ADAA Foundation is a 501(c)(3) supporting visual art and culture through exhibitions, research, sustainability, and relief.

**About the Foundation**

The ADAA Foundation, established in 1970, is a separate but related entity to the ADAA. Our Foundation has provided grants to museums, archives, and arts organizations nationwide to support art historical research and exhibition development.

The Foundation’s current grant program assists U.S. museums and arts institutions with operating budgets of up to six million dollars. Each year, the Foundation invites randomly selected institutions to submit proposals for funding to support the development of new art exhibitions, educational programs, and community engagement initiatives, including those promoting equity, access, and representation within our field.

*Below is a list of forthcoming projects and exhibitions from ADAA Foundation grant recipients.* 

**2025 Grant Recipients:** 

[**The DuSable Black History Museum and Education Center, Chicago, IL**](https://dusablemuseum.org/)

*Paris in Black: Internationalism and the Black Renaissance*

November 21, 2025 – Spring 2027

[**Inner-City Arts, Los Angeles, CA**](https://inner-cityarts.org/)

*Work of Art Program: Visual and Media Arts* 

June 2026

[**The Jule Collins Smith Museum of Fine Art at Auburn University, Auburn, AL**](https://jcsm.auburn.edu/)

*Sew Their Names: Quilting, Creativity, and Activism in Lowndes County*

January – July 2026

[**Museum of Contemporary Art Detroit (MOCAD), Detroit, MI**](https://mocadetroit.org/)

*Carole Harris: This Side of the River* 

Spring 2026

[**Neuberger Museum of Art, Purchase, NY**](https://neuberger.org/)

*Guerrilla Girls: 40 Years Ago* 

Spring 2026

Read more about our 2025 grant recipients [here](https://artdealers.org/sites/default/files/10%202025%20ADAA%20Foundation%20Grants%20Press%20Release.pdf).

**WANT TO SUPPORT THE ADAA FOUNDATION?** When you donate to the ADAA Foundation, you support the development of visual art exhibitions, educational programming, sustainability, relief, and community engagement initiatives nationwide. 

The ADAA Foundation is a 501(c)(3) organization, and all donations are tax deductible.

Art Dealers Association of America Foundation Inc

The City of Gouesnou is building a memorial in tribute to the American Heroes who fell on its territory during the summer of 1944.

The City of Gouesnou is located in Brittany, in the far Western France. In the vicinity of Brest, a port city whose harbour was at the time one of the most important in the country, our city particularly suffered during World War II. On August 7, 1944, the first day of the siege of Brest by the Eighth Army, 43 innocent people were murdered by German troops in the hamlet of Penguérec : this was the largest massacre of civilians perpetrated in Brittany during the War.

During the following days and until the beginning of September 1944, probably more than 210 G.Is belonging to the 2nd and 8th Infantry Divisions of the US Army fell in Gouesnou, in particular during the battles of Bourgneuf-Fourneuf and Kergroas.

**Every year, the City of Gouesnou honor hero soldiers and civilian victims, because here in Gouesnou, we consider that it is our duty to remember the past for the sake of history and transmission, particularly to the youngest generation.** So, the elected officials and residents of Gouesnou, in close collaboration with various associations, the local university and schools, strive to maintain and make accessible to as many people as possible the history of the Second World War, its victims and in particular the soldiers who fought to the point, for some, of losing their lives.

In order to make sure that we never forget and to avoid the recurrence of past tragedies, the City of Gouesnou has been multiplying initiatives : annual tributes to soldiers and victims, financing of historical research, organization of commemorative events for the general public, publication of a comic book.

**In 2025, the year of the 80th anniversary of the Victory, the City of Gouesnou and the local Association Les Amis du Patrimoine has decided to show, in an even stronger way, its respect and gratefulness towards the American soldiers who fell during the summer of 1944 for its Liberation and that of all of France.** Our project which got started last January, involves building a memorial in their honor, representing a life-size G.I., sitting on blocks of stone, holding his rifle in his hands. Behind him stands a monumental doorway symbolizing freedom and transition, the passage from darkness to light, the heavy sacrifice of these men who came from across the Atlantic to drive out the enemy and help us regain our Freedom. This monument will honor the memory of each of these men and will offer their families a true place where to recollect.

**We would like to inscribe the names of all the soldiers who fell in Gouesnou on this memorial. For that purpose we continue to study, with historians, academics and volunteers, all available archives.** We are also fortunate in being helped in our work by members of The Tomb of the Unknown Soldier Fourndation, a contact made thanks to the American Society of Le Souvenir Français.

The inauguration of the Gouesnou's US Memorial is planned for next November. On this very special day, we hope to see the presence of the soldiers' families, as well as all those who contributed to its achievement.

The City of Gouesnou, Les Amis du Patrimoine and all their partners are proud to presented to the American public as part of a crowdfunding campaign whose purpose it is to supplement the funds provided by the City and French donors. **We would consider it as a great honor if you accepted to support our project (budget : $ 300 000) as it would certainly help us achieve our goal of building a memorial worthy of the American heroes who fell in Gouesnou, back in 1944, fighting for our Freedom.**

Gouesnou US Memorial, in tribute to the American Heroes fallen in August 1944 (France)

Dhody Research Institute examines medical history to address health challenges and fosters curiosity through education.

The Dhody Research Institute (DRI) is a 501(c) 3 non-profit dedicated to scientific and museological research,  consultation, and education. Through partnerships with historic, scientific or medical institutions, DRI conducts  research with historical medical collections to improve  21st –century human health. The Institute also provides consultation to institutions and researchers who seek to create museums or exhibitions with a medical historical dimension or maintain their collections of anatomical/pathological anatomy. The DRI also engages in accessible science communication through various social media channels to promote STEM engagement, encourage careers in STEM fields, and engage in science dialog with our wide audience.



Dhody Research Institute

MOWAA is a non-profit organization dedicated to the preservation, expansion, and celebration of West African arts and culture.

At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives in West Africa. By re-evaluating the concept of the museum in a 21st century African context, MOWAA seeks to ensure relevancy to contemporary artists, artisans and cultural professionals.

To do this, we provide exceptional infrastructureand programmes for the preservation, display, research, learning and exchange in arts and culture in a range of locations from our world-class facilities and campus in the heart of the historic district of Benin City, Nigeria.

MOWAA

kidSTREAM is an emerging children's museum in Camarillo, California. 

kidSTREAM's mission is to provide en environment where all children can explore, play and discover. Our vision is to inspire and empower kids to become critical thinkers, innovators, and life-long learners. kidSTREAM will be the only hands on children's museum in Ventura County in Southern California, serving approximately 200,000 children who currently have no children's museum within a 50 mile radius. kidSTREAM aims to help every child reach their full potential by providing access to engaging educational experiences and discover their passion in **S**cience, **T**echnology, **R**eading, **E**ngineering, **A**rt and **M**ath. 

kidSTREAM

The Rijksmuseum is the national museum of the Netherlands. We tell the story of 800 years of Dutch history, from 1200 to now. 

**In everything we do we are vastly reliant on external donations and support. Much of the Rijksmuseum collection has been brought together thanks to individual gifts. All our activities, from exhibitions to research, are made possible thanks to your generous support. Whether your donation is large or small, every bit helps. So donate and support the Rijksmuseum!**

A museum of art and history with a representative survey of Dutch art and history since the Middle Ages, the Rijksmuseum has on display 8,000 objects of art and history, from their total collection of 1 million objects, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian pavilion.

