Gracias por todo lo que hacen para conservar los tesoros de nuestro maravilloso país 🤍💙🤍

Rachmaninoff has been one of my all time favourite composers and it is heartening to see that memory remains steadfast and his music remains a star in the musical firmament. 

Independent non-profit organization dedicated to promoting Ecuadorian art and creating new opportunities for Ecuadorian artists.

EACHEVE was founded in 2014 to address concerns about the fragility of artistic memory within Ecuador, with the original goal being the production of editorial publications with archival purpose – to record the thoughts, activities, and movement of contemporary artists in Ecuador. EACHEVE has since published a series of publications, including several important monographs, catalogues and books including Eduardo Solá Franco’s Illustrated Diaries, an artist’s book by Roberto Noboa, 101 Contemporary Art Ecuador Vol. I and the recent publication of the artist ‘Miguel Varea’

Further motivated to stimulate the growth and development of Ecuador’s art world, EACHEVE has expanded its mission to organize several exhibitions, such as ‘ Algo Después’ by Ilich Castillo (Bogotá, 2016), ‘ Objetos de duda y de certeza’ by Manuela Ribadeneira (Quito, 2019), ‘Wonder Boy Complex’ by Xavier Coronel (Quito, 2021), ‘Mantengo la Urgencia de Reconciliar’ by Sofía Salazar Rosales (Guayaquil, 2022), and ‘La visión del monte’ by Simon Speiser (Guayaquil, 2023).

In 2021, EACHEVE becomes a non-profit foundation and entered partnerships with other leading arts organizations around the world, including Delfina Foundation (London), Gasworks (London), Tropical Papers (France) and DEO Projects (Greece) with the goal of promoting Ecuadorian art internationally and nourishing the current mission of the foundation: to create new opportunities for Ecuadorian artists.

Fundacion EACHEVE

The Serge Rachmaninoff Foundation carries Rachmaninoff's music, legacy and artistry out into the world from his house, Villa Senar

History: Thanks to the commitment of the Serge Rachmaninoff Foundation, discussions among the artist's heirs were successfully concluded in 2021. The Canton of Lucerne purchased the listed property and is responsible for the maintenance and renovation of the house and the surrounding park. The Serge Rachmaninoff Foundation is responsible for the programs and cultural events at Rachmaninoff's Villa Senar, wit-hout any financial support from the Canton of Lucerne. 

VILLA SENAR is the name of the artist house of the composer, conductor, pianist, Hollywood star and family man Sergei Rachmaninoff (SE=Sergei, NA=Natalia, R=Rachmaninoff). Expelled from his native Russia, the artist lived in exile in various countries from 1917 onwards. On the Hertenstein peninsula near Weggis in the canton of Lucerne, he found a new home and renewed creative energy.  



Our mission as a foundation is to create international awareness for Rachmaninoff's Villa Senar and to develop and establish its artistic program over the coming years and make an artistic contribution to the region and beyond. We want to communicate Rachmaninoff's Villa Senar as a cultural and educational center with a broad partici-pation with the highest quality standards from home. 

Rachmaninoff's Villa Senar locally and regionally and, together with partners, posi-tion the Hertenstein peninsula as a special and sustainable place of art and culture. Attention will also be paid to international activities, as the name Rachmaninoff is a global trademark. 

The magic of the place, its uniqueness and class should continue to shape the fu-ture; we always want to treat the soul of Senar and the Hertenstein peninsula near Weggis with respect. 

Performing and communicating Sergei Rachmaninoff's work at his former place of residence. His personality, his interests, his musical depth, his role models, visions, zeitgeist, curiosity for new and unusual things, enthusiasm for technology, architec-ture, literature, poetry and art form the foundation of the cultural program. 

Rachmaninoff's Villa Senar is a place of inspiration and home. The aura of this cen-ter (family home/meeting place/garden and nature) and the creative power can be experienced and experienced on site during a visit. The real presence, the quality and authenticity of the location and content, and the intensive time spent at Villa Senar make every visit unique and, in this sense, special for every visitor. 

The cultural program is designed for broad cultural participation, seeks the inter-faces to the present and enables suitable, fine, subtle, high-quality approaches for every target group. 

