Thank you to the citizens of Gouesnou who, with this memorial, honor the US soldiers who fought and died there. This donation is in memory of my uncle Julian W. Jarvis, who was killed in action at age 19 in August 1944. 

https://www.findagrave.com/memorial/15756805/julian-wrenn-jarvis#view-photo=186481345

In Memory of Germaine Fischler-Schraub of Antwerp, Belgium

Rachmaninoff has been one of my all time favourite composers and it is heartening to see that memory remains steadfast and his music remains a star in the musical firmament. 

I gave because i believe in the power of art to uplift society and point it constantly towards higher ideals. That is very much needed for all people of African descent

The City of Gouesnou is building a memorial in tribute to the American Heroes who fell on its territory during the summer of 1944.

The City of Gouesnou is located in Brittany, in the far Western France. In the vicinity of Brest, a port city whose harbour was at the time one of the most important in the country, our city particularly suffered during World War II. On August 7, 1944, the first day of the siege of Brest by the Eighth Army, 43 innocent people were murdered by German troops in the hamlet of Penguérec : this was the largest massacre of civilians perpetrated in Brittany during the War.

During the following days and until the beginning of September 1944, probably more than 210 G.Is belonging to the 2nd and 8th Infantry Divisions of the US Army fell in Gouesnou, in particular during the battles of Bourgneuf-Fourneuf and Kergroas.

**Every year, the City of Gouesnou honor hero soldiers and civilian victims, because here in Gouesnou, we consider that it is our duty to remember the past for the sake of history and transmission, particularly to the youngest generation.** So, the elected officials and residents of Gouesnou, in close collaboration with various associations, the local university and schools, strive to maintain and make accessible to as many people as possible the history of the Second World War, its victims and in particular the soldiers who fought to the point, for some, of losing their lives.

In order to make sure that we never forget and to avoid the recurrence of past tragedies, the City of Gouesnou has been multiplying initiatives : annual tributes to soldiers and victims, financing of historical research, organization of commemorative events for the general public, publication of a comic book.

**In 2025, the year of the 80th anniversary of the Victory, the City of Gouesnou and the local Association Les Amis du Patrimoine has decided to show, in an even stronger way, its respect and gratefulness towards the American soldiers who fell during the summer of 1944 for its Liberation and that of all of France.** Our project which got started last January, involves building a memorial in their honor, representing a life-size G.I., sitting on blocks of stone, holding his rifle in his hands. Behind him stands a monumental doorway symbolizing freedom and transition, the passage from darkness to light, the heavy sacrifice of these men who came from across the Atlantic to drive out the enemy and help us regain our Freedom. This monument will honor the memory of each of these men and will offer their families a true place where to recollect.

**We would like to inscribe the names of all the soldiers who fell in Gouesnou on this memorial. For that purpose we continue to study, with historians, academics and volunteers, all available archives.** We are also fortunate in being helped in our work by members of The Tomb of the Unknown Soldier Fourndation, a contact made thanks to the American Society of Le Souvenir Français.

The inauguration of the Gouesnou's US Memorial is planned for next November. On this very special day, we hope to see the presence of the soldiers' families, as well as all those who contributed to its achievement.

The City of Gouesnou, Les Amis du Patrimoine and all their partners are proud to presented to the American public as part of a crowdfunding campaign whose purpose it is to supplement the funds provided by the City and French donors. **We would consider it as a great honor if you accepted to support our project (budget : $ 300 000) as it would certainly help us achieve our goal of building a memorial worthy of the American heroes who fell in Gouesnou, back in 1944, fighting for our Freedom.**

Gouesnou US Memorial, in tribute to the American Heroes fallen in August 1944 (France)

Help maintain the inheritance of the life and work of Vincent van Gogh.

Explore the world’s largest collection of works by Vincent van Gogh at the Van Gogh Museum in Amsterdam. 
 
Mission The Van Gogh Museum makes the life and work of Vincent van Gogh and the art of his time accessible to as many people as possible in order to enrich and inspire them.
 