The Rijksmuseum links individuals with art and history. 

At the Rijksmuseum, art and history take on new meaning for a broad-based, contemporary national and international audience. As a national institute, the Rijksmuseum offers a representative overview of Dutch art and history from the Middle Ages onwards, and of major aspects of European and Asian art. The Rijksmuseum keeps, manages, conserves, restores, researches, prepares, collects, publishes, and presents artistic and historical objects, both on its own premises and elsewhere**.**

Rijksmuseum 

We host 300+ social impact projects across Europe 

Open Collective Europe promotes charitable initiatives within the European Union, with a focus on Education, Social Impact and Civic participation, and provides such initiatives with a simple and transparent way to manage their finances. Open Collective Europe's mission is to promote projects in the EU with the following charitable purposes: - increasing access to educational resources and training,  - creating a positive social impact and  - developing tools to improve civic participation within cities or communities. Future perspectives At the beginning of 2022, we shared our desire to grow the Open Collective Europe community. Our goal is to make the community more vibrant, supported and resilient. We set out to build a more comprehensive fiscal hosting service and support system for our collectives.  

Open Collective Europe

Make a gift and help sustain the Science Center as a place of science learning and family fun for generations to come. 

We value science as an indispensable tool for understanding our world, accessibility and inclusiveness, and enriching people's lives. FREE admission to permanent galleries for the public (excludes IMAX and special paid exhibits).

California Science Center

The National Maritime Museum shows the strong connection between the maritime world and society as a whole, and more specifically the impact of this on the lives of many individuals. 

It is our mission to continuous promote, to inspire and to engage our visitors both physical and online with a deeper understanding of our maritime heritage. 

By engaging with us through the sponsoring opportunities, you are directly contributing to maintaining and expanding our maritime collection and heritage with unique exhbitions and in-depth educational programmes.

Join us in inspiring the world around us with maritime stories. Support from individuals, organisations and foundations allow our museum to maintain and expand one of the largest maritime collections in the world. 



National Maritime Museum Amsterdam

The Owl Club unites enthusiasts to become connoisseurs of pre-modern art while building meaningful relationships in the art world


Join THE OWL CLUB!

Owl Club Member $250 (yearly membership begins when you join)

Owl Club Benefits:

• Monthly invitations to in person events exclusive to Owl Club members
  Our private events include special visits to private collections, exhibition tours with 
  curators, tutorials in galleries, conservation studios and auction houses 
• Private guided tours and special events at art fairs*
• Access to all Athena Art Foundation podcasts and special events


Owl Club Benefactor $350 (yearly membership begins when you join)

Owl Club Benefactor Benefits:
• Invitations to events exclusive to Owl Club members in galleries, artist studios, auction 
 houses, and private collections
• Priority reservation privileges for The Athena Foundation fund-raising benefits and host 
 committees
• Private guided tours to museum exhibitions and art fairs*
• Access to all Athena Art Foundation podcasts and special events
• Invitation to additional special events exclusive to Benefactors

*artfair tickets not included

Athena Art Foundation - The Owl Club

Leading the conversation on contemporary art since 1928, SculptureCenter presents exhibitions, commissions new work, and generates scholarship.

SculptureCenter

Help maintain the inheritance of the life and work of Vincent van Gogh.

Explore the world’s largest collection of works by Vincent van Gogh at the Van Gogh Museum in Amsterdam. 
 
Mission The Van Gogh Museum makes the life and work of Vincent van Gogh and the art of his time accessible to as many people as possible in order to enrich and inspire them.
 
Your support will help us to maintain the inheritance of the life and work of Vincent van Gogh. By donating through KBFUS you can make use of the tax benefits in the US. ​

Van Gogh Museum 

MZMF prevents the erasure of African American communities through the responsible practice of public history and heritage tourism.

MZMF serves as a conduit to provide financial and technical support to African American church communities and cemeteries in Mississippi. In addition to providing memorials for Blues musicians without grave markers, we provide historical consulting, research, education, and referrals to descendant communities to prevent the erasure of cultural resources in African American communities. By installing over 25 memorials since 1989, MZMF transforms abandoned cultural resources into international tourist destinations.

In 2021, we re-incorporated MZMF as "The Mt. Zion Memorial Fund for Blues, Music, and Justice," and we won over $100,000 in grant awards from Visit Mississippi, the Hills National Heritage Area, the American Historical Association, the MS Delta National Heritage Area, and the MS Arts Council. In the past year, we have installed memorials for Nathan Beauregard, Jim Jackson, and the St. James Missionary Baptist Church, and we have sponsored the RL Boyce Picnic in Como, MS since 2021.

In 2022, MZMF established the Blues Communities Project, working with church and community leaders in 4 counties to add the names and locations of over 660 cemeteries to our WebAtlas of African American Burial Grounds. Services and activities on the pilot project included informational workshops, invited talks, active discussions, archival research, and the launch of a new Wordpress website, featuring ArcGIS-powered surveys and mapping, digital exhibitions, and an online support portal. 
 
Funding is requested to support MZMF’s general operations. MZMF plans to expand the Blues Communities Project into Leflore, DeSoto, and Noxubee Counties, expanding its coverage to a total of 7 counties. Funding will support the development of informational workshops, conceptualized and designed by people of color to increase local participation, including public lectures on gentrification and the erasure of African American history. The participatory addition of burial grounds to the WebAtlas will allow MZMF to continue its growth, extend its reach into descendant communities, and expand its outreach opportunities.


Mt Zion Memorial Fund For Blues Music And Justice

Dedicated to supporting an open and dynamic Palestinian culture nationally and internationally 
 
 The Palestinian Museum is a S

The Palestinian Museum is a Swiss-registered non-governmental association with a branch in Palestine (currently undergoing official of registration). The Museum's Vision: A vibrant Palestinian culture Mission: The production and dissemination of emancipatory learning experiences about Palestine, its people and history through innovative programmes in Palestine and around the world. Values - Inclusivity: The Palestinian Museum builds partnerships and bolsters Palestinian communities wherever they are - Excellence: The Palestinian Museum produces verifiably accurate content - Creativity and Innovation: The Palestinian Museum presents novel tools and concepts as well as innovative content across all its platforms - Transparency: The Palestinian Museum is accountable to society and strives to maintain its trust - Independence: The Palestinian Museum is an independent institution with no political affiliations - Inspiration: The Palestinian Museum is a source of hope for a free Palestinian future Museum without Borders The Palestinian Museum was designed as a transnational institution, capable of overcoming geographical and political boundaries to reach Palestinians within historic Palestine and beyond. Its digital collections and online platforms, alongside its network of local and international partnerships, will allow for the sharing of skills, resources, programmes and exhibitions with individuals and institutions worldwide. The Palestinian Museum sits on a 40,000 square metre plot of land in Bizeit, 7 kilometres north of Ramallah and 25 kilometres north of Jerusalem. The building's structure merges with the cascading terraces unique to Palestine's hills and is surrounded by gardens that incarnate the agricultural and vegetational history of Palestine. The Museum is Palestine's first green building with a Gold LEED certificate from the U.S. Green Building Council. The building has received the 2019 Aga Khan Award for Architecture. The Palestinian Museum is designed as a transnational institution, overcoming boundaries to reach Palestinians within Palestine and beyond through its digital collections and online platforms, alongside its network of local and international partnerships.  The Museum's organizes annual and seasonal exhibitions, virtual reality exhibitions, permanent collection expansion and conservation, public and education programmes, knowledge-based programmes, digital and archiving projects, and capital and infrastructure projects. 

