I wandered into an Other Cinema show in 1990 and it was a transformative experience. ATA/Other Cinema has always stood opposed to the gross and creepy dominant narratives of the culture, and it would be a huge loss to San Francisco if it went away.

I lived, worked, created and thrived at ATA for 8 years from the day we first moved into 992 in 1987. This donation is in memory of Lise Swenson and Arda Ishkanian. ATA must live. Or else.

BCP is a group of exceptional musicians! They are truly world-class professionals. At every concert, I am blown away anew by their musicality, the subtle communication between players as they perform, and the inspiration I get as an amateur musician myself. I really appreciate being able to attend their concerts closer to home rather than having to trek to a bigger city. This group is an East Bay treasure!

Thank you ATA and Craig for screening my short film, From the Same Family: An Intimate View of Globalization when I first moved to S.F., it meant so much to a young filmmaker. I'm happy to contribute, thank you! 

ATA gave me and so many others the opportunity to get their art on. Let's preserve this space for future generations of outsider art kids!

This is San Francisco to the core. Our Cinematheque is also at risk of going dark. Keep the lights on.

Their website says it all, but I’ll add ATA was a key part of the art and film scene when I started hanging out in the city in the 80s. SF will lose a huge part of its cultural heart without ATA.

So thankful for this space existing in the city! We need to keep it alive for future generations 

I gave because Berkeley High Jazz has been one of the bright lights of our son’s education, nurturing his musicianship, his confidence, and a lifelong relationship with music.

So glad I wandered in that day, changed my life. Long live ATA!

I don't want to imagine the city w out ATA. 

I love MCO. It is my favorite orchestra that has brought a lot of joy to my family and me.

I stand with writers and actors and support staff!!

Artists' Television Access is an all-volunteer, artist-run, underground and experimental media arts gallery founded in 1984.

Artists’ Television Access is a San Francisco-based, artist-run, non-profit organization that cultivates and promotes culturally-aware, underground media and experimental art. We provide an accessible screening venue and gallery for the presentation of programmed and guest-curated screenings, exhibitions, performances, workshops and events. We believe in fostering a supportive community for the exhibition of innovative art and the exchange of non-conformist ideas.

Artists' Television Access

Founded in 2006, the Benicia Chamber Players’ mission is to provide a classical chamber music concert series to underserved East Bay areas including Benicia, Lafayette, Piedmont and Vallejo. Our aim is to cultivate a community of local and other world-class professional musicians with a love of playing chamber music who are dedicated to sharing that love with audiences.

Benicia Chamber Players

Berkeley High School Jazz inspires young musicians to learn, perform, and share the rich tradition of Black American Music.

**Berkeley High School Jazz (BHS Jazz)** is a nationally recognized program in Berkeley, California, celebrating the rich heritage of Black American Music and its global influence. Founded in 1960, the program has grown to include five dynamic bands where students learn, perform, and find their voices through jazz. BHS Jazz nurtures musicianship, creativity, and community—whether students pursue music professionally or simply embrace it as a lifelong passion. The program’s ensembles have performed at prestigious festivals such as Montreux, North Sea, Monterey, and Mingus, earning top honors and international acclaim. Through study, collaboration, and performance, BHS Jazz continues to make jazz accessible to a diverse range of students while sharing this powerful art form with the broader Berkeley community.

Berkeley High School Jazz

Collective of passionate musicians uniting for specific tours in Europe and across the world.

An orchestra committed to creating and sharing exceptional experiences in classical music.  
 
The Mahler Chamber Orchestra (MCO) was founded in 1997 based on the shared vision of being a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With 45 members spanning 20 different countries at its core, the MCO works as a nomadic collective of passionate musicians uniting for specific tours in Europe and across the world.

Mahler Chamber Orchestra gGmbH 

National human services organization. Our mission is to foster stability and resiliency, and provide a safety net for performing arts and entertainment professionals over their lifespan.

Founded in 1882, we serve all professionals—and not just actors—in film, theater, television, music, opera, radio and dance through programs that address our community's unique and essential needs.