As an artists' residence, Villa Senar offers a home for all generations and different disciplines. Sergei Rachmaninoff was a family man and patron of all the arts, uniting art and people in his home through his charisma, his values and his interests. 



PROMOTION: Website, program sheet, word of mouth, channels of our partners, allies and sponsors, regionally via associations and public institutions, volunteers, friends and Rachmaninoff fans.

NEED: In the oversupply of leisure activities, the oversaturation of a variety of offers, a discomfort with high culture, perceived barriers and associated fears of not under-standing something in the music and culture sector, couch coziness created by Co-vid, we need new formats that convey closeness to people in a relaxed, fresh and un-conventionally conventional way. We offer a feeling of home, a sense of arrival, a kind of cultural exile within your "own four walls". 

TARGET GROUPS: The projects are tailored to specific target groups and/or are aimed at cross-generational, broad and public participation: 

Children Educational and participative projects with the Weggis music school and the music schools of the canton of Lucerne. Interdisciplinary theater, music, dance, light and sound: Gänsebliemli im Rosengarten, SENAR ARTS ACADEMY, SENARADEN im Park & Boot, Carte Jaune for the talent promotion of the Lucerne music schools

Senior citizens Cooperation with the senior citizens' universities of Lucerne, Weg-gis, Zurich, Basel, cultural associations and service clubs. 

Youth premieres and co-development of new music. Inclusion of virtual reality, augmented reality and new media. Up-to-date, close and at eye level. Sustainabi-lity programs, new regional policies for the promotion of the community. We deal with questions about the future and are committed to values and meaningfulness. 

Young adults and families SENARaden in the park or on the boat, exhibitions, sound walk, art exhibitions in the park with an out-door stage created by spatial designers for Rachmaninoff's Villa Senar. Picnic openair, barrier-free and relaxed, Celebrating Rachmaninoff Podcast in collaboration with Decca Classic and WFMT Radio Chicago, RACHMANINOFF ECHOES - The staging of Rachmanin-off's artifacts in his villa using virtual reality and augmented reality.

Afficionados and Afficionadas-To-Be concerts, residencies, master classes, workshops, public expert tours - thematically coordinated, film: The Alchemy of Piano Playing, jazz evenings, literature & music, competitions and commissioned works on Rachmaninoff.



CHANCE: Potential, unique location, curious people, Rachmaninoff's Villa Senar has not been open to the public until now, the house belongs to the Canton of Lucerne, this partnership needs to be well positioned in the long term, we start "from scratch" and can react optimally to current events, small team, manageable size of the venue, small, fine, barrier-free, approachable, potential outdoors, involvement of the region, already established partnerships and strong allies, agility through rapid decision-making and a doer mentality of the people involved, network. Rachmaninoff as a mil-lennium pianist, Hollywood star, family man, composer, conductor, promoter of the arts and mobility, speed freak, entrepreneur, architect is attractive, his music appeal-ing and is the perfect music to introduce an audience to "classical music" and open up new audiences. 



RISK: A good financial basis must be established, project-based financing, provisions should be made to enable long-term planning, partnership with the canton without a performance mandate and financial support, demands from the canton of Lucerne, few personnel resources, reliance on voluntary commitment which can also slow down processes, recruitment of voluntary work, establishment in uncertain times, consumer behavior of the public has changed, planning uncertainty.

INDICATORS regular evaluation, experts on the voluntary Board of Trustees with regular exchanges, partnerships with know-how, demanding and quality-conscious advisors/friends/network. 



NETWORKING: Rachmaninoff's Villa Senar sees itself as a networker and meeting place, with freedom for the special, the new and the tried and tested. Projects with our partners: Lucerne Festival, Lucerne Theater, Lucerne University of Applied Sci-ences and Arts - Music, Tourism, Engineering, Business, Architecture, Design & Art, Lucerne Museum of Transport, Hans Erni Museum, Weggis Music School, Lucerne Cantonal Music Schools, Lucerne Symphony Orchestra, schools, Stella Matutina House of Education - House of the Future, Baldegg Monastery, Senior:inside univer-sities, IG Kultur (Freie Szene), Richard Wagner Museum, Saint Charles Hall, Künst-lerhäuser global, Library of Congress Washington, Philadelphia Orchestra, Van Pelt University Philadelphia, National Symphony Orchestra, Swiss Embassy in Washing-ton, Interessengemeinschaft Musikstadt Luzern, Zurich Opera, Tonhalle Orchestra Zurich, Lucerne Tourism, Switzerland Tourism, artists, associations and allies, sponsors and patrons. 