The Palestinian Museum Association 

To commemorate the victims of the Holocaust and celebrate the Jewish culture

To challenge the stereotypes and misconceptions typically associated with the Jewish past in Poland 
 
Home to the internationally acclaimed permanent photographic exhibitions,  Traces of Memory  and  An Unfinished Memory , the Museum also shows an exciting range of temporary exhibitions, both curated in-house and sourced from around the world. The Museum's Cultural and Education Programme is one of the most extensive in Poland, providing a range of services for both individual and group visitors, and the Media Resource Centre houses a growing archive of films on Jewish and Holocaust-related subjects. As well as engaging in primary research and publishing, the Museum also operates one of the largest Jewish bookshops in Poland, and the only kosher café in Kraków. 

Fundacja Galicia Jewish Heritage Institute

Promotes collaboration between French and American researchers to preserve and study Rosa Bonheur’s works.

Historical Background of the Organization

Les Amis du Château de Rosa Bonheur, was founded following the purchase of the Château de Rosa Bonheur, also known as the Château de By, by the Brault family in 2017. The château, located in Thomery, France, served as Bonheur’s residence for the last 40 years of her life, and its acquisition marked the beginning of a new era in the preservation of the artist’s heritage. Upon acquiring the property, the Brault family discovered thousands of archival documents in the château’s attic, many of which had been untouched for over a century. These documents included personal letters, sketches, financial records, and other invaluable materials that shed light on Bonheur’s life, work, and influence.

Recognizing the importance of these discoveries, the Brault family and the organization sought to create an environment where scholars, particularly from the United States, could engage in rigorous research on these newly unearthed documents. The historical link between Rosa Bonheur and the United States, where many of her works are held in private collections or sold through auction houses, further motivated the establishment of the AFCRB. The organization’s founders recognized the need to bridge the gap between French and American art scholarship, encouraging transatlantic collaboration to ensure a comprehensive understanding of Bonheur’s artistic contributions.

Mission and Objectives

The core mission of the Les Amis du Château de Rosa Bonheur is to preserve and promote the artistic legacy of Rosa Bonheur. As an organization, it seeks to raise awareness of Bonheur’s work, ensure her rightful place in art history, and foster greater public understanding of her contributions to the development of animal painting, realism, and the broader art community.

To achieve these goals, the Les Amis du Château de Rosa Bonheur focuses on four key objectives:

1. Restoration: The organization is committed to restoring both Rosa Bonheur’s works and her former home, the Château de Rosa Bonheur, as her workshop, her study room and what makes up its museum. This involves the meticulous conservation of her paintings, drawings, and sculptures, as well as the preservation of the château itself, which stands as a testament to her life and creative process. Restoration efforts ensure that future generations can experience Bonheur’s work in its original context and condition.

2. Acquisition: One of the central aims of the Les Amis du Château de Rosa Bonheur is to acquire as many of Bonheur’s works as possible, particularly those that have been sold by private collectors. Many of her pieces, including lesser-known works and studies, have appeared on the American art market in recent years. By acquiring these works, the Les Amis du Château de Rosa Bonheur ensures they are properly authenticated, studied, and ultimately made available to the public. This also helps enrich the archives at the Château de Rosa Bonheur, creating a comprehensive collection that can support future exhibitions and research.

3. Research: Research is a fundamental aspect of the Les Amis du Château de Rosa Bonheur’s mission. By hosting American research students and scholars at the château, the organization creates an environment conducive to academic exchange and the development of new perspectives on Bonheur’s work. The archival documents discovered in the château’s attic provide a wealth of material for scholars to explore, and the Les Amis du Château de Rosa Bonheur aims to facilitate and support this research by offering access to the château’s collections and resources. Additionally, the Les Amis du Château de Rosa Bonheur supports efforts to compile a complete catalogue raisonné of Bonheur’s works, a critical tool for scholars, curators, and collectors from all over the world. 

4. Rehabilitation: Rehabilitation, in the context of the Les Amis du Château de Rosa Bonheur’s mission, refers to the broader restoration and revitalization of Bonheur’s legacy. This involves not only physical restoration but also the intellectual and cultural rehabilitation of her place in art history. By promoting Bonheur’s work through conferences, exhibitions, scientific publications and public programs, the Les Amis du Château de Rosa Bonheur seeks to ensure that her contributions are fully recognized and appreciated by contemporary audiences.

Past and Present Activities

Since its establishment, Les Amis du Château de Rosa Bonheur, has been actively involved in a variety of projects aimed at fulfilling its mission. The organization has supported numerous research initiatives, allowing scholars to delve into the newly discovered archival materials at the château with the help of the French Heritage society. These documents have provided fresh insights into Bonheur’s life, including her relationships with contemporaries, her financial dealings, and her artistic process. This research has been instrumental in shaping the current understanding of Bonheur’s work and influence.

In addition to research, Les Amis du Château de Rosa Bonheur has organized several exhibitions showcasing Bonheur’s work. These exhibitions have traveled between France and the United States, further strengthening the cultural ties between the two countries and introducing new audiences to Bonheur’s art. The organization has also been involved in organizing conferences and masterclasses, bringing together art historians, curators, and students to discuss Bonheur’s legacy and explore new avenues of research.

Restoration efforts have been another key focus of the Les Amis du Château de Rosa Bonheur’s activities. The organization has overseen the restoration of several of Bonheur’s paintings, as well as the ongoing preservation of the Château de Rosa Bonheur. These efforts ensure that both the artist’s works and her living environment are preserved for future generations to study and appreciate.

Future Activities and Vision

Looking ahead, the Les Amis du Château de Rosa Bonheur has ambitious plans to continue expanding its activities and reach. One of the organization’s primary goals is to complete the catalogue raisonné of Rosa Bonheur’s works, which will serve as a definitive reference for scholars and collectors alike. This project will require extensive research, as well as the acquisition and authentication of additional works by Bonheur.

The Les Amis du Château de Rosa Bonheur also plans to expand its educational programming, with a particular focus on engaging younger audiences. This includes developing workshops and masterclasses for art students, as well as creating digital resources that make Bonheur’s work and legacy accessible to a global audience. The organization aims to leverage technology to create virtual exhibitions and online archives, allowing people from around the world to explore Bonheur’s art and the château’s collections.

Another important aspect of the Les Amis du Château de Rosa Bonheur’s future activities is the continued restoration of the Château de Rosa Bonheur. The organization is committed to preserving this historic site as a living museum, where visitors can experience the environment in which Bonheur lived and worked. In addition to physical restoration, the Les Amis du Château de Rosa Bonheur plans to expand the château’s public programming, offering educational workshops, and artist residencies.

