variety of different venues](https://content.thespco.org/events/venues/) across the Twin Cities metropolitan area each season — a unique commitment to geographic accessibility for a major orchestra. The SPCO offers the most affordable ticket prices of any professional orchestra in the United States, with over 50 percent of tickets available for $15 or less and with free tickets for children and students as a part of its [New Generation Initiative](https://www.thespco.org/newgeneration). The orchestra also offers an innovative ticket membership model in which members pay a monthly fee to attend unlimited concerts, with a $5 per month Concert Membership option for first-time Concert Members and members of [Club2030](https://www.thespco.org/club2030), the orchestra’s discount program for audience members in their 20s and 30s.

The SPCO’s free, online [Concert Library](https://content.thespco.org/music/) offers audio and video concert recordings — both live and on-demand — that can be accessed anytime, completely free of charge thanks to donors. Through its partnership with YourClassical Minnesota Public Radio and American Public Media, the SPCO is regularly played on public radio programs that reach nearly 850,000 listeners each week on over 250 stations. Additionally, the SPCO has released [68 recordings](https://www.thespco.org/about-us/recording-discography/), including its recent critically acclaimed album of Wolfgang Amadeus Mozart Piano Concertos with former Artistic Partner Jeremy Denk and the 2018 Grammy Award-winning [recording](https://www.thespco.org/about-us/death-and-the-maiden-cd/) of Franz Schubert’s *Death and the Maiden* with violinist and former Artistic Partner Patricia Kopatchinskaja. In addition to its programs in the Twin Cities, the orchestra also tours nationally and internationally, including recent engagements in Europe and New York City, and prestigious residencies at the 2021 and 2022 [Bravo! Vail Music Festival](https://www.bravovail.org/) with violinists Joshua Bell and Stefan Jackiw, bassist Xavier Foley, and pianist and Bravo! Vail Artistic Director Anne-Marie McDermott.

The SPCO is deeply committed to expanding orchestral repertoire, [commissioning nearly 200 new works](https://www.thespco.org/about-us/premieres-and-commissions/) throughout its 65-year history and receiving 17 ASCAP awards for adventurous programming. In a divergence from the industry standard of commissioning individual works from composers, the SPCO’s [Sandbox Residency program](https://www.thespco.org/sandbox/) invites composers to experiment freely across a variety of new works created in collaboration with the orchestra. This groundbreaking residency model allows composers to workshop new pieces, experiment and revise, take risks, develop relationships with SPCO musicians and engage with SPCO audiences.

The SPCO is a proud member of the [Arts Partnership](https://artspartnership.org/), a strategic alliance of four performing arts organizations — Minnesota Opera, the Ordway, the SPCO and Schubert Club — that ensures equitable sharing and effective care of the Ordway Center as a vital cultural asset in the Twin Cities.

The Saint Paul Chamber Orchestra

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Just like the Whos Down in Whoville, good things happen when we start singing.  Help us continue!

founder @ camp.org, expa.com, uber.com & mix.com