The nucleus and center of the events are Rachmaninoff's Villa Senar and the park. Due to the limited space available, we also use the venues of our partners as satelli-tes. We strive for broad participation, want to connect cultural institutions via Lake Lucerne, create national attention and deepen international relationships. 



MANAGING DIRECTOR: The Serge Rachmaninoff Foundation has employed the Managing & Artistic Director, Andrea Loetscher, since June 1, 2022. As a musician with a teaching diploma and soloist diploma, a master's degree in mar-keting and management from the University of Basel, as an entrepreneur and music school director, she has local roots and a national and international network. In 2024, she will also complete an MBA in Business Development & Marketing at the Univer-sity of Basel. The Managing Director is supported in financial matters by Ludwig von Mutius, economist, financial consultant and former CFO of major international com-panies. Ludwig von Mutius makes his expertise fully available to the Serge Rachma-ninoff Foundation on a voluntary basis. In addition, the Serge Rachmaninoff Founda-tion has employed the Managing Assistant, Salome Rüttimann, on a 40% basis since 1.1.24. Volunteers for concert support, guided tours and other work. 

 Serge Rachmaninoff Foundation

To commemorate the victims of the Holocaust and celebrate the Jewish culture

To challenge the stereotypes and misconceptions typically associated with the Jewish past in Poland 
 
Home to the internationally acclaimed permanent photographic exhibitions,  Traces of Memory  and  An Unfinished Memory , the Museum also shows an exciting range of temporary exhibitions, both curated in-house and sourced from around the world. The Museum's Cultural and Education Programme is one of the most extensive in Poland, providing a range of services for both individual and group visitors, and the Media Resource Centre houses a growing archive of films on Jewish and Holocaust-related subjects. As well as engaging in primary research and publishing, the Museum also operates one of the largest Jewish bookshops in Poland, and the only kosher café in Kraków. 

Fundacja Galicia Jewish Heritage Institute

The BnF's mission is to collect, catalogue, preserve, enrich and communicate the national documentary heritage in France.

Join us to restore, preserve and make available to all our universal heritage  
 
The Bibliothèque nationale de France  (BnF) is France's oldest cultural organization, originating in 1368 as the Royal Library of Charles V. It has grown over the ensuing 650 years into one of the world's largest, most prestigious, and most digitally accessible libraries.  The BnF is a leading custodian of a world heritage. Its encyclopedic collections are unique: all disciplines, whether intellectual, artistic or scientific, are represented in a comprehensive way. 

The BnF preserves over 44 million documents. In addition, the BnF's digital library, Gallica, provides free access to 10 million documents, for people from around the world to use for reading and learning. The BnF strives to provide educational, cultural and social enrichment to all.   

Projects to support:
There is a wide variety of projects to support at the BnF: digitization, acquisition, research activities, scholarships, etc. 
We selected 3 specific projects you may be interested to support:   

- The Marcel Proust collection acquisition 
- Emergency restoration - salle des Vélins 
- Henry's Miller Return to Paris
   
Please, click on the dedicated tabs below to find more information about them. If you wish to find another project to support, feel free to contact us. 

Bibliothèque Nationale de France

MOWAA is a non-profit organization dedicated to the preservation, expansion, and celebration of West African arts and culture.

At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives in West Africa. By re-evaluating the concept of the museum in a 21st century African context, MOWAA seeks to ensure relevancy to contemporary artists, artisans and cultural professionals.

To do this, we provide exceptional infrastructureand programmes for the preservation, display, research, learning and exchange in arts and culture in a range of locations from our world-class facilities and campus in the heart of the historic district of Benin City, Nigeria.

