Rachmaninoff has been one of my all time favourite composers and it is heartening to see that memory remains steadfast and his music remains a star in the musical firmament. 

The Serge Rachmaninoff Foundation carries Rachmaninoff's music, legacy and artistry out into the world from his house, Villa Senar

History: Thanks to the commitment of the Serge Rachmaninoff Foundation, discussions among the artist's heirs were successfully concluded in 2021. The Canton of Lucerne purchased the listed property and is responsible for the maintenance and renovation of the house and the surrounding park. The Serge Rachmaninoff Foundation is responsible for the programs and cultural events at Rachmaninoff's Villa Senar, wit-hout any financial support from the Canton of Lucerne. 

VILLA SENAR is the name of the artist house of the composer, conductor, pianist, Hollywood star and family man Sergei Rachmaninoff (SE=Sergei, NA=Natalia, R=Rachmaninoff). Expelled from his native Russia, the artist lived in exile in various countries from 1917 onwards. On the Hertenstein peninsula near Weggis in the canton of Lucerne, he found a new home and renewed creative energy.  



Our mission as a foundation is to create international awareness for Rachmaninoff's Villa Senar and to develop and establish its artistic program over the coming years and make an artistic contribution to the region and beyond. We want to communicate Rachmaninoff's Villa Senar as a cultural and educational center with a broad partici-pation with the highest quality standards from home. 

Rachmaninoff's Villa Senar locally and regionally and, together with partners, posi-tion the Hertenstein peninsula as a special and sustainable place of art and culture. Attention will also be paid to international activities, as the name Rachmaninoff is a global trademark. 

The magic of the place, its uniqueness and class should continue to shape the fu-ture; we always want to treat the soul of Senar and the Hertenstein peninsula near Weggis with respect. 

Performing and communicating Sergei Rachmaninoff's work at his former place of residence. His personality, his interests, his musical depth, his role models, visions, zeitgeist, curiosity for new and unusual things, enthusiasm for technology, architec-ture, literature, poetry and art form the foundation of the cultural program. 

Rachmaninoff's Villa Senar is a place of inspiration and home. The aura of this cen-ter (family home/meeting place/garden and nature) and the creative power can be experienced and experienced on site during a visit. The real presence, the quality and authenticity of the location and content, and the intensive time spent at Villa Senar make every visit unique and, in this sense, special for every visitor. 

The cultural program is designed for broad cultural participation, seeks the inter-faces to the present and enables suitable, fine, subtle, high-quality approaches for every target group. 

As an artists' residence, Villa Senar offers a home for all generations and different disciplines. Sergei Rachmaninoff was a family man and patron of all the arts, uniting art and people in his home through his charisma, his values and his interests. 



PROMOTION: Website, program sheet, word of mouth, channels of our partners, allies and sponsors, regionally via associations and public institutions, volunteers, friends and Rachmaninoff fans.

NEED: In the oversupply of leisure activities, the oversaturation of a variety of offers, a discomfort with high culture, perceived barriers and associated fears of not under-standing something in the music and culture sector, couch coziness created by Co-vid, we need new formats that convey closeness to people in a relaxed, fresh and un-conventionally conventional way. We offer a feeling of home, a sense of arrival, a kind of cultural exile within your "own four walls". 

TARGET GROUPS: The projects are tailored to specific target groups and/or are aimed at cross-generational, broad and public participation: 

Children Educational and participative projects with the Weggis music school and the music schools of the canton of Lucerne. Interdisciplinary theater, music, dance, light and sound: Gänsebliemli im Rosengarten, SENAR ARTS ACADEMY, SENARADEN im Park & Boot, Carte Jaune for the talent promotion of the Lucerne music schools

Senior citizens Cooperation with the senior citizens' universities of Lucerne, Weg-gis, Zurich, Basel, cultural associations and service clubs. 

Youth premieres and co-development of new music. Inclusion of virtual reality, augmented reality and new media. Up-to-date, close and at eye level. Sustainabi-lity programs, new regional policies for the promotion of the community. We deal with questions about the future and are committed to values and meaningfulness. 