Finally, the Les Amis du Château de Rosa Bonheur will continue to promote transatlantic collaboration by hosting American scholars and artists at the château. This exchange of ideas will help foster a deeper understanding of Bonheur’s work and contribute to the ongoing study of her artistic legacy. The organization also plans to strengthen its partnerships with museums, universities, and cultural institutions in both France and the United States, creating new opportunities for collaboration and engagement.

Establishment of “American Friends of the Château de Rosa Bonheur (AFCRB)”

The American Friends of the Château de Rosa Bonheur (AFCRB) is a vital organization dedicated to preserving, promoting, and expanding the legacy of the 19th-century artist Rosa Bonheur. Since its inception, the AFCRB has focused on fostering collaboration between American and French researchers to deepen the understanding of Bonheur’s work and ensure its continued appreciation on both sides of the Atlantic. The organization’s mission centers around four primary pillars: restoration, acquisition, research, and rehabilitation, all of which contribute to the broader goal of safeguarding the legacy of one of the most influential female artists of her time.

Conclusion

The American Friends of the Château de Rosa Bonheur plays a crucial role in preserving and promoting the legacy of Rosa Bonheur. Through its focus on restoration, acquisition, research, and rehabilitation, the organization is ensuring that Bonheur’s contributions to the art world are recognized and appreciated by future generations. As the AFCRB continues to expand its activities, it remains committed to fostering transatlantic collaboration and ensuring that Bonheur’s work is accessible to a global audience. By supporting research, exhibitions, and educational programs, the AFCRB is helping to secure Rosa Bonheur’s place in art history and ensure that her legacy endures for centuries to come.

The American Friends of the Château de Rosa Bonheur

AFMM raises awareness among Americans and provides financial support, on a tax-deductible basis, for the Musée de Montmartre.

HistoryThe Musée de Montmartre is located in old houses on the Butte (hill of Montmartre). These residences, surrounded by gardens, housed the workshops and ateliers of numerous artists such as Auguste Renoir, Émile Bernard, Raoul Dufy, Charles Camoin, Suzanne Valadon and Maurice Utrillo. The permanent collection includes paintings, posters and drawings signed by Toulouse-Lautrec, Modigliani, Kupka, Steinlen, Valadon, and Utrillo. Together, the artworks recount the history of Montmartre, including the innovative studios at Bateau-Lavoir and 12 rue Cortot and the infamous animated cabarets of the Lapin Agile and the Moulin Rouge. The Museum includes an entire room dedicated to the French Cancan, while another features rare zinc plates of dreamlike scenes from shadow theatre such as Le Chat Noir, the first modern cabaret founded by Rodolphe Salis in 1881.  The collection was made possible by the History and Archeology Society “Le Vieux Montmartre,” which itself dates back to 1886.  The permanent collection presented will immerse you in the history of Montmartre and reveal its rich culture. The Musée de Montmartre was founded in 1960 and dates one of its buildings to the seventeenth century.  This building is the Bel Air House and is the oldest building in Montmartre.  During its heyday, 12 rue Cortot served as a residence and meeting place for many artists including Auguste Renoir, Suzanne Valadon and Émile Bernard, who held their studios here, as well as the fauve artists Emile Othon Friesz and Raoul Dufy.The Musée's attendees relive Montmartre's celebrated history through the eyes of Suzanne Valadon during the Musée's immersive media show. Attendees rediscover the atmosphere that dominated the winding streets of the Butte and the famous names that roamed them.  Valadon's humble origins, artistic training, contacts and success make her the perfect guide to introduce the visit and recount the history of Montmartre: she is an allegory of the Butte during its effervescence.  In July 2011, the Kléber-Rossillon Company took over the management of the Musée de Montmartre. It launched an ambitious program that expanded and restored the site. Exhibition space was doubled, the studio-apartment of the artists Suzanne Valadon and Maurice Utrillo was renovated, and the three gardens that inspired Renoir’s paintings were brought to their former glory.  Artists started to move to Montmartre in 1870 and the cafes and cabarets multiplied in the 1880’s. What quickly came to characterize Montmartre in the eyes of everyone was this effervescent bohemian spirit, a creative energy.  In 1912 Suzanne Valadon, Maurice Utrillo and André Utter settled into their atelier-apartment and left a symbolic trace at 12 Cortot. The spirit of the infernal trio has been restored: the frying pan can be found in its place, the mezzanine was rebuilt in the studio, and the walls of Utrillo’s bedroom still have their original panelling and barbed wire on the windows.  To give life to this reconstruction, the company Kléber Rossillon called upon the designer Hubert Le Gall, scenographer who has worked with renowned institutions (e.g., Musée d'Orsay, Musée de l'Orangerie, Jacquemart- André). Hubert Le Gall was able to recreate the atelier-apartment, faithful to the letters and writings of the time and as portrayed in historical photographs - an ode and celebration of the past.Three gardens dedicated to Auguste Renoir surround the Musée de Montmartre. They are named in memory of the impressionist painter who lived on-site between 1875 and 1877, where he painted several masterpieces including the famous le Bal du Moulin de la Galette (“The Moulin de la Galette Ball”), La Balancoire (“The Swing”), and Jardin de la rue Cortot (“Rue Cortot Garden”). The Renoir Gardens offer breathtaking views of the vineyard, the Clos Montmartre, and northern cityscape of Paris.  The Musée de Montmartre captures the excitement of a time at the turn of the century (the Fin de Siècle) in a neighborhood where artists, musicians, poets, and friends gathered and created.  This time gave birth to modern art, pushing against the boundaries of the time.  The Musée de Montmartre is rooted in history.  The American Friends of Musée de Montmartre celebrate this time and very special place.

American Friends of Musée de Montmartre

The BnF's mission is to collect, catalogue, preserve, enrich and communicate the national documentary heritage in France.

Join us to restore, preserve and make available to all our universal heritage  
 
The Bibliothèque nationale de France  (BnF) is France's oldest cultural organization, originating in 1368 as the Royal Library of Charles V. It has grown over the ensuing 650 years into one of the world's largest, most prestigious, and most digitally accessible libraries.  The BnF is a leading custodian of a world heritage. Its encyclopedic collections are unique: all disciplines, whether intellectual, artistic or scientific, are represented in a comprehensive way. 

The BnF preserves over 44 million documents. In addition, the BnF's digital library, Gallica, provides free access to 10 million documents, for people from around the world to use for reading and learning. The BnF strives to provide educational, cultural and social enrichment to all.   

Projects to support:
There is a wide variety of projects to support at the BnF: digitization, acquisition, research activities, scholarships, etc. 
We selected 3 specific projects you may be interested to support:   

- The Marcel Proust collection acquisition 
- Emergency restoration - salle des Vélins 
- Henry's Miller Return to Paris
   
Please, click on the dedicated tabs below to find more information about them. If you wish to find another project to support, feel free to contact us. 

Bibliothèque Nationale de France

Supporting collaborative artwork initiated by sculptor Prune Nourry to raise awareness and empower underrepresented communities. 

Catharsis Arts Foundation is a non-profit initiated by the sculptor Prune Nourry that supports collaborative artistic creation and enables art to have a long term, positive impact on the women, artists, artisans, and communities who contribute to and inspire the artwork’s creation.

The Foundation encourages the making of artworks with and by underrepresented communities, enabling them to tell their stories. The collective art installations then tour around the world to raise awareness before returning to their country of origin and funding their preservation, as well as educational and artistic programs for the local communities.