MOWAA

We host 300+ social impact projects across Europe 

Open Collective Europe promotes charitable initiatives within the European Union, with a focus on Education, Social Impact and Civic participation, and provides such initiatives with a simple and transparent way to manage their finances. Open Collective Europe's mission is to promote projects in the EU with the following charitable purposes: - increasing access to educational resources and training,  - creating a positive social impact and  - developing tools to improve civic participation within cities or communities. Future perspectives At the beginning of 2022, we shared our desire to grow the Open Collective Europe community. Our goal is to make the community more vibrant, supported and resilient. We set out to build a more comprehensive fiscal hosting service and support system for our collectives.  

Open Collective Europe

The Vasa Museum showcases the uniquely well-preserved 17th-century warship Vasa. 

The Vasa Museum (Vasamuseet), located in Stockholm, Sweden, is a world-renowned institution dedicated to preserving and presenting the 17th-century warship Vasa, one of the most significant maritime archaeological discoveries ever made. Established in 1990, the museum was created to house and display the Vasa after it was salvaged in 1961 from Stockholm harbor, where it had rested since its fateful sinking in 1628. The ship, nearly fully intact, provides an unparalleled window into Sweden's history, maritime engineering, and daily life during the era of its construction.



History and Goals

The museum's primary goal is to preserve Vasa for future generations while expanding knowledge about the ship, its time, and its cultural significance. Since its opening, the Vasa Museum has become one of Sweden's most visited cultural destinations, attracting over a million visitors annually from around the globe. Its mission is not only to protect and maintain the physical artifact of Vasa but also to serve as a hub for education, research, and international exchange.



The Vasa Ship: An Icon of Preservation

The Vasa’s story begins in 1626, when it was commissioned by King Gustav II Adolf during Sweden’s period as a burgeoning European power. Unfortunately, due to design flaws and over-ambitious construction, the ship capsized and sank on its maiden voyage in 1628. Preserved in the cold waters of the Baltic Sea, it was rediscovered in 1956, salvaged five years later, and meticulously restored to its current state. The museum offers an unparalleled glimpse into 17th-century shipbuilding techniques, art, and daily life, supported by thousands of artifacts recovered alongside the ship.



Current Activities: Focus on Preservation

Central to the museum’s ongoing mission is the preservation of the Vasa, which poses complex technical challenges due to its age and the unique stresses caused by its original construction and subsequent centuries underwater. Most prominently, the museum is currently undertaking a ground-breaking project to replace and modernize the ship’s support structure—a vital initiative to ensure its long-term survival.

The original support system, installed in the late 20th century, is no longer adequate to meet the evolving needs of the ship’s preservation. Studies have shown that the Vasa’s wooden structure is under constant strain from its own weight, and over time, microscopic movements have threatened the ship’s stability. To address this, a comprehensive and cutting-edge replacement project is underway. This involves designing a dynamic support system capable of adapting to changes in the ship’s weight distribution and structure while minimizing physical stress on the fragile timbers.

This initiative exemplifies the museum’s commitment to integrating scientific innovation with cultural heritage preservation. Teams of engineers, conservators, and maritime archaeologists from Sweden and abroad are collaborating to ensure the solution reflects the latest advancements in materials science and conservation techniques. The project is scheduled for phased implementation, allowing the museum to remain open to visitors while safeguarding the ship.



Donations to the museum are accepted through the Vasa Rediviva Foundation. The foundation was originally created in the 1960´s to receive incoming donations for the salvage of the ship. Today, the Vasa Rediviva foundation is entirely dedicated to financing the Vasa Museum´s efforts to construct a new support system for the ship. All donations to the foundation are tax-deductible in accordance with Swedish law.    



Research and Education

In addition to the ongoing support structure project, the museum remains a leader in maritime archaeological research. It collaborates with universities, cultural institutions, and independent scholars to study not only the Vasa itself but also the broader context of 17th-century maritime culture. Topics include the social history of shipbuilding, the geopolitics of Sweden’s empire during the Vasa era, and the conservation challenges of waterlogged wood.

The museum’s educational programs are central to its mission. It offers guided tours, lectures, and interactive workshops for students, families, and researchers. Digital initiatives, such as virtual tours and online databases, have expanded the museum’s reach, making its resources accessible to audiences worldwide.



Future Plans

Looking ahead, the Vasa Museum aims to continue enhancing its preservation techniques and expanding its role as a global leader in cultural heritage. The completion of the new support structure will serve as a model for other institutions managing fragile artifacts. Additionally, the museum plans to develop new exhibitions that explore the global connections of 17th-century Sweden, shedding light on trade, warfare, and cultural exchange during the Vasa era.