Your support will help us to maintain the inheritance of the life and work of Vincent van Gogh. By donating through KBFUS you can make use of the tax benefits in the US. ​

Van Gogh Museum 

Memorial, Museum and research centre on Holocaust and Human Rights 


25,490 Jews and 353 Roma were deported from the Dossin barracks on 28 train transports to Auschwitz-Birkenau between 1942 and 1944. Few of them survived the ordeal. Today the old military base is a serene site of reflection and remembrance, a Memorial. In the museum, facing the former barracks, one can immerse oneself in the history of the Holocaust in Belgium. The museum provides testimonies not only of exclusion, discrimination and mass violence, but also of hope and resistance. Reflect on human rights violations, then and now. In the research centre one can find more about the role of the Dossin barracks during the Second World War or about the experiences of a loved one or family member. 

Kazerne Dossin

The Serge Rachmaninoff Foundation carries Rachmaninoff's music, legacy and artistry out into the world from his house, Villa Senar

History: Thanks to the commitment of the Serge Rachmaninoff Foundation, discussions among the artist's heirs were successfully concluded in 2021. The Canton of Lucerne purchased the listed property and is responsible for the maintenance and renovation of the house and the surrounding park. The Serge Rachmaninoff Foundation is responsible for the programs and cultural events at Rachmaninoff's Villa Senar, wit-hout any financial support from the Canton of Lucerne. 

VILLA SENAR is the name of the artist house of the composer, conductor, pianist, Hollywood star and family man Sergei Rachmaninoff (SE=Sergei, NA=Natalia, R=Rachmaninoff). Expelled from his native Russia, the artist lived in exile in various countries from 1917 onwards. On the Hertenstein peninsula near Weggis in the canton of Lucerne, he found a new home and renewed creative energy.  



Our mission as a foundation is to create international awareness for Rachmaninoff's Villa Senar and to develop and establish its artistic program over the coming years and make an artistic contribution to the region and beyond. We want to communicate Rachmaninoff's Villa Senar as a cultural and educational center with a broad partici-pation with the highest quality standards from home. 

Rachmaninoff's Villa Senar locally and regionally and, together with partners, posi-tion the Hertenstein peninsula as a special and sustainable place of art and culture. Attention will also be paid to international activities, as the name Rachmaninoff is a global trademark. 

The magic of the place, its uniqueness and class should continue to shape the fu-ture; we always want to treat the soul of Senar and the Hertenstein peninsula near Weggis with respect. 

Performing and communicating Sergei Rachmaninoff's work at his former place of residence. His personality, his interests, his musical depth, his role models, visions, zeitgeist, curiosity for new and unusual things, enthusiasm for technology, architec-ture, literature, poetry and art form the foundation of the cultural program. 

Rachmaninoff's Villa Senar is a place of inspiration and home. The aura of this cen-ter (family home/meeting place/garden and nature) and the creative power can be experienced and experienced on site during a visit. The real presence, the quality and authenticity of the location and content, and the intensive time spent at Villa Senar make every visit unique and, in this sense, special for every visitor. 

The cultural program is designed for broad cultural participation, seeks the inter-faces to the present and enables suitable, fine, subtle, high-quality approaches for every target group. 

As an artists' residence, Villa Senar offers a home for all generations and different disciplines. Sergei Rachmaninoff was a family man and patron of all the arts, uniting art and people in his home through his charisma, his values and his interests. 



PROMOTION: Website, program sheet, word of mouth, channels of our partners, allies and sponsors, regionally via associations and public institutions, volunteers, friends and Rachmaninoff fans.

NEED: In the oversupply of leisure activities, the oversaturation of a variety of offers, a discomfort with high culture, perceived barriers and associated fears of not under-standing something in the music and culture sector, couch coziness created by Co-vid, we need new formats that convey closeness to people in a relaxed, fresh and un-conventionally conventional way. We offer a feeling of home, a sense of arrival, a kind of cultural exile within your "own four walls". 

TARGET GROUPS: The projects are tailored to specific target groups and/or are aimed at cross-generational, broad and public participation: 

Children Educational and participative projects with the Weggis music school and the music schools of the canton of Lucerne. Interdisciplinary theater, music, dance, light and sound: Gänsebliemli im Rosengarten, SENAR ARTS ACADEMY, SENARADEN im Park & Boot, Carte Jaune for the talent promotion of the Lucerne music schools

Senior citizens Cooperation with the senior citizens' universities of Lucerne, Weg-gis, Zurich, Basel, cultural associations and service clubs. 