The foundation is inspired by Prune Nourry’s profound belief that art and sculpture can be a tool to recreate balance in a deeply unbalanced world. It will operate globally, with first programs being held in Africa in 2024.

Catharsis Arts Foundation

La Fondation Maeght houses one of the largest collections of modern art in Europe, featuring works by leading 20th century artists

An exceptional place for modern art on the French Riviera.

La Fondation Maeght is France's first art foundation, opened in 1964 in St Paul de Vence in the French Riviera, with one of the most important collections of modern art, with works by Miró, Giacometti, Chagall, Calder and Hepworth as well as temporary exhibitions.

La Fondation Maeght opened thanks to the singular destiny of Aimé and Marguerite Maeght, Europe's leading art publishers and dealers in the post-war era. Since its inception and to this date, La Foundation has organized more than 140 exhibitions of modern and contemporary artists and providing access to art to visitors and scholars alike.

As France's very first independent art institution, La Fondation was modelled on American institutions such as the Solomon R. Guggenheim Foundation, the Barnes Collection and the Phillips Collection in the US.

As a non-profit, La Fondation does not receive regular public funding from the French government. This means that the support of individuals and companies is essential for its survival, and for the continuation of its mission to promote arts and culture in the decades to come.

Your support, no matter the value, is hugely appreciated and there are many ways you can get involved.

Visit our website for more:  https://www.fondation-maeght.com/  or contact international@fondation-maeght.com

Fondation Marguerite et Aime Maeght 

An international study centre for textiles, textile crafts, and dress, worldwide and from prehistory to the present day.

The Textile Research Centre (TRC) is a knowledge centre set up in 1991 as an independent foundation. Since 2009 it is housed at Hogewoerd 164, in the centre of historic Leiden, The Netherlands. Here it has the use of an exhibition space, a large depot, offices and workrooms. The basic aim of the TRC is to give the study of textiles, dress, and accessories their proper place in the field of humanities and social sciences, but also in the context of crafts and craft education. The TRC does so by providing courses and lectures, carrying out research and by the presentation of textiles and dress from all over the world. The two main focal points of the TRC are (a) dress and identity: what people wear in order to say who they are and (b) textile crafts and technology, both pre-industrial and industrial.

In order to reach its objectives, the TRC houses various collections, of more than 50,000 items, including a Textile and Garment Collection and a Reference Collection for fibres, threads, dyes, weaves, printed and machine embroidered textiles, and so forth. Most of the objects are photographed, and are available online (open access), with detailed information, In addition, research is aided by the TRC’s library (some 6,500 books, a large collection of articles, as well as visual material such as photographs, prints and postcards). Students, designers and academics come from many countries to Leiden to use the TRC’s facilities and to attend workshops and courses.

Stichting Textile Research Centre

Memorial, Museum and research centre on Holocaust and Human Rights 


25,490 Jews and 353 Roma were deported from the Dossin barracks on 28 train transports to Auschwitz-Birkenau between 1942 and 1944. Few of them survived the ordeal. Today the old military base is a serene site of reflection and remembrance, a Memorial. In the museum, facing the former barracks, one can immerse oneself in the history of the Holocaust in Belgium. The museum provides testimonies not only of exclusion, discrimination and mass violence, but also of hope and resistance. Reflect on human rights violations, then and now. In the research centre one can find more about the role of the Dossin barracks during the Second World War or about the experiences of a loved one or family member. 

Kazerne Dossin

The Sursock Museum is the first modern and contemporary art institution in Lebanon.


HISTORY
The Nicolas Ibrahim Sursock Museum is the first modern and contemporary art museum in the Arab world. It opened officially its doors in 1961 thanks to a bequest of Nicolas Ibrahim Sursock, a philanthropist and a collector, who donated to the Lebanese citizens his Ottoman-Venetian style villa, built in 1912, and art collection. The Museum survived the turmoil in Beirut and has been open to the public for the last six decades with few interruptions.
Throughout its history, it lived through many tribulations. The various armed conflicts and tensions in Lebanon left quite a few scars. Healing has been long and arduous. 

Today, we are grateful for being able to celebrate the recovery of our cherished institution.
Soon after the Beirut blast on August 4, 2020, we started the rehabilitation of the museum, without the assurance that we would secure all the necessary funds. 
The solidarity of volunteers, local and international institutions as well as individual friends, enabled us to reopen in May 2023.
We are so pleased to give the Sursock Museum back to the Lebanese and to the
international friends of Lebanon. 
Increasing numbers of visitors and participants in our diverse activities are a source of energy and renewed dynamism.  
During the different phases of its history, it strived to be faithful to its calling: an inclusive space of encounter, education, innovation and cooperation. More concentrated efforts are ahead of us. 

The museum's new programming wants to engage with a diverse and wider public today. With its exhibition spaces, public library, auditorium, the Sursock Museum will continue to be a safe space for cultural dialogue, critical thinking and free expression. It is a platform for continuous learning, formative of future generations of art and cultural professionals, and we will continue to do so without compromising on quality, in dialogue at eye-level with international institutions.

GOVERNANCE
Following the will of Nicolas Ibrahim Sursock, the Nicolas Ibrahim Sursock Museum with its building and art collection, was constituted in the form of a Waqf on 14 January 1953.
(The Waqf is not too dissimilar to the western legal form of Trust or Foundation). The role of custodian of the Waqf, the mutawali, was assigned to the president of the municipality of Beirut, regardless of which political regime exists at the time.


OUR CHALLENGES
Before the crisis, the museum's activities were mostly financed by a tax on building permits levied by the Beirut Municipality. It now covers less than 2 per cent of our expenses. 

This is our new challenge: financing this vital institution to survive amid complete financial collapse. With our board of trustees, our circle of friends and future supporters, will do so while still offering free access to art.

We cannot overstate the significance of your engagement with the Sursock Museum. Your support is vital. 
Today, supporting the museum is not an act of charity, it is an act of necessity!
Your support is vital. 

Nicolas Ibrahim Sursock Museum

Promoting the work, knowledge of the artist and preservation of the Cezanne sites in Aix-en-Provence for next generations.

The Société Paul Cezanne—founded in 1998 by the artist's great-grandson, Philippe Cezanne, as a tribute to art historian, John Rewald, author of the artist's catalogue raisonne, first published in 1996—is dedicated to:

- promoting and preserving the work of Paul Cezanne and the sites he painted in and around his native Aix-en-Provence, 
- maintaining the revised online catalogue raisonne, available to all for free at www.cezannecatalogue.com.

With the renovation of Cezanne's family home in Aix, the Jas de Bouffan, the Société is now seeking partners to help fund the creation of a new research center devoted to the artist, Le Centre Cezannien de Recherche et de Documentation, which will open in Summer 2025. 

2025 is the year of Cezanne throughout Aix—from a major monographic exhibition at the Musee Granet to city-wide events, programs, and scholarly convenings, this year will mark a new chapter in the artist's ever-growing impact on people around the world. 

In september 2025, "Odyssée Cezanne" a symposium with leading Cezanne specialists is as well open to subscription. 2 days of immersion in Paul Cezanne's restored family bastide, an opportunity to get a closer look to the Grand Salon where a wall painted by Cezanne as a young artist was discovered in august 2023!