Young adults and families SENARaden in the park or on the boat, exhibitions, sound walk, art exhibitions in the park with an out-door stage created by spatial designers for Rachmaninoff's Villa Senar. Picnic openair, barrier-free and relaxed, Celebrating Rachmaninoff Podcast in collaboration with Decca Classic and WFMT Radio Chicago, RACHMANINOFF ECHOES - The staging of Rachmanin-off's artifacts in his villa using virtual reality and augmented reality.

Afficionados and Afficionadas-To-Be concerts, residencies, master classes, workshops, public expert tours - thematically coordinated, film: The Alchemy of Piano Playing, jazz evenings, literature & music, competitions and commissioned works on Rachmaninoff.



CHANCE: Potential, unique location, curious people, Rachmaninoff's Villa Senar has not been open to the public until now, the house belongs to the Canton of Lucerne, this partnership needs to be well positioned in the long term, we start "from scratch" and can react optimally to current events, small team, manageable size of the venue, small, fine, barrier-free, approachable, potential outdoors, involvement of the region, already established partnerships and strong allies, agility through rapid decision-making and a doer mentality of the people involved, network. Rachmaninoff as a mil-lennium pianist, Hollywood star, family man, composer, conductor, promoter of the arts and mobility, speed freak, entrepreneur, architect is attractive, his music appeal-ing and is the perfect music to introduce an audience to "classical music" and open up new audiences. 



RISK: A good financial basis must be established, project-based financing, provisions should be made to enable long-term planning, partnership with the canton without a performance mandate and financial support, demands from the canton of Lucerne, few personnel resources, reliance on voluntary commitment which can also slow down processes, recruitment of voluntary work, establishment in uncertain times, consumer behavior of the public has changed, planning uncertainty.

INDICATORS regular evaluation, experts on the voluntary Board of Trustees with regular exchanges, partnerships with know-how, demanding and quality-conscious advisors/friends/network. 



NETWORKING: Rachmaninoff's Villa Senar sees itself as a networker and meeting place, with freedom for the special, the new and the tried and tested. Projects with our partners: Lucerne Festival, Lucerne Theater, Lucerne University of Applied Sci-ences and Arts - Music, Tourism, Engineering, Business, Architecture, Design & Art, Lucerne Museum of Transport, Hans Erni Museum, Weggis Music School, Lucerne Cantonal Music Schools, Lucerne Symphony Orchestra, schools, Stella Matutina House of Education - House of the Future, Baldegg Monastery, Senior:inside univer-sities, IG Kultur (Freie Szene), Richard Wagner Museum, Saint Charles Hall, Künst-lerhäuser global, Library of Congress Washington, Philadelphia Orchestra, Van Pelt University Philadelphia, National Symphony Orchestra, Swiss Embassy in Washing-ton, Interessengemeinschaft Musikstadt Luzern, Zurich Opera, Tonhalle Orchestra Zurich, Lucerne Tourism, Switzerland Tourism, artists, associations and allies, sponsors and patrons. 



The nucleus and center of the events are Rachmaninoff's Villa Senar and the park. Due to the limited space available, we also use the venues of our partners as satelli-tes. We strive for broad participation, want to connect cultural institutions via Lake Lucerne, create national attention and deepen international relationships. 



MANAGING DIRECTOR: The Serge Rachmaninoff Foundation has employed the Managing & Artistic Director, Andrea Loetscher, since June 1, 2022. As a musician with a teaching diploma and soloist diploma, a master's degree in mar-keting and management from the University of Basel, as an entrepreneur and music school director, she has local roots and a national and international network. In 2024, she will also complete an MBA in Business Development & Marketing at the Univer-sity of Basel. The Managing Director is supported in financial matters by Ludwig von Mutius, economist, financial consultant and former CFO of major international com-panies. Ludwig von Mutius makes his expertise fully available to the Serge Rachma-ninoff Foundation on a voluntary basis. In addition, the Serge Rachmaninoff Founda-tion has employed the Managing Assistant, Salome Rüttimann, on a 40% basis since 1.1.24. Volunteers for concert support, guided tours and other work. 