Youth premieres and co-development of new music. Inclusion of virtual reality, augmented reality and new media. Up-to-date, close and at eye level. Sustainabi-lity programs, new regional policies for the promotion of the community. We deal with questions about the future and are committed to values and meaningfulness. 

Young adults and families SENARaden in the park or on the boat, exhibitions, sound walk, art exhibitions in the park with an out-door stage created by spatial designers for Rachmaninoff's Villa Senar. Picnic openair, barrier-free and relaxed, Celebrating Rachmaninoff Podcast in collaboration with Decca Classic and WFMT Radio Chicago, RACHMANINOFF ECHOES - The staging of Rachmanin-off's artifacts in his villa using virtual reality and augmented reality.

Afficionados and Afficionadas-To-Be concerts, residencies, master classes, workshops, public expert tours - thematically coordinated, film: The Alchemy of Piano Playing, jazz evenings, literature & music, competitions and commissioned works on Rachmaninoff.



CHANCE: Potential, unique location, curious people, Rachmaninoff's Villa Senar has not been open to the public until now, the house belongs to the Canton of Lucerne, this partnership needs to be well positioned in the long term, we start "from scratch" and can react optimally to current events, small team, manageable size of the venue, small, fine, barrier-free, approachable, potential outdoors, involvement of the region, already established partnerships and strong allies, agility through rapid decision-making and a doer mentality of the people involved, network. Rachmaninoff as a mil-lennium pianist, Hollywood star, family man, composer, conductor, promoter of the arts and mobility, speed freak, entrepreneur, architect is attractive, his music appeal-ing and is the perfect music to introduce an audience to "classical music" and open up new audiences. 



RISK: A good financial basis must be established, project-based financing, provisions should be made to enable long-term planning, partnership with the canton without a performance mandate and financial support, demands from the canton of Lucerne, few personnel resources, reliance on voluntary commitment which can also slow down processes, recruitment of voluntary work, establishment in uncertain times, consumer behavior of the public has changed, planning uncertainty.

INDICATORS regular evaluation, experts on the voluntary Board of Trustees with regular exchanges, partnerships with know-how, demanding and quality-conscious advisors/friends/network. 



NETWORKING: Rachmaninoff's Villa Senar sees itself as a networker and meeting place, with freedom for the special, the new and the tried and tested. Projects with our partners: Lucerne Festival, Lucerne Theater, Lucerne University of Applied Sci-ences and Arts - Music, Tourism, Engineering, Business, Architecture, Design & Art, Lucerne Museum of Transport, Hans Erni Museum, Weggis Music School, Lucerne Cantonal Music Schools, Lucerne Symphony Orchestra, schools, Stella Matutina House of Education - House of the Future, Baldegg Monastery, Senior:inside univer-sities, IG Kultur (Freie Szene), Richard Wagner Museum, Saint Charles Hall, Künst-lerhäuser global, Library of Congress Washington, Philadelphia Orchestra, Van Pelt University Philadelphia, National Symphony Orchestra, Swiss Embassy in Washing-ton, Interessengemeinschaft Musikstadt Luzern, Zurich Opera, Tonhalle Orchestra Zurich, Lucerne Tourism, Switzerland Tourism, artists, associations and allies, sponsors and patrons. 



The nucleus and center of the events are Rachmaninoff's Villa Senar and the park. Due to the limited space available, we also use the venues of our partners as satelli-tes. We strive for broad participation, want to connect cultural institutions via Lake Lucerne, create national attention and deepen international relationships. 



MANAGING DIRECTOR: The Serge Rachmaninoff Foundation has employed the Managing & Artistic Director, Andrea Loetscher, since June 1, 2022. As a musician with a teaching diploma and soloist diploma, a master's degree in mar-keting and management from the University of Basel, as an entrepreneur and music school director, she has local roots and a national and international network. In 2024, she will also complete an MBA in Business Development & Marketing at the Univer-sity of Basel. The Managing Director is supported in financial matters by Ludwig von Mutius, economist, financial consultant and former CFO of major international com-panies. Ludwig von Mutius makes his expertise fully available to the Serge Rachma-ninoff Foundation on a voluntary basis. In addition, the Serge Rachmaninoff Founda-tion has employed the Managing Assistant, Salome Rüttimann, on a 40% basis since 1.1.24. Volunteers for concert support, guided tours and other work. 