These coordinated efforts, across academic and general audiences, will ensure Cezanne's legacy for generations to come, in all corners of the globe.

Paul Cezanne Society

Support the development of contemporary art in Mexico  

Patronato de Arte Contemporáneo was established in 2000 by an independent group of professionals of the arts to support curatorial, editorial, educational and theoretical projects that contribute to the development of contemporary art in Mexico. We accomplish our mission through out the programs we design to satisfy the needs of the current context of visual arts in Mexico. Our goal is to benefit our countrys' cultural development in the most complete and extensive possible way. Our main programs are:  - The International Symposium on Contemporary Art Theory (SITAC), it's an international event that brings together leading participants in the practice, theory, and history of art to discuss specific themes. The symposium allows a broader diffusion of the artistic ideas among the public, the students, the artists, and related disciplines.  - PACs Grants: Since 2000, we have supported more than 370 projects through this Program. For each supported project, in addition to the economic grant, it involves entering a network of independent projects, and a legitimization before other foundations and / or artistic institutions. Receiving these grants allows many projects to assume their profession as artists and managers.  - Nodos Program: Its a series of activities designed to encourage the exchange between cultural production of the different regions of the country. The main objective of these initiatives is to facilitate a horizontal, plural and multidisciplinary discussion.  - Patrons Program: Our funds come from individual and corporate patrons. This program is designed to be a manifestation of what is our ideology in PAC: to demonstrate the cultural diversity that exists in Mexico, to offer a place of knowledge and at the same time artistic encounters. In the same way that we support artists, we want to accompany each patron to enrich the conversation and learn from each one.  

Patronato de Arte Contemporeaneo, A.C.

We aim to finance the cultural project of the future metro, a large-scale transit project in Paris. 

**WHAT IS THE GRAND PARIS EXPRESS?**

The **Grand Paris Express** is the largest urban and artistic project in Europe creating a new metro network in and around Paris. But it is much more than just a transport project. It's **a cultural transformation** that redefines the capital by combining mobility and art. With **68 new stations** and **200 kilometers of tracks**, it will redesign the urban experience, putting culture at the heart of everyday life.

**ART AT THE HEART OF THE URBAN JOURNEY**

**Each of the 68 stations** will have its own work of art. The new metro will be the largest collection of contemporary art in the public space, where you can take your time to stroll, admire and be amazed. It has received the **2023 Veronica Rudge Green Prize** in **Urban Design of Harvard University**.

**XAVIER VEILHAN: A MONUMENTAL ARTWORK AT VAL DE FONTENAY STATION**

Among the standout artworks, artist **Xavier Veilhan** will create a striking sculpture at **Val de Fontenay** **station**. Accessible to all, this artwork will become a symbol of the bold transformation of the Grand Paris Express.

**By supporting this artwork, you contribute to a great innovative project that will leave a lasting mark on Paris.**

**WHY BECOME A PATRON OF THIS PROJECT?**

- **Fully tax deductible in France and in the US** via**** the AMERICAN FRIENDS OF THE GRAND PARIS EXPRESS at Myriad USA, a US public charity within the meaning of Sections 501(c)(3) and 509(a)(1) of the Internal Revenue Code
- **High and lasting visibility** : your name in the Station at different places
- **Exclusive events** with the artist and around the project

**JOIN US AND CONTRIBUTE TO CREATE THE FUTUR OF PARIS!**

**The Fonds de dotation du Grand Paris Express** has already raised 4.5 million euros and aims to raise 20 million euros by 2032. Your contribution will help make this project a model of art, mobility, and innovation.

Grand Paris Express

Collections of Greek art from various time periods.

Displays on Greek culture from prehistory and onward. 
 
The Benaki Museum is a network of seven sites across Athens city centre and mainland . Throughout its galleries, different cultures and historical periods meet modern art moves, while rich historical archives bring past wisdom into our contemporary world. Its varied and rare Collection is surrounded by an impressive array of cultural activities. Numerous temporary exhibitions, publications, conferences, concerts and educational programmes make the Benaki Museum a multifarious art institution of the 21st century. As one of Greece's leading museum institutions under private law, the Benaki Museum aims at inspiring people to reach for kn owledge and reflect on cultural heritage, through its extensive collections that cover several cultural fields and its range of activities serving more than one social interest. Its key objectives are: 
 Openness, Democratization of Collections, Flexibility: to provide open access to collections and archives  
 Social Awareness, Social Presence: to be an active member of the community in which it operates for the benefit of the public  
 Research & Collaboration: to establish itself into the wider scientific community on all fields of its interest 
 National & International Presence: to promote the exchange of exhibitions and publications  
 Self-sufficiency, Sustainability, Resilience: to support its financial and organizational operation, thus ensuring its evolution for generations to come. 

Benaki Museum 

VAN GOGH'S DREAM 
 
 
	 IN PURSUIT OF A DREAM In 1987 Mr. Janssens, with the help of his friends, set up the Institut Van Gogh,

IN PURSUIT OF A DREAM In 1987 Mr. Janssens, with the help of his friends, set up the Institut Van Gogh, and also created the S.A. Ravoux– two organizations, each with its own specific purpose. The challenge was to marry "economics and culture" and "passion and reason" while maintaining the independence of each half of the equation. Economic credibility was guaranteed by the Ravoux S.A., and cultural legitimacy by the Institut Van Gogh. As well as organizing numerous cultural projects and helping to preserve the Auvers heritage, the main goal of the Institut Van Gogh is to bring about Vincent van Gogh's great wish, as expressed in his letter to Theo during his stay in the Auberge Ravoux in 1890: «  Some day or another I believe I will find a way to have my own exhibition in a café.  » 
	 THE WORLD'S SMALLEST MUSEUM The Institut Van Gogh has thus set its sights on the target of exhibiting 'some day or another' a Van Gogh painting of the Auvers period in the Ravoux Inn. With a mere 7 square metres (75 square feet) of exhibition space in the attic room number 5, the very room where the artist lived in 1890, this museum would be the smallest in the world – a real "room with a view." "Don't settle for easy options" Vincent van Gogh to Theo, 1874 But Vincent van Gogh's modest dream is now far more than a modest challenge, given the huge prices his paintings fetch on the art market today. Nevertheless the Institut Van Gogh believes that if it is supported by the lovers of Van Gogh's art worldwide, it will be possible to climb the last few steps to the top floor and make Van Gogh's dream a reality. 

Institut Van Gogh

Independent non-profit organization dedicated to promoting Ecuadorian art and creating new opportunities for Ecuadorian artists.

EACHEVE was founded in 2014 to address concerns about the fragility of artistic memory within Ecuador, with the original goal being the production of editorial publications with archival purpose – to record the thoughts, activities, and movement of contemporary artists in Ecuador. EACHEVE has since published a series of publications, including several important monographs, catalogues and books including Eduardo Solá Franco’s Illustrated Diaries, an artist’s book by Roberto Noboa, 101 Contemporary Art Ecuador Vol. I and the recent publication of the artist ‘Miguel Varea’

Further motivated to stimulate the growth and development of Ecuador’s art world, EACHEVE has expanded its mission to organize several exhibitions, such as ‘ Algo Después’ by Ilich Castillo (Bogotá, 2016), ‘ Objetos de duda y de certeza’ by Manuela Ribadeneira (Quito, 2019), ‘Wonder Boy Complex’ by Xavier Coronel (Quito, 2021), ‘Mantengo la Urgencia de Reconciliar’ by Sofía Salazar Rosales (Guayaquil, 2022), and ‘La visión del monte’ by Simon Speiser (Guayaquil, 2023).