 Serge Rachmaninoff Foundation

Leading the conversation on contemporary art since 1928, SculptureCenter presents exhibitions, commissions new work, and generates scholarship.

SculptureCenter

La Fondation Maeght houses one of the largest collections of modern art in Europe, featuring works by leading 20th century artists

An exceptional place for modern art on the French Riviera.

La Fondation Maeght is France's first art foundation, opened in 1964 in St Paul de Vence in the French Riviera, with one of the most important collections of modern art, with works by Miró, Giacometti, Chagall, Calder and Hepworth as well as temporary exhibitions.

La Fondation Maeght opened thanks to the singular destiny of Aimé and Marguerite Maeght, Europe's leading art publishers and dealers in the post-war era. Since its inception and to this date, La Foundation has organized more than 140 exhibitions of modern and contemporary artists and providing access to art to visitors and scholars alike.

As France's very first independent art institution, La Fondation was modelled on American institutions such as the Solomon R. Guggenheim Foundation, the Barnes Collection and the Phillips Collection in the US.

As a non-profit, La Fondation does not receive regular public funding from the French government. This means that the support of individuals and companies is essential for its survival, and for the continuation of its mission to promote arts and culture in the decades to come.

Your support, no matter the value, is hugely appreciated and there are many ways you can get involved.

Visit our website for more:  https://www.fondation-maeght.com/  or contact international@fondation-maeght.com

Fondation Marguerite et Aime Maeght 

An international study centre for textiles, textile crafts, and dress, worldwide and from prehistory to the present day.

The Textile Research Centre (TRC) is a knowledge centre set up in 1991 as an independent foundation. Since 2009 it is housed at Hogewoerd 164, in the centre of historic Leiden, The Netherlands. Here it has the use of an exhibition space, a large depot, offices and workrooms. The basic aim of the TRC is to give the study of textiles, dress, and accessories their proper place in the field of humanities and social sciences, but also in the context of crafts and craft education. The TRC does so by providing courses and lectures, carrying out research and by the presentation of textiles and dress from all over the world. The two main focal points of the TRC are (a) dress and identity: what people wear in order to say who they are and (b) textile crafts and technology, both pre-industrial and industrial.

In order to reach its objectives, the TRC houses various collections, of more than 50,000 items, including a Textile and Garment Collection and a Reference Collection for fibres, threads, dyes, weaves, printed and machine embroidered textiles, and so forth. Most of the objects are photographed, and are available online (open access), with detailed information, In addition, research is aided by the TRC’s library (some 6,500 books, a large collection of articles, as well as visual material such as photographs, prints and postcards). Students, designers and academics come from many countries to Leiden to use the TRC’s facilities and to attend workshops and courses.

Stichting Textile Research Centre

AFMM raises awareness among Americans and provides financial support, on a tax-deductible basis, for the Musée de Montmartre.