 Serge Rachmaninoff Foundation

Using art as a vehicle for social change, while connecting the shared history, values and futures of Africa and its Diaspora!

The experiences and cultural contributions of people of African descent have been marginalized throughout history and MoCADA’s mission is to undertake the responsibility of rewriting that history in order to give a more accurate portrayal of the contributions of people of African descent to the artistic and global landscape.

The Museum of Contemporary African Diasporan Arts (MoCADA) uplifts the visual, literary, and performing arts as a conduit that connects the shared history, values, and futures of Africa and its diaspora, for the purpose of advancing dialogue on pressing social + political issues faced by these communities. We give platform within our safe spaces to artists whose work honor, celebrate, and expand this rich conversation while inviting our community in to explore, engage, and thrive within our collective evolution.

For 20 years, MoCADA has empowered vulnerable communities and instilled a sense of pride in visitors through representation and access to the arts including 100+ groundbreaking artists from 20+ countries (Terence Nance, Dread Scott, Wangechi Mutu, etc) whose voices have gone largely ignored; to Black, LatinX, Indigenous, especially, low income, children, women, immigrants, elders, LGBTQ+, people living with disabilities etc from the communities of Central Brooklyn and beyond.

Museum of Contemporary African Diasporan Art (MoCADA)

ADAA Foundation Inc is a 501(c)3 focused on arts, culture, and humanities. Based in NY, NY, it received nonprofit status in 1971.

**About the Foundation**

The ADAA Foundation, established in 1970, is a separate but related entity to the ADAA. Our Foundation has provided grants to museums, archives, and arts organizations nationwide to support art historical research and exhibition development.

The Foundation’s current grant program assists U.S. museums and arts institutions with operating budgets of up to six million dollars. Each year, the Foundation invites randomly selected institutions to submit proposals for funding to support the development of new art exhibitions, educational programs, and community engagement initiatives, including those promoting equity, access, and representation within our field.

*Below is a list of forthcoming projects and exhibitions from ADAA Foundation grant recipients.* 

**2024 Grant Recipients:**

**** [Henry Art Gallery, University of Washington, Seattle, WA](https://henryart.org/)
*Eric-Paul Riege: Hólǫ, bee adzooí*
September 2025                                                        

[Huntsville Museum of Art, Huntsville, AL](https://hsvmuseum.org/)
*Valor: A Tribute to American Veterans*                                                                       November 2026—February 2027

[Museo de Arte Contemporáneo de Puerto Rico, San Juan, PR](https://www.museomac.org/)                             *Diasporican Abstraction: Identities Beyond Representation*.                                      February 20—July 26, 2026

**WANT TO SUPPORT THE ADAA FOUNDATION?** When you donate to the ADAA Foundation, you support the development of new art exhibitions, educational programming, and community engagement initiatives at museums in communities nationwide. 

The ADAA Foundation is a 501(c)(3) organization, and all donations are tax deductible.

Art Dealers Association Foundation Inc

The Owl Club unites enthusiasts to become connoisseurs of pre-modern art while building meaningful relationships in the art world


Join THE OWL CLUB!

Owl Club Member $250 (yearly membership begins when you join)

Owl Club Benefits:

• Monthly invitations to in person events exclusive to Owl Club members
  Our private events include special visits to private collections, exhibition tours with 
  curators, tutorials in galleries, conservation studios and auction houses 
• Private guided tours and special events at art fairs*
• Access to all Athena Art Foundation podcasts and special events


Owl Club Benefactor $350 (yearly membership begins when you join)

Owl Club Benefactor Benefits:
• Invitations to events exclusive to Owl Club members in galleries, artist studios, auction 
 houses, and private collections
• Priority reservation privileges for The Athena Foundation fund-raising benefits and host 
 committees
• Private guided tours to museum exhibitions and art fairs*
• Access to all Athena Art Foundation podcasts and special events
• Invitation to additional special events exclusive to Benefactors

*artfair tickets not included

Athena Art Foundation - The Owl Club

Dhody Research Institute examines medical history to address health challenges and fosters curiosity through education.