In 2021, EACHEVE becomes a non-profit foundation and entered partnerships with other leading arts organizations around the world, including Delfina Foundation (London), Gasworks (London), Tropical Papers (France) and DEO Projects (Greece) with the goal of promoting Ecuadorian art internationally and nourishing the current mission of the foundation: to create new opportunities for Ecuadorian artists.

Fundacion EACHEVE

Shared prosperity for the Philippines, one thriving community at a time.

As the social development arm of the Ayala group of companies, Ayala Foundation is committed to building shared prosperity in the Philippines, one thriving community at a time. Ayala Foundation implement programs under the following pillars: Community Development, Leadership Development, and Arts and Culture. The Foundation has established a Corporate Citizenship and Volunteerism platform that provides opportunities for sociocivic action. As its contribution to addressing the national learning crisis, the Foundation is also making Big Bets on Early Childhood and Digital Education.

————

**Ayala Foundation Disaster Campaign**

The Philippines faces severe challenges in disaster preparedness and response, as evidenced by multiple indicators:

- Ranks first among 193 countries in disaster risk with an index of 46.82% (World Risk Report 2022)
- Experiences an average of 20 tropical cyclones annually, affecting approximately 20 million people (UNDRR Global Assessment Report 2022)
- 60% of the total land area is exposed to multiple hazards, and 74% of the population is susceptible to their impact (NDRRMC Strategic Plan 2020-2040)

Among the Foundation's major programs is the provision of relief operations and strengthening disaster resilience to affected communities. A donation of:

- US$20 will provide rice, noodles, canned goods, and biscuits for a family of 5 for 3 days
- US$50 can cover the cost of roofing materials for damaged structures
- US$100 can fund rehabilitation works for schools in disaster hit areas

Ayala Foundation, Inc.

SHACK15 Art Prize is a brand new award for visual artists of San Francisco Bay Area

SHACK15 Art Prize is a brand new award for visual artists of San Francisco Bay Area, a collaboration between SHACK15 and We♥️SF communities, with support from Art Bae.

Our mission is to make space, for artists, for experimentation, and for the kind of work that changes how a city sees itself.

We believe supporting artists is a civic act: not charity, not a trend, but a deliberate contribution to the cultural and emotional life of San Francisco.

Through the Art Prize, we are building infrastructure for imagination, starting with seven artists and an open invitation that if you believe art belongs at the heart of civic life, this mission is yours too.

SHACK15 Art Prize

Help preserve the Jewish cultural heritage in Portugal.

Your support will help establish the Tikvá Museu Judaico Lisboa (Jewish Museum of Lisbon).

Associação Hagadá (Hagadá Association) was created on July 25th 2019. Its objective is to promote and carry on the activities necessary for the creation, establishment and operation of an institution with museological functions in Lisbon - The Tikvá Museu Judaico Lisboa (Jewish Museum of Lisbon). Also, it aims to enrich and preserve the associated cultural heritage, display the Jewish experience and culture, as well as the role of Portuguese Jews in the history of Lisbon and Portugal, and in the Diaspora. Associação Hagadá (Hagadá Association) will perform the following main activities: - Creation and establishment of the Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon); - Ensure that the Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon) fulfils its role as a museum; - Promote, organize and publicise exhibitions, talks, debates and conferences; - Promote the collection and preservation of sources essential to the awareness of Portuguese Jewish history and the Jewish cultural heritage existing in Portugal; - Promote actions intended to encourage citizenship and human rights; - Promote actions intended to combat all forms of discrimination, based in particular on race, ethnicity and religious intolerance and appreciating cultural and religious differences as the heritage of Humanity; - Promote actions intended to preserve the Jewish cultural heritage existing in Portugal; - Perform educational activities; - Support and encourage research and the development of Jewish studies in Portugal and about Portugal; - Promote publications related to Jewish cultural heritage.

Tikvá Museu Judaico Lisboa (Jewish Museum Lisbon) – Associação Hagadá (Hagadá Association)

Support the preservation of the world’s most endangered modern houses of unique architectural importance.

Iconic Houses provides a worldwide platform for architecturally significant modern houses and artists' homes and studios from the 20th century that are open to the public, by sharing best practices about the conservation, policy, programming and management of house museums and significant private houses. Member sites include Antoni Gaudí's La Pedrera (Spain), Le Corbusier's Villa Savoye (France), and Frank Lloyd Wright's Fallingwater (USA), among almost 200 other masterpieces and hidden gems around the world. At this time over 50 of the world's most iconic modern houses, especially those from the second half of 20th century, are threatened due a lack of legal protection, deferred maintenance or other issues associated with development pressures. We need to act now, or risk losing them forever. What can be done to save them? Icons at Risk sets out to answer that question.  "Icons at Risk" is an international initiative by the Iconic Houses network to preserve the world's most endangered modern houses of unique architectural importance. We will achieve this by raising public awareness, advocacy, and supporting homeowners to take action themselves through a "Toolkit for Owners of Modern Homes".  We thank you in advance for your support! 

Iconic Houses Network

The Ben E. Clement Mineral Museum is based in Marion, KY and houses the one of the world's largest fluorite collections.

Ben E Clement Mineral Museum Inc

Our mission is to increase the scope for action of the Nationalgalerie in times of scarce public funding.

The history of the "Freunde der Nationalgalerie" began with a passion for the visual arts, a desire to take risks and the enthusiasm of the founding members - and they continue to shape the actions of the Friends to this day.

Since 1977, the "Freunde der Nationalgalerie" have been a key supporter of the work of the Nationalgalerie in Berlin. 

The aim of the Friends is to increase the scope for action of the Nationalgalerie and its six museums in times of scarce public funding. The annual membership fees make a significant contribution to maintaining the Nationalgalerie as a lively, innovative institution that reflects the production of art from the 19th century to the present day in numerous exhibition projects and collection presentations and communicates this to a broad public.

However, one thing is always important: it is not the friends who decide whether classical or contemporary art, whether established or new, will move into the Nationalgalerie's six buildings. It is the decision of those artistically responsible, it is the wish of the directors that determines what we do. For this is an unbroken principle, the "basic law" under which the association was founded and still operates today: Nothing may be exhibited or acquired by the Friends that does not correspond to the wishes of the directors.

The National Gallery (German: Nationalgalerie) in Berlin, Germany, is a museum for art of the 19th, 20th and 21st centuries. It is part of the Berlin State Museums. From the Alte Nationalgalerie, which was built for it and opened in 1876, its exhibition space has expanded to include five other locations. The museums are part of the Berlin State Museums, owned by the Prussian Cultural Heritage Foundation.

Freunde der Nationalgalerie e.V.

FAB provides funding, promotion, education and credibility to creators working at the intersection of blockchain and creativity.

Foundation For Art And Blockchain

Parcs et Demeures de France.


Preserving unique treasures of French heritage as well as their natural environment.