HistoryThe Musée de Montmartre is located in old houses on the Butte (hill of Montmartre). These residences, surrounded by gardens, housed the workshops and ateliers of numerous artists such as Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo. The permanent collection includes paintings, posters and drawings signed by Toulouse-Lautrec, Modigliani, Kupka, Steinlen, Valadon, and Utrillo. Together, the artworks recount the history of Montmartre, including the innovative studios at Bateau-Lavoir and 12 rue Cortot and the infamous animated cabarets of the Lapin Agile and the Moulin Rouge. The Museum includes an entire room dedicated to the French Cancan, while another features rare zinc plates of dreamlike scenes from shadow theatre such as Le Chat Noir, the first modern cabaret founded by Rodolphe Salis in 1881.  The collection was made possible by the History and Archeology Society “Le Vieux Montmartre,” which itself dates back to 1886.  The permanent collection presented will immerse you in the history of Montmartre and reveal its rich culture. The Musée de Montmartre was founded in 1960 and dates one of its buildings to the seventeenth century.  This building is the Bel Air House and is the oldest building in Montmartre.  During its heyday, 12 rue Cortot served as a residence and meeting place for many artists including Auguste Renoir, Suzanne Valadon and Émile Bernard, who held their studios here, as well as the fauve artists Emile Othon Friesz and Raoul Dufy.The Musée's attendees relive Montmartre's celebrated history through the eyes of Suzanne Valadon during the Musée's immersive media show. Attendees rediscover the atmosphere that dominated the winding streets of the Butte and the famous names that roamed them.  Valadon's humble origins, artistic training, contacts and success make her the perfect guide to introduce the visit and recount the history of Montmartre: she is an allegory of the Butte during its effervescence.  In July 2011, the Kléber-Rossillon Company took over the management of the Musée de Montmartre. It launched an ambitious program that expanded and restored the site. Exhibition space was doubled, the studio-apartment of the artists Suzanne Valadon and Maurice Utrillo was renovated, and the three gardens that inspired Renoir’s paintings were brought to their former glory.  Artists started to move to Montmartre in 1870 and the cafes and cabarets multiplied in the 1880’s. What quickly came to characterize Montmartre in the eyes of everyone was this effervescent bohemian spirit, a creative energy.  In 1912 Suzanne Valadon, Maurice Utrillo and André Utter settled into their atelier-apartment and left a symbolic trace at 12 Cortot. The spirit of the infernal trio has been restored: the frying pan can be found in its place, the mezzanine was rebuilt in the studio, and the walls of Utrillo’s bedroom still have their original panelling and barbed wire on the windows.  To give life to this reconstruction, the company Kléber Rossillon called upon the designer Hubert Le Gall, scenographer who has worked with renowned institutions (e.g., Musée d'Orsay, Musée de l'Orangerie, Jacquemart- André). Hubert Le Gall was able to recreate the atelier-apartment, faithful to the letters and writings of the time and as portrayed in historical photographs - an ode and celebration of the past.Three gardens dedicated to Auguste Renoir surround the Musée de Montmartre. They are named in memory of the impressionist painter who lived on-site between 1875 and 1877, where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”), La Balancoire (“The Swing”), and Jardin de la rue Cortot (“Rue Cortot Garden”). The Renoir Gardens offer breathtaking views of the vineyard, the Clos Montmartre, and northern cityscape of Paris.  The Musée de Montmartre captures the excitement of a time at the turn of the century (the Fin de Siècle) in a neighborhood where artists, musicians, poets, and friends gathered and created.  This time gave birth to modern art, pushing against the boundaries of the time.  The Musée de Montmartre is rooted in history.  The American Friends of Musée de Montmartre celebrate this time and very special place.

American Friends of Musée de Montmartre

Help preserve the Jewish cultural heritage in Portugal.

Your support will help establish the Tikvá Museu Judaico Lisboa (Jewish Museum of Lisbon).

Associação Hagadá (Hagadá Association) was created on July 25th 2019. Its objective is to promote and carry on the activities necessary for the creation, establishment and operation of an institution with museological functions in Lisbon - The Tikvá Museu Judaico Lisboa (Jewish Museum of Lisbon). Also, it aims to enrich and preserve the associated cultural heritage, display the Jewish experience and culture, as well as the role of Portuguese Jews in the history of Lisbon and Portugal, and in the Diaspora. Associação Hagadá (Hagadá Association) will perform the following main activities: - Creation and establishment of the Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon); - Ensure that the Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon) fulfils its role as a museum; - Promote, organize and publicise exhibitions, talks, debates and conferences; - Promote the collection and preservation of sources essential to the awareness of Portuguese Jewish history and the Jewish cultural heritage existing in Portugal; - Promote actions intended to encourage citizenship and human rights; - Promote actions intended to combat all forms of discrimination, based in particular on race, ethnicity and religious intolerance and appreciating cultural and religious differences as the heritage of Humanity; - Promote actions intended to preserve the Jewish cultural heritage existing in Portugal; - Perform educational activities; - Support and encourage research and the development of Jewish studies in Portugal and about Portugal; - Promote publications related to Jewish cultural heritage.

Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon) – Associação Hagadá (Hagadá Association)

SHACK15 Art Prize is a brand new award for visual artists of San Francisco Bay Area

SHACK15 Art Prize is a brand new award for visual artists of San Francisco Bay Area, a collaboration between SHACK15 and We♥️SF communities, with support from Art Bae.

Our mission is to make space, for artists, for experimentation, and for the kind of work that changes how a city sees itself.

We believe supporting artists is a civic act: not charity, not a trend, but a deliberate contribution to the cultural and emotional life of San Francisco.

Through the Art Prize, we are building infrastructure for imagination, starting with seven artists and an open invitation that if you believe art belongs at the heart of civic life, this mission is yours too.

SHACK15 Art Prize

ADAA Foundation Inc is a 501(c)3 focused on arts, culture, and humanities. Based in NY, NY, it received nonprofit status in 1971.

**About the Foundation**

The ADAA Foundation, established in 1970, is a separate but related entity to the ADAA. Our Foundation has provided grants to museums, archives, and arts organizations nationwide to support art historical research and exhibition development.

The Foundation’s current grant program assists U.S. museums and arts institutions with operating budgets of up to six million dollars. Each year, the Foundation invites randomly selected institutions to submit proposals for funding to support the development of new art exhibitions, educational programs, and community engagement initiatives, including those promoting equity, access, and representation within our field.

*Below is a list of forthcoming projects and exhibitions from ADAA Foundation grant recipients.* 

**2024 Grant Recipients:**

**** [Henry Art Gallery, University of Washington, Seattle, WA](https://henryart.org/)
*Eric-Paul Riege: Hólǫ, bee adzooí*
September 2025                                                        

[Huntsville Museum of Art, Huntsville, AL](https://hsvmuseum.org/)
*Valor: A Tribute to American Veterans*                                                                       November 2026—February 2027

[Museo de Arte Contemporáneo de Puerto Rico, San Juan, PR](https://www.museomac.org/)                             *Diasporican Abstraction: Identities Beyond Representation*.                                      February 20—July 26, 2026

**WANT TO SUPPORT THE ADAA FOUNDATION?** When you donate to the ADAA Foundation, you support the development of new art exhibitions, educational programming, and community engagement initiatives at museums in communities nationwide. 

The ADAA Foundation is a 501(c)(3) organization, and all donations are tax deductible.

Art Dealers Association Foundation Inc

The City of Gouesnou is building a memorial in tribute to the American Heroes who fell on its territory during the summer of 1944.

The City of Gouesnou is located in Brittany, in the far Western France. In the vicinity of Brest, a port city whose harbour was at the time one of the most important in the country, our city particularly suffered during World War II. On August 7, 1944, the first day of the siege of Brest by the Eighth Army, 43 innocent people were murdered by German troops in the hamlet of Penguérec : this was the largest massacre of civilians perpetrated in Brittany during the War.

During the following days and until the beginning of September 1944, probably more than 210 G.Is belonging to the 2nd and 8th Infantry Divisions of the US Army fell in Gouesnou, in particular during the battles of Bourgneuf-Fourneuf and Kergroas.

**Every year, the City of Gouesnou honor hero soldiers and civilian victims, because here in Gouesnou, we consider that it is our duty to remember the past for the sake of history and transmission, particularly to the youngest generation.** So, the elected officials and residents of Gouesnou, in close collaboration with various associations, the local university and schools, strive to maintain and make accessible to as many people as possible the history of the Second World War, its victims and in particular the soldiers who fought to the point, for some, of losing their lives.

In order to make sure that we never forget and to avoid the recurrence of past tragedies, the City of Gouesnou has been multiplying initiatives : annual tributes to soldiers and victims, financing of historical research, organization of commemorative events for the general public, publication of a comic book.

**In 2025, the year of the 80th anniversary of the Victory, the City of Gouesnou and the local Association Les Amis du Patrimoine has decided to show, in an even stronger way, its respect and gratefulness towards the American soldiers who fell during the summer of 1944 for its Liberation and that of all of France.** Our project which got started last January, involves building a memorial in their honor, representing a life-size G.I., sitting on blocks of stone, holding his rifle in his hands. Behind him stands a monumental doorway symbolizing freedom and transition, the passage from darkness to light, the heavy sacrifice of these men who came from across the Atlantic to drive out the enemy and help us regain our Freedom. This monument will honor the memory of each of these men and will offer their families a true place where to recollect.