Employment in any division of the performing arts and entertainment industry is unpredictable. Work is erratic, security is fleeting and health insurance is often just a dream. For all of these reasons and many more, The Actors Fund is an indispensable and deeply significant part of the entire entertainment community.

As a national organization with offices in New York, Los Angeles and Chicago, we directly serve thousands of performing arts and entertainment professionals across the country every year, in person and via our online resources. Our programs are wide in scope, responsive in nature and produce significant results.

Entertainment Community Fund (formerly The Actors Fund)

A Historic Concert Hall in the centre of Amsterdam. Its superb acoustics place it among the finest concert halls in the world.

The Concertgebouw: A hall of and for music lovers

Back in 1881, leading members of the community took the initiative to build a concert hall, and it was thanks to members of the public that The Concertgebouw was inaugurated in 1888. To this very day, it is still the general public and private funds which keep the hall open. In fact, only five per cent of The Concertgebouw’s annual income is provided by the state. Indeed, The Concertgebouw intends to remain a private institution in the future. Obviously, support from the private sector is essential to ensuring that the hall can continue to welcome musicians and audience members alike, both today and in the future.

To safeguard The Concertgebouw’s existence, the Concertgebouw Fund Foundation was established in 2000. The fund contributes to the renovation and restoration of the hall and supports a variety of education projects which is one of its main goals. Perhaps you yourself have toyed with the idea of supporting the Concertgebouw and thus helping to secure its future. The Concertgebouw Fund offers a variety of options to help make that idea a reality. In exchange, you’ll be able to enjoy many special privileges as a patron of the Concertgebouw Fund.

History: The beginning of The Concertgebouw

The beginning
The date is 15 September 1881. Six illustrious Amsterdam citizens come together to breathe life into the ‘Provisional Committee to build a concert hall’. The Park Hall theatre in the Plantage area was about to be demolished, the Felix Meritis building was too small, and Amsterdam’s Crystal Palace was uncomfortable and notorious for its poor acoustics. A few months earlier, the weekly paper De Amsterdammer denounced the sad state of the capital city’s music scene. 'While the leaders of all self-respecting cities abroad have made sure their cities are graced with good concert halls, our government has declared that these ill-fated ‘arts’ are not its responsibility,’ the paper reported.

Construction commences
To determine a suitable location, the committee turns to Pierre Cuypers, the architect of the Rijksmuseum which was being built at that time. He helps negotiate the purchase of a plot of land near the new museum, just outside the city limits, in the middle of the Nieuwer-Amstel fields. On 7 March 1882, plans were completed for a public limited company with a capital sum of 400,000 guilders, for which shares could be purchased for 1000 guilders. On 8 July 1882, the company N.V. Het Concertgebouw was officially founded, even though only 250,000 guilders in shares had been sold.

Dolf van Gendt
There was no requirement for a particular building style, as long as the end result would fit on an area of 130 x 55 metres, be constructed for a budget of 300,000 guilders, and provide space for around 2000 concertgoers. After some bickering, a design was chosen – albeit a scaled-down version – from Amsterdam’s most frequently patronised architect, Adolf Leonard (Dolf) van Gendt, the creator of many famous buildings, including the Hollandsche Manege, Frascati, De IJsbreker and the Gallery of the Crystal Palace.

Grand opening
The Concertgebouw was completed in late 1886. However, due to a lack of confidence on the part of the funders as well as the necessary difficulties with the municipality of Nieuwer-Amstel (for example, with respect to filling in a small canal, paving the access roads and installing street lights), the grand opening of the long-awaited building was only celebrated on Wednesday 11 April 1888.

Famous acoustics: The secret of the Main Hall

Unparalleled acoustics
So what is the secret of the world-famous acoustics of the Main Hall of The Royal Concertgebouw? Is it just a coincidence that Dolf van Gendt, considered by his family to be completely devoid of musical talent, was able to create a perfectly resonant hall? In the time that The Concertgebouw was taking shape, the science of acoustics was still considered a mysterious combination of many different and undefinable factors. Professional recording equipment was only developed in the 20th century; at the time, architects only had successful examples to look to.