The Dhody Research Institute (DRI) is a 501(c) 3 non-profit dedicated to scientific and museological research,  consultation, and education. Through partnerships with historic, scientific or medical institutions, DRI conducts  research with historical medical collections to improve  21st –century human health. The Institute also provides consultation to institutions and researchers who seek to create museums or exhibitions with a medical historical dimension or maintain their collections of anatomical/pathological anatomy. The DRI also engages in accessible science communication through various social media channels to promote STEM engagement, encourage careers in STEM fields, and engage in science dialog with our wide audience.



Dhody Research Institute

Best Seat In The House is a nonprofit organization. It is based in Sandy, UT. It received its nonprofit status at the end of 2017.

The Best Seat in the House is a 501(c)(3) organization dedicated to providing life-changing experiences for children facing challenging circumstances, including serious illnesses, poverty, disabilities, and those in foster care. What began as a birthday celebration for Ivan evolved into a dynamic nonprofit with a mission to infuse joy and hope into the lives of children and their families.

Best Seat In The House

Fostering appreciation and growth of artistic and intellectual creativity in Africa 

Based in Dakar, Senegal, RAW Material Company is a center for art, knowledge and society.  It is an initiative involved with curatorial practice, artistic education, residencies, knowledge production, and archiving of theory and criticism on art. It works to foster appreciation and growth of artistic and intellectual creativity in Africa. The programme is trans-disciplinary and is equally informed by literature, film, architecture, politics, fashion, cuisine and diaspora. RAW Material Company is made of:  - RAW Base, a resource centre specialized in contemporary art;  - RAW Académie, an experimental study programme for artistic thinking and production  - Ker Issa, residencies and studios for artists, curators, authors and researchers.  

RAW Material Company

Leading the conversation on contemporary art since 1928, SculptureCenter presents exhibitions, commissions new work, and generates scholarship.

SculptureCenter

La Fondation Maeght houses one of the largest collections of modern art in Europe, featuring works by leading 20th century artists

An exceptional place for modern art on the French Riviera.

La Fondation Maeght is France's first art foundation, opened in 1964 in St Paul de Vence in the French Riviera, with one of the most important collections of modern art, with works by Miró, Giacometti, Chagall, Calder and Hepworth as well as temporary exhibitions.

La Fondation Maeght opened thanks to the singular destiny of Aimé and Marguerite Maeght, Europe's leading art publishers and dealers in the post-war era. Since its inception and to this date, La Foundation has organized more than 140 exhibitions of modern and contemporary artists and providing access to art to visitors and scholars alike.

As France's very first independent art institution, La Fondation was modelled on American institutions such as the Solomon R. Guggenheim Foundation, the Barnes Collection and the Phillips Collection in the US.

As a non-profit, La Fondation does not receive regular public funding from the French government. This means that the support of individuals and companies is essential for its survival, and for the continuation of its mission to promote arts and culture in the decades to come.

Your support, no matter the value, is hugely appreciated and there are many ways you can get involved.

Visit our website for more:  https://www.fondation-maeght.com/  or contact international@fondation-maeght.com

Fondation Marguerite et Aime Maeght 

An international study centre for textiles, textile crafts, and dress, worldwide and from prehistory to the present day.

The Textile Research Centre (TRC) is a knowledge centre set up in 1991 as an independent foundation. Since 2009 it is housed at Hogewoerd 164, in the centre of historic Leiden, The Netherlands. Here it has the use of an exhibition space, a large depot, offices and workrooms. The basic aim of the TRC is to give the study of textiles, dress, and accessories their proper place in the field of humanities and social sciences, but also in the context of crafts and craft education. The TRC does so by providing courses and lectures, carrying out research and by the presentation of textiles and dress from all over the world. The two main focal points of the TRC are (a) dress and identity: what people wear in order to say who they are and (b) textile crafts and technology, both pre-industrial and industrial.