**We would like to inscribe the names of all the soldiers who fell in Gouesnou on this memorial. For that purpose we continue to study, with historians, academics and volunteers, all available archives.** We are also fortunate in being helped in our work by members of The Tomb of the Unknown Soldier Fourndation, a contact made thanks to the American Society of Le Souvenir Français.

The inauguration of the Gouesnou's US Memorial is planned for next November. On this very special day, we hope to see the presence of the soldiers' families, as well as all those who contributed to its achievement.

The City of Gouesnou, Les Amis du Patrimoine and all their partners are proud to presented to the American public as part of a crowdfunding campaign whose purpose it is to supplement the funds provided by the City and French donors. **We would consider it as a great honor if you accepted to support our project (budget : $ 300 000) as it would certainly help us achieve our goal of building a memorial worthy of the American heroes who fell in Gouesnou, back in 1944, fighting for our Freedom.**

Gouesnou US Memorial, in tribute to the American Heroes fallen in August 1944 (France)

Dedicated to supporting an open and dynamic Palestinian culture nationally and internationally 
 
 The Palestinian Museum is a S

The Palestinian Museum is a Swiss-registered non-governmental association with a branch in Palestine (currently undergoing official of registration). The Museum's Vision: A vibrant Palestinian culture Mission: The production and dissemination of emancipatory learning experiences about Palestine, its people and history through innovative programmes in Palestine and around the world. Values - Inclusivity: The Palestinian Museum builds partnerships and bolsters Palestinian communities wherever they are - Excellence: The Palestinian Museum produces verifiably accurate content - Creativity and Innovation: The Palestinian Museum presents novel tools and concepts as well as innovative content across all its platforms - Transparency: The Palestinian Museum is accountable to society and strives to maintain its trust - Independence: The Palestinian Museum is an independent institution with no political affiliations - Inspiration: The Palestinian Museum is a source of hope for a free Palestinian future Museum without Borders The Palestinian Museum was designed as a transnational institution, capable of overcoming geographical and political boundaries to reach Palestinians within historic Palestine and beyond. Its digital collections and online platforms, alongside its network of local and international partnerships, will allow for the sharing of skills, resources, programmes and exhibitions with individuals and institutions worldwide. The Palestinian Museum sits on a 40,000 square metre plot of land in Bizeit, 7 kilometres north of Ramallah and 25 kilometres north of Jerusalem. The building's structure merges with the cascading terraces unique to Palestine's hills and is surrounded by gardens that incarnate the agricultural and vegetational history of Palestine. The Museum is Palestine's first green building with a Gold LEED certificate from the U.S. Green Building Council. The building has received the 2019 Aga Khan Award for Architecture. The Palestinian Museum is designed as a transnational institution, overcoming boundaries to reach Palestinians within Palestine and beyond through its digital collections and online platforms, alongside its network of local and international partnerships.  The Museum's organizes annual and seasonal exhibitions, virtual reality exhibitions, permanent collection expansion and conservation, public and education programmes, knowledge-based programmes, digital and archiving projects, and capital and infrastructure projects. 

The Palestinian Museum Association 

Saath founded in 1989 serves the informal sector through education, livelihood, health, & financial literacy and inclusion.  

Saath is a Public Charitable Trust, founded in 1989, with an aim to support those underserved. Saath in Hindi/Gujarati means ‘together, co-operation, or a collective support. The organization is dedicated to empowering the marginalized communities, by providing livelihood opportunities, access to health care, education, financial literacy and inclusion through varied interventions developed organically in a participatory manner. The goal is to build ownership from within the community to ensure sustainability and impactful transformations, especially for women and children.

**Vision:** Saath envisions inclusive and empowered communities and individuals.

**Mission:** To make human settlements equitable living environments where all residents and vulnerable people have access to health, education, essential infrastructure services and livelihood options, irrespective of their economic and social status.