The Vasa Museum

The City of Gouesnou is building a memorial in tribute to the American Heroes who fell on its territory during the summer of 1944.

The City of Gouesnou is located in Brittany, in the far Western France. In the vicinity of Brest, a port city whose harbour was at the time one of the most important in the country, our city particularly suffered during World War II. On August 7, 1944, the first day of the siege of Brest by the Eighth Army, 43 innocent people were murdered by German troops in the hamlet of Penguérec : this was the largest massacre of civilians perpetrated in Brittany during the War.

During the following days and until the beginning of September 1944, probably more than 210 G.Is belonging to the 2nd and 8th Infantry Divisions of the US Army fell in Gouesnou, in particular during the battles of Bourgneuf-Fourneuf and Kergroas.

**Every year, the City of Gouesnou honor hero soldiers and civilian victims, because here in Gouesnou, we consider that it is our duty to remember the past for the sake of history and transmission, particularly to the youngest generation.** So, the elected officials and residents of Gouesnou, in close collaboration with various associations, the local university and schools, strive to maintain and make accessible to as many people as possible the history of the Second World War, its victims and in particular the soldiers who fought to the point, for some, of losing their lives.

In order to make sure that we never forget and to avoid the recurrence of past tragedies, the City of Gouesnou has been multiplying initiatives : annual tributes to soldiers and victims, financing of historical research, organization of commemorative events for the general public, publication of a comic book.

**In 2025, the year of the 80th anniversary of the Victory, the City of Gouesnou and the local Association Les Amis du Patrimoine has decided to show, in an even stronger way, its respect and gratefulness towards the American soldiers who fell during the summer of 1944 for its Liberation and that of all of France.** Our project which got started last January, involves building a memorial in their honor, representing a life-size G.I., sitting on blocks of stone, holding his rifle in his hands. Behind him stands a monumental doorway symbolizing freedom and transition, the passage from darkness to light, the heavy sacrifice of these men who came from across the Atlantic to drive out the enemy and help us regain our Freedom. This monument will honor the memory of each of these men and will offer their families a true place where to recollect.

**We would like to inscribe the names of all the soldiers who fell in Gouesnou on this memorial. For that purpose we continue to study, with historians, academics and volunteers, all available archives.** We are also fortunate in being helped in our work by members of The Tomb of the Unknown Soldier Fourndation, a contact made thanks to the American Society of Le Souvenir Français.

The inauguration of the Gouesnou's US Memorial is planned for next November. On this very special day, we hope to see the presence of the soldiers' families, as well as all those who contributed to its achievement.

The City of Gouesnou, Les Amis du Patrimoine and all their partners are proud to presented to the American public as part of a crowdfunding campaign whose purpose it is to supplement the funds provided by the City and French donors. **We would consider it as a great honor if you accepted to support our project (budget : $ 300 000) as it would certainly help us achieve our goal of building a memorial worthy of the American heroes who fell in Gouesnou, back in 1944, fighting for our Freedom.**

Gouesnou US Memorial, in tribute to the American Heroes fallen in August 1944 (France)

The Rijksmuseum is the national museum of the Netherlands. We tell the story of 800 years of Dutch history, from 1200 to now. 

**In everything we do we are vastly reliant on external donations and support. Much of the Rijksmuseum collection has been brought together thanks to individual gifts. All our activities, from exhibitions to research, are made possible thanks to your generous support. Whether your donation is large or small, every bit helps. So donate and support the Rijksmuseum!**

A museum of art and history with a representative survey of Dutch art and history since the Middle Ages, the Rijksmuseum has on display 8,000 objects of art and history, from their total collection of 1 million objects, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian pavilion.

The Rijksmuseum links individuals with art and history. 

At the Rijksmuseum, art and history take on new meaning for a broad-based, contemporary national and international audience. As a national institute, the Rijksmuseum offers a representative overview of Dutch art and history from the Middle Ages onwards, and of major aspects of European and Asian art. The Rijksmuseum keeps, manages, conserves, restores, researches, prepares, collects, publishes, and presents artistic and historical objects, both on its own premises and elsewhere**.**

Rijksmuseum 

Dhody Research Institute examines medical history to address health challenges and fosters curiosity through education.