In order to reach its objectives, the TRC houses various collections, of more than 50,000 items, including a Textile and Garment Collection and a Reference Collection for fibres, threads, dyes, weaves, printed and machine embroidered textiles, and so forth. Most of the objects are photographed, and are available online (open access), with detailed information, In addition, research is aided by the TRC’s library (some 6,500 books, a large collection of articles, as well as visual material such as photographs, prints and postcards). Students, designers and academics come from many countries to Leiden to use the TRC’s facilities and to attend workshops and courses.

Stichting Textile Research Centre

AFMM raises awareness among Americans and provides financial support, on a tax-deductible basis, for the Musée de Montmartre.

HistoryThe Musée de Montmartre is located in old houses on the Butte (hill of Montmartre). These residences, surrounded by gardens, housed the workshops and ateliers of numerous artists such as Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo. The permanent collection includes paintings, posters and drawings signed by Toulouse-Lautrec, Modigliani, Kupka, Steinlen, Valadon, and Utrillo. Together, the artworks recount the history of Montmartre, including the innovative studios at Bateau-Lavoir and 12 rue Cortot and the infamous animated cabarets of the Lapin Agile and the Moulin Rouge. The Museum includes an entire room dedicated to the French Cancan, while another features rare zinc plates of dreamlike scenes from shadow theatre such as Le Chat Noir, the first modern cabaret founded by Rodolphe Salis in 1881.  The collection was made possible by the History and Archeology Society “Le Vieux Montmartre,” which itself dates back to 1886.  The permanent collection presented will immerse you in the history of Montmartre and reveal its rich culture. The Musée de Montmartre was founded in 1960 and dates one of its buildings to the seventeenth century.  This building is the Bel Air House and is the oldest building in Montmartre.  During its heyday, 12 rue Cortot served as a residence and meeting place for many artists including Auguste Renoir, Suzanne Valadon and Émile Bernard, who held their studios here, as well as the fauve artists Emile Othon Friesz and Raoul Dufy.The Musée's attendees relive Montmartre's celebrated history through the eyes of Suzanne Valadon during the Musée's immersive media show. Attendees rediscover the atmosphere that dominated the winding streets of the Butte and the famous names that roamed them.  Valadon's humble origins, artistic training, contacts and success make her the perfect guide to introduce the visit and recount the history of Montmartre: she is an allegory of the Butte during its effervescence.  In July 2011, the Kléber-Rossillon Company took over the management of the Musée de Montmartre. It launched an ambitious program that expanded and restored the site. Exhibition space was doubled, the studio-apartment of the artists Suzanne Valadon and Maurice Utrillo was renovated, and the three gardens that inspired Renoir’s paintings were brought to their former glory.  Artists started to move to Montmartre in 1870 and the cafes and cabarets multiplied in the 1880’s. What quickly came to characterize Montmartre in the eyes of everyone was this effervescent bohemian spirit, a creative energy.  In 1912 Suzanne Valadon, Maurice Utrillo and André Utter settled into their atelier-apartment and left a symbolic trace at 12 Cortot. The spirit of the infernal trio has been restored: the frying pan can be found in its place, the mezzanine was rebuilt in the studio, and the walls of Utrillo’s bedroom still have their original panelling and barbed wire on the windows.  To give life to this reconstruction, the company Kléber Rossillon called upon the designer Hubert Le Gall, scenographer who has worked with renowned institutions (e.g., Musée d'Orsay, Musée de l'Orangerie, Jacquemart- André). Hubert Le Gall was able to recreate the atelier-apartment, faithful to the letters and writings of the time and as portrayed in historical photographs - an ode and celebration of the past.Three gardens dedicated to Auguste Renoir surround the Musée de Montmartre. They are named in memory of the impressionist painter who lived on-site between 1875 and 1877, where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”), La Balancoire (“The Swing”), and Jardin de la rue Cortot (“Rue Cortot Garden”). The Renoir Gardens offer breathtaking views of the vineyard, the Clos Montmartre, and northern cityscape of Paris.  The Musée de Montmartre captures the excitement of a time at the turn of the century (the Fin de Siècle) in a neighborhood where artists, musicians, poets, and friends gathered and created.  This time gave birth to modern art, pushing against the boundaries of the time.  The Musée de Montmartre is rooted in history.  The American Friends of Musée de Montmartre celebrate this time and very special place.