**Approach:** Saath engages organizations, corporates and individuals from India and globally as partners and supporters. Saath initiated the Integrated Community Development Program, an undertaking that seeks to rejuvenate slums into vibrant neighbourhoods. Saath works with slum residents, children, women, youth, informal sector workers, and vulnerable people in urban and rural areas. It addresses multiple needs of the socio-economically vulnerable with one-stop solutions, through which slum residents have access to basic services for holistic growth.

**Saath’s Thematic areas:**

**Livelihood** - The livelihood programs at Saath focus on making individuals financially independent either by equipping them with vocational training (traditional and non-traditional) or supporting them through entrepreneurial support. Women have been at the core of this initiative. Till date Saath has actively supported **72,809** youth and women for vocational training. Out of which 5200 are successful entrepreneurs. 3,200 women have been trained in non-traditional livelihoods.

**Education** - Saath has supported almost **23,066** children through various educational initiatives.\*\*\*\* The three main strategies tailored to the specific needs of communities are:

**Balghar:** Launched in 2004 as pre-school spaces designed to provide a nurturing educational environment for the holistic development of children. Activities within these spaces concentrate on addressing a child's cognitive, socio-economic, physiological, psychological, and nutritional needs. Serving as demonstration spaces, Balghar complements government-run anganwadis (Pre-schools), catering to the same age group of children. The ultimate goal of the Balghar is to seek admission for the child into a mainstream school, to further her education.  

**Child-Friendly Spaces:** Is a vital initiative aimed at offering a secure environment for child laborers and the offspring of construction workers, addressing their comprehensive developmental requirements. Frequently left unsupervised due to the absence of parental care, these children are at risk of being compelled into child labor. 

**STEM Education:** Is dedicated to enhancing the quality of education in Science, Technology, Engineering, and Mathematics through specially developed Centres, equipped with hands-on learning material, an essential need for children from marginalized communities, particularly girls, who often lack opportunities to pursue these subjects. The STEM experience also presents to them varied career opportunities which they can now seek out and explore. 

**Health –** Health has been an integral part of Saath’s working since its inception, strongly believing that health has an implication on every aspect of a person’s life. Till date Saath has supported **8,22,040** through various interventions, health awareness programs and referral linkages especially focusing on reproductive and child health, vaccination, immunization, Tuberculosis and malnourishment among the vulnerable communities.

**Livelihood:** The livelihood program focusses on making indiviuals financially independent either by equipping them with vocational training (traditional & non-traditional) or supporting them through entreprenurial support. Women have been at the core of this initiative. Till date Saath has actively supported 76,788 youth and women through vocational training. 8,832 have been supported through Microentrepreneurship (ME) interventions. 

**Integrated Area Development (IAD) -** The goal of IAD is bringing together & empowering communities to address issues affecting the quality of their life. The program includes extensive mapping, identification of problem areas and prioritizing them on the basis of severity and urgency. All done in a participatory manner to build ownership from with the community. Committees are then formed and empowered to take these issues to the local government for redressal. 25000 households have been supported through the IAD and more than 500 problems have been resolved. 

**Financial inclusion –** The program aims to build a habit of saving among the community members, no matter how small the amount be. The intervention started in Rajasthan in 2016 spread to Uttar Pradesh and Gujarat as well. Saath has till date supported over **30,000** beneficiaries through various financial inclusion interventions.

\*\*\*\* 

Saath Charitable Trust

Shared prosperity for the Philippines, one thriving community at a time.

As the social development arm of the Ayala group of companies, Ayala Foundation is committed to building shared prosperity in the Philippines, one thriving community at a time. Ayala Foundation implement programs under the following pillars: Community Development, Leadership Development, and Arts and Culture. The Foundation has established a Corporate Citizenship and Volunteerism platform that provides opportunities for sociocivic action. As its contribution to addressing the national learning crisis, the Foundation is also making Big Bets on Early Childhood and Digital Education.