The Dhody Research Institute (DRI) is a 501(c) 3 non-profit dedicated to scientific and museological research,  consultation, and education. Through partnerships with historic, scientific or medical institutions, DRI conducts  research with historical medical collections to improve  21st –century human health. The Institute also provides consultation to institutions and researchers who seek to create museums or exhibitions with a medical historical dimension or maintain their collections of anatomical/pathological anatomy. The DRI also engages in accessible science communication through various social media channels to promote STEM engagement, encourage careers in STEM fields, and engage in science dialog with our wide audience.



Dhody Research Institute

To serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back.

To create a truly unique space and experience. 
 
 Founded in 1994, the Remember Museum is one of the most interesting of its kind. It is housed in an old renovated barn and is comprised mainly of items abandoned by the American First Infantry Division soldiers who once enjoyed "R & R" at the Schmetz' s farm when Marcel was a young boy. The artifacts include personal items given by numerous WWII Veterans from various units. It is a museum with a human dimension, made great by its welcoming environment, its originality, its simplicity. The museum strives to serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back. Because curators Marcel & Mathilde (M&M) are nearing retirement, the museum and its contents will be transferred to the King Baudouin Foundation and a board of directors will manage the future of this great endeavor, while keeping it warm and personal much like M&M themselves. Thank you for your donation!

Remember Museum 39-45 

The Fondation Pro-mahJ contributes to the development of the collections of the Musée d'art et d'histoire du Judaisme in Paris.

The Fondation pour le musée d'art et d'histoire du Judaïsme (Pro mahJ), in Paris, was created in 2003 on the initiative of Claire Maratier, daughter of painter Michel Kikoïne (1892-1968), to promote the work of artists from the École de Paris and mobilize its resources in support of the mahJ. As an essential supporter of the enrichment of the mahJ's collections and the promotion of its heritage and activities, the foundation is committed to supporting contemporary artists whose work is rooted in the École de Paris and resonates with the mahJ's collections.
Your support will help preserve one of the finest collections of works of art and objects illustrating the heritage of Jewish culture in Europe and around the Mediterranean, from Antiquity to the present day, preserved and hosted by the musée d'art et d'histoire du Judaïsme (mahJ), as well as strengthening the museum's activities, particularly its educational initiatives. The mahJ is France's largest museum devoted to Jewish art and culture, and a place of reference for education, promoting cultural diversity and combating prejudice and discrimination, for people from all walks of life. 
The mahJ is also developing an active policy of research into Jewish history and archeologia, through conferences, symposia and meetings. It actively campaigns for better dissemination of Jewish history and heritage and for it to be taken into account in public policy.


Fondation Pro mahJ 

Make a gift and help sustain the Science Center as a place of science learning and family fun for generations to come. 

We value science as an indispensable tool for understanding our world, accessibility and inclusiveness, and enriching people's lives. FREE admission to permanent galleries for the public (excludes IMAX and special paid exhibits).

California Science Center

Creative Commons (CC) stewards a universally accessible infrastructure for open knowledge, culture, and collaboration. 

Creative Commons is the global nonprofit organization behind the CC licenses and public domain tools, enabling the free and open distribution of otherwise copyrighted work. We give every person and organization in the world a simple and standardized way to grant copyright permissions for images, music, research, journal articles, educational resources, and cultural artifacts; ensure proper attribution; and allow others to copy, distribute, and make use of those works.

We've come a long way since we first got started in 2001. When Creative Commons was  founded, the internet was a budding universe with high potential, and platforms widely used today like Wikipedia and Google were only just taking off. CC’s founders were keen to ensure that, as the internet continued to grow, safeguards to knowledge, culture, and creativity were firmly in place, and the Creative Commons license suite was born.

Now more than ever, CC recognizes the urgent need for these licenses in advancing Better Sharing, key to preserving our global commons. As we look toward the next 20 years, CC seeks to fearlessly advocate for Open Knowledge to address the many challenges our global community faces today from the Climate Crisis and educational inequalities to the spread of "fake news" and barriers in access to cultural heritage.

Creative Commons

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