As a result, the Recital Hall is nearly identical to the renowned oval hall in the Felix Meritis building, while the Main Hall – in terms of design and materials used – was based on the large concert hall of the Neue Gewandhaus in Leipzig, Germany. In later restorations, the original design and finishing details of the halls were left intact as much as possible to preserve the sensitive acoustics. Because even the most advanced equipment is unable to unmask the secret of the Main Hall’s unparalleled acoustics.

Het Concertgebouw Fonds

The Berliner Philharmoniker, founded in 1882 as a self-governing orchestra.

"To the limits and beyond"  
The Berliner Philharmoniker – a world-class orchestra    

Outstanding expertise, uncompromising commitment to music: that is the Berliner Philharmoniker. In passionate interpretations, they make the great works of the repertoire shine and open up new horizons with performances of exciting contemporary music. 

Legendary chief conductors have left their mark on the orchestra's history and sound. Today they thrill a worldwide public in the Philharmonie and on tour, during live broadcasts and on acclaimed recordings. 

Communication with audiences will also be their focus in the future, whether in the concert hall or in the media. With digital programming, with education projects, but above all with concerts that enable listeners to experience the inexhaustible power and intensity of classical and contemporary music first-hand.   

The Berliner Philharmoniker Foundation

The Tanging Yaman Foundation is a non-profit Philippine organization which bridges the generosity of countless Filipinos. 

Tanging Yaman Foundation, Inc. (Tanging Yaman), a non-profit Philippine organization, was established in 1992 when Fr. Manuel "Manoling" Francisco, SJ first performed his original liturgical music with the Philippine Philharmonic Orchestra (PPO). Almost every year, Fr. Manoling would perform with the PPO or the Manila Philharmonic Orchestra.

 

These concerts, entitled Tanging Yaman: Himig at Pananalig, graced the Cultural Center of the Philippines, the Meralco Theatre, the UP Theatre, and other major Philippine theaters. The concerts even went on tour to Batangas, Quezon Province, and Ifugao.

 

In addition to the orchestra, these Tanging Yaman concerts featured choirs like Bukas Palad, Hangad, Bungang Himig, Tinig Barangka, the Pansol Choir, and popular artists like Basil Valdez, Dulce, Ogie Alcasid, Ariel Rivera, Jamie Rivera, and Nolyn Cabahug. Apart from celebrating Filipino music and Filipino faith, the concerts also raised funds for institutions that build and nurture local communities.

 

Some of the beneficiaries of the Tanging Yaman concerts were have been the Sibol-Hesus School for gifted public school children of Mr. Onofre Pagsanghan; the Alagad ni Maria Youth Center in Infanta; the Quezonians Home for the Aged; the Kiangan, Ifugao Scholarship Fund; the Diocesan Seminary in Lipa, Batangas; Our Lady of the Pentecost Parish in Loyola Heights; Mary the Queen Parish in San Juan; the Ateneo de Manila High School Scholarship Fund; and the School of Living Tradition in Benguet.

 

Tanging Yaman Foundation, Inc. has then evolved from being an annual liturgical concert to being a conduit foundation, bridging the generosity of countless Filipinos here and abroad to the vital needs of their fellow men and women in the Philippines.

 Tanging Yaman Foundation, Inc.

Since 1968, providing quality fine arts experiences for students and our community through our summer camps and year round events.

Shell Lake Arts Center Inc

Music Is First! creates equity and access to music education for all young children. 

**Music Is First!** creates equity and access to music education for all young children and their communities.

We do this by integrating music into elementary school curriculum, which greatly enhances language acquisition (especially second language acquisition), cognitive development, physical coordination, social-emotional well being, and acts as a vehicle for families to create music together. Music Is First! provides research based in-school music and literacy residencies, professional development to teachers, music curriculum, and free resources (lesson plans, instructional videos, etc.) to teachers and parents to foster our mission. 

Music is First!

The Academy is at the heart of the Verbier Festival — a dynamic laboratory where future talents are discovered and nurtured.