————

**Ayala Foundation Disaster Campaign**

The Philippines faces severe challenges in disaster preparedness and response, as evidenced by multiple indicators:

- Ranks first among 193 countries in disaster risk with an index of 46.82% (World Risk Report 2022)
- Experiences an average of 20 tropical cyclones annually, affecting approximately 20 million people (UNDRR Global Assessment Report 2022)
- 60% of the total land area is exposed to multiple hazards, and 74% of the population is susceptible to their impact (NDRRMC Strategic Plan 2020-2040)

Among the Foundation's major programs is the provision of relief operations and strengthening disaster resilience to affected communities. A donation of:

- US$20 will provide rice, noodles, canned goods, and biscuits for a family of 5 for 3 days
- US$50 can cover the cost of roofing materials for damaged structures
- US$100 can fund rehabilitation works for schools in disaster hit areas

Ayala Foundation, Inc.

Dhody Research Institute examines medical history to address health challenges and fosters curiosity through education.

The Dhody Research Institute (DRI) is a 501(c) 3 non-profit dedicated to scientific and museological research,  consultation, and education. Through partnerships with historic, scientific or medical institutions, DRI conducts  research with historical medical collections to improve  21st –century human health. The Institute also provides consultation to institutions and researchers who seek to create museums or exhibitions with a medical historical dimension or maintain their collections of anatomical/pathological anatomy. The DRI also engages in accessible science communication through various social media channels to promote STEM engagement, encourage careers in STEM fields, and engage in science dialog with our wide audience.



Dhody Research Institute

MOWAA is a non-profit organization dedicated to the preservation, expansion, and celebration of West African arts and culture.

At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives in West Africa. By re-evaluating the concept of the museum in a 21st century African context, MOWAA seeks to ensure relevancy to contemporary artists, artisans and cultural professionals.

To do this, we provide exceptional infrastructureand programmes for the preservation, display, research, learning and exchange in arts and culture in a range of locations from our world-class facilities and campus in the heart of the historic district of Benin City, Nigeria.

MOWAA

To serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back.

To create a truly unique space and experience. 
 
 Founded in 1994, the Remember Museum is one of the most interesting of its kind. It is housed in an old renovated barn and is comprised mainly of items abandoned by the American First Infantry Division soldiers who once enjoyed "R & R" at the Schmetz' s farm when Marcel was a young boy. The artifacts include personal items given by numerous WWII Veterans from various units. It is a museum with a human dimension, made great by its welcoming environment, its originality, its simplicity. The museum strives to serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back. Because curators Marcel & Mathilde (M&M) are nearing retirement, the museum and its contents will be transferred to the King Baudouin Foundation and a board of directors will manage the future of this great endeavor, while keeping it warm and personal much like M&M themselves. Thank you for your donation!

Remember Museum 39-45 

The Fondation Pro-mahJ contributes to the development of the collections of the Musée d'art et d'histoire du Judaisme in Paris.

The Fondation pour le musée d'art et d'histoire du Judaïsme (Pro mahJ), in Paris, was created in 2003 on the initiative of Claire Maratier, daughter of painter Michel Kikoïne (1892-1968), to promote the work of artists from the École de Paris and mobilize its resources in support of the mahJ. As an essential supporter of the enrichment of the mahJ's collections and the promotion of its heritage and activities, the foundation is committed to supporting contemporary artists whose work is rooted in the École de Paris and resonates with the mahJ's collections.
Your support will help preserve one of the finest collections of works of art and objects illustrating the heritage of Jewish culture in Europe and around the Mediterranean, from Antiquity to the present day, preserved and hosted by the musée d'art et d'histoire du Judaïsme (mahJ), as well as strengthening the museum's activities, particularly its educational initiatives. The mahJ is France's largest museum devoted to Jewish art and culture, and a place of reference for education, promoting cultural diversity and combating prejudice and discrimination, for people from all walks of life. 
The mahJ is also developing an active policy of research into Jewish history and archeologia, through conferences, symposia and meetings. It actively campaigns for better dissemination of Jewish history and heritage and for it to be taken into account in public policy.


Fondation Pro mahJ 

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