American Friends of Musée de Montmartre

MOWAA is a non-profit organization dedicated to the preservation, expansion, and celebration of West African arts and culture.

At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives in West Africa. By re-evaluating the concept of the museum in a 21st century African context, MOWAA seeks to ensure relevancy to contemporary artists, artisans and cultural professionals.

To do this, we provide exceptional infrastructureand programmes for the preservation, display, research, learning and exchange in arts and culture in a range of locations from our world-class facilities and campus in the heart of the historic district of Benin City, Nigeria.

MOWAA

To serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back.

To create a truly unique space and experience. 
 
 Founded in 1994, the Remember Museum is one of the most interesting of its kind. It is housed in an old renovated barn and is comprised mainly of items abandoned by the American First Infantry Division soldiers who once enjoyed "R & R" at the Schmetz' s farm when Marcel was a young boy. The artifacts include personal items given by numerous WWII Veterans from various units. It is a museum with a human dimension, made great by its welcoming environment, its originality, its simplicity. The museum strives to serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back. Because curators Marcel & Mathilde (M&M) are nearing retirement, the museum and its contents will be transferred to the King Baudouin Foundation and a board of directors will manage the future of this great endeavor, while keeping it warm and personal much like M&M themselves. Thank you for your donation!

Remember Museum 39-45 

The Fondation Pro-mahJ contributes to the development of the collections of the Musée d'art et d'histoire du Judaisme in Paris.

The Fondation pour le musée d'art et d'histoire du Judaïsme (Pro mahJ), in Paris, was created in 2003 on the initiative of Claire Maratier, daughter of painter Michel Kikoïne (1892-1968), to promote the work of artists from the École de Paris and mobilize its resources in support of the mahJ. As an essential supporter of the enrichment of the mahJ's collections and the promotion of its heritage and activities, the foundation is committed to supporting contemporary artists whose work is rooted in the École de Paris and resonates with the mahJ's collections.
Your support will help preserve one of the finest collections of works of art and objects illustrating the heritage of Jewish culture in Europe and around the Mediterranean, from Antiquity to the present day, preserved and hosted by the musée d'art et d'histoire du Judaïsme (mahJ), as well as strengthening the museum's activities, particularly its educational initiatives. The mahJ is France's largest museum devoted to Jewish art and culture, and a place of reference for education, promoting cultural diversity and combating prejudice and discrimination, for people from all walks of life. 
The mahJ is also developing an active policy of research into Jewish history and archeologia, through conferences, symposia and meetings. It actively campaigns for better dissemination of Jewish history and heritage and for it to be taken into account in public policy.


Fondation Pro mahJ 

Make a gift and help sustain the Science Center as a place of science learning and family fun for generations to come. 

We value science as an indispensable tool for understanding our world, accessibility and inclusiveness, and enriching people's lives. FREE admission to permanent galleries for the public (excludes IMAX and special paid exhibits).

California Science Center

Creative Commons (CC) stewards a universally accessible infrastructure for open knowledge, culture, and collaboration. 

Creative Commons is the global nonprofit organization behind the CC licenses and public domain tools, enabling the free and open distribution of otherwise copyrighted work. We give every person and organization in the world a simple and standardized way to grant copyright permissions for images, music, research, journal articles, educational resources, and cultural artifacts; ensure proper attribution; and allow others to copy, distribute, and make use of those works.

We've come a long way since we first got started in 2001. When Creative Commons was  founded, the internet was a budding universe with high potential, and platforms widely used today like Wikipedia and Google were only just taking off. CC’s founders were keen to ensure that, as the internet continued to grow, safeguards to knowledge, culture, and creativity were firmly in place, and the Creative Commons license suite was born.

Now more than ever, CC recognizes the urgent need for these licenses in advancing Better Sharing, key to preserving our global commons. As we look toward the next 20 years, CC seeks to fearlessly advocate for Open Knowledge to address the many challenges our global community faces today from the Climate Crisis and educational inequalities to the spread of "fake news" and barriers in access to cultural heritage.

Creative Commons

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