**BECOME A MEMBER OF THE FRIENDS**

[Web site Friends of Verbier Festival](https://https://www.verbierfestival.com/en/support/friends/)

The Verbier Festival Friends Associaton was launched in 1993, when a group of music-loving donors was inspired by the idea of a two-week festival of classical music in the Swiss Alps in Valais. The Founder & Director Martin Engstroem calls his Verbier Festival "a waking dream"— a dream that would not have been realised without the consistent generosity and personal commitment of the Friends. Their support for the Festival as a whole, and notably for its learning programmes and major artistic projects, has been crucial to its rise to the top: the Verbier Festival is now one of the world's most renowned classical music events, blazing a trail into the 21st century.

Each donation made to The Friends of the Verbier Festival fund at Myriad (ex-KBFUS) is subject to a 5% administrative fee. These fees constitute costs to Myriad to administer donations made to the VF Friends Association; they total less than it would cost to operate a U.S. chapter of the Friends Association as a separate 501-C3 entity. The Association is nevertheless grateful to donors willing to top-up their donations by 5% to cover these fees.

The Verbier Festival is an international classical music event that takes place each summer in the mountain town of Verbier, Switzerland. The Festival's mission is to build a community of exchange between great masters and young artists from all over the world and to be a leader in its field by providing meaningful music education programmes.

Launched in 1994, and now globally renowned, the Festival welcomes audiences with a distinctive and exhilarating blend of events, both large-scale and intimate. Audiences from around the globe come to experience music-making at the highest level in a setting that brings them close to star performers, rising talent and a complete process of learning, rehearsal and performance.

The Festival's Academy is its respiratory system—a laboratory where future talents are discovered and nurtured. It sets the gold standard for the training of emerging soloists, chamber and orchestral musicians, singers and conductors. Each summer, audiences witness these musicians in action at more than 100 masterclasses, rehearsals and performances. The Verbier Festival Orchestra has become a rite of passage for today's exceptional young orchestral musicians and the Academy's programmes for soloists, chamber musicians and singers include an impressive list of alumni from over 60 countries who have been engaged by the world's leading concert presenters since their time in Verbier.

Verbier Festival Friends Association / Association des Amis du Verbier Festival

A catalyst for creative freedom and cultural vitality across the Arab world.

As the largest fund for independent artists and cultural institutions in the Arab world, AFAC serves the collective necessity to pursue bold ideas, reclaim space, and share stories from our region on our own terms.

Culture shapes how we see ourselves, how we remember the past, and how we imagine the future. Independent voices are being silenced by war, repression, and economic collapse. Youth, who represent the region’s largest demographic, are largely excluded from cultural production and denied platforms to shape their futures. The threat of talent drain and cultural fragmentation has never been higher.

Since 2007, we have supported over 2,400 projects across 22 countries and their diasporas, awarding over $40 million in grants. Our model sustains not only the production of art but the long-term resilience of the cultural ecosystem. 

AFAC stands at the forefront of expression—investing in independent storytellers, visionaries, and institutions who challenge convention, spark dialogue, and preserve the richness of our collective narratives. We must act now to preserve cultural sovereignty and ensure that artists continue to imagine, question, and build the future of the region.

Our support spans cinema, music, literature, performance and visual arts, documentary photography, research, and critical training, reaching emerging talents and established voices, from the heart of the region to the edges of the diaspora. 

AFAC is more than a funder. We are a platform for connection, advocacy, and continuity. Through open calls, mentorship, strategic partnerships, and direct support to institutions, we create ecosystems, for the region and by the region, that allow independent culture to thrive.

At a time when global attention often overlooks the nuance of Arab realities, AFAC helps ensure that our stories—rooted in diversity, contradiction, and creative force—are not just told, but heard, remembered, and felt. We invite you to imagine a world where every voice can create, connect, and contribute to the cultural future of the region.

**With your support, AFAC can:**

- Sustain and expand critical funding for artists and institutions
- Launch bold new programs in underserved geographies
- Build a long-term ecosystem for Arab cultural philanthropy

Arab Fund for Arts and Culture

148788709

1578280819

1675433849

1873740264

2052641908

2088874155

We are a nonprofit, so instead of charging fees we rely on the generosity of donors like you.

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Artists' Television Access

Artists' Television Access

Artists' Television Access

Artists' Television Access

Benicia Chamber Players

Artists' Television Access

Music