The Mansart Foundation aims to revive heritage of outstanding interest, whether historical or contemporary: natural and landscaped sites (parks, botanical gardens), architectural buildings (monuments, residences, industrial establishments), collections and museums.

These places are our heritage and have shaped our art of living, the French Art de vivre. These sites all deserve to be preserved in a sustainable way to be passed on to future generations. This is the purpose of the Mansart Foundation. 

The Foundation focuses on a strong social mission. It aims to open its doors to less privileged visitors and enable them to discover and appreciate legacy buildings, art history and natural environments, thereby helping them develop both their understanding, curiosity, and creativity. 

The Mansart Foundation supports a variety of projects within different sheltered foundations. 

Already owner of the  Chateau de Maintenon , the Foundation is also restoring the  Chateau de Bagatelle to open it to the public. This chateau - listed as a historical monument since 1978 - is exceptional, both for its own history and the one of its owners, and for its location in the heart of Paris and its great architectural quality. 

Under the aegis of the Mansart Foundation, the  Amici Terrae Sanctae Foundation  was created to support the Terra Sancta Museum project in Jerusalem. This museum will present the roots of Christianity and the Treasures of the Holy Sepulchre, composed of unique pieces. Through a rare collection of paintings, sculptures, archival documents and sumptuous gifts from European courts, the works revealed will attest to the centrality and splendor of Jerusalem throughout the centuries. 

To sustain the actions in favor of  Parisian museums , the Mansart Foundation associated with the Friends of the Pompidou Center and the Friends of the Museum of Modern Art in Paris to create under its aegis respectively the Foundation of the Friends of the Pompidou Center and the Foundation of the Friends of the MAM Paris. By donating to these foundations, you will support exceptional cultural projects and contribute to the development of the collections of these museums. 

To safeguard heritage and bring it back to life, while acting in favor of local development and regional planning, the Mansart Foundation provides support to  the Rempart construction sites  through the creation of the Union Rempart sheltered Foundation. These workcamps are not only places to discover heritage and restoration techniques, but also places to learn how to live together and to exercise citizenship.  

The Mansart Foundation is involved in the promotion and animation of the Vauban Citadel in Belle-Ile-en-Mer, a listed historic monument, and the  Vauban sites of Belle-Ile-en-Mer and Morbihan . For this purpose, the sheltered foundation of the Vauban sites of Belle-Ile-en-Mer and Morbihan was created under the aegis of the Mansart Foundation.  

The sheltered foundation for the Preservation of the  Abbaye des Vaux de Cernay and the Haute Vallée de Chevreuse  was created to support the project to restore and develop the remarkable heritage of the former Vaux de Cernay Abbey. The Vaux de Cernay Abbey, a 12th century Cistercian abbey, is a unique, fascinating, and mysterious place located in the heart of the Chevreuse Valley in the state forest of Rambouillet. 

The  Hortus Botanica Foundation  was created to develop an action in favor of gardens and botanical heritage. Its purpose is to help preserve, restore, create, animate, develop, and share to the public the plant heritage, the heritage built or unbuilt, and the gardens existing or to be created, in connection with it. It participates in the cultural dynamization of the living and historical heritage in order to perpetuate extraordinary places. 

Fondation Mansart

Best Seat In The House is a nonprofit organization. It is based in Sandy, UT. It received its nonprofit status at the end of 2017.

The Best Seat in the House is a 501(c)(3) organization dedicated to providing life-changing experiences for children facing challenging circumstances, including serious illnesses, poverty, disabilities, and those in foster care. What began as a birthday celebration for Ivan evolved into a dynamic nonprofit with a mission to infuse joy and hope into the lives of children and their families.

Best Seat In The House

We make the best new ideas in global architecture and design accessible to all, with a focus on ecological & social justice. 

The World Around is a global nonprofit platform with a clear but ambitious mission: to make the best new ideas in architecture accessible to all. The World Around’s critically acclaimed global public programs and events share the now, near and next of contemporary architecture and design culture with a focus on interdisciplinary, progressive, actionable ideas and climate justice. Our archive of commissioned films, talks and presentations sharing the work and ideas of the world’s best thinkers and makers are all freely accessible below and [on our YouTube channel.](http://www.youtube.com/theworldaround) 

[With our eyes on the biggest issue of our time, climate change, The World Around is proud to organize the Young Climate Prize award and mentorship program for talented designers under-25.](http://www.youngclimateprize.com/)

The World Around

To serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back.

To create a truly unique space and experience. 
 
 Founded in 1994, the Remember Museum is one of the most interesting of its kind. It is housed in an old renovated barn and is comprised mainly of items abandoned by the American First Infantry Division soldiers who once enjoyed "R & R" at the Schmetz' s farm when Marcel was a young boy. The artifacts include personal items given by numerous WWII Veterans from various units. It is a museum with a human dimension, made great by its welcoming environment, its originality, its simplicity. The museum strives to serve as the testimony of our gratefulness towards all the G.I.s who, at the risk of their lives, gave us our freedom back. Because curators Marcel & Mathilde (M&M) are nearing retirement, the museum and its contents will be transferred to the King Baudouin Foundation and a board of directors will manage the future of this great endeavor, while keeping it warm and personal much like M&M themselves. Thank you for your donation!

Remember Museum 39-45 

The LRE Foundation is an international network dedicated to the cultural heritage related to World War II, its memory and meaning.

The LRE Foundation is a growing international, inclusive network that connects people and organisations dedicated to preserving and valorising the tangible and intangible cultural heritage related to World War II, its memory and meaning. The organisation’s main objective is to make this history relevant and accessible, especially for the younger generations. 

The LRE Foundation promotes diversity by developing a multi-perspective understanding of the history of World War II. As each country had a different wartime experience, it is our goal to present each perspective in relation to each other.

Its main projects are :

- Liberation Route Europe 

A certified Cultural Route of the Council of Europe that connects people, places, and events to mark Europe’s liberation from occupation during World War II. 

In order to make the route a physical part of the European landscape, LREF is developing a network of Liberation Route Europe trails that allows new ways of experience the route by hiking, walking, and cycling.

Renowned architect Daniel Libeskind has designed a symbolic family of trail markers called the ‘Vectors of Memory’ that will honour people, places, and stories found throughout the European landscape. 

www.liberationroute.com

- Europe Remembers

Europe Remembers is an awareness and information platform that brings together commemorative sites and events in a collaborative, inspirational remembrance portal. Europe Remembers seeks to create a global commitment to preserve history and eyewitness memories for future generations, and call for an active participation.

It enables diverse communities to reflect on the complex heritage of World War II from multiple historical perspectives. The aim is to teach, to share experiences, and to encourage mutual understanding of our shared past. With fewer eyewitnesses each passing year, Europe Remembers seeks actively to promote new ways of commemorating and remembering World War II for the future.

- Youth Programme

The LRE Foundation is committed to promoting innovative active remembrance and memory transmission projects targeting the younger generations through the LRE Youth Programme. An essential feature of these initiatives is the inclusion and sharing of diverse experiences, applying a multi-perspective approach to WWII history and remembrance.

With HistoryTreks, funded by the Erasmus+ programme, students of different countries get together to reflect on the history and impact of WWII on their regions with formal and non-formal learning methods, including hiking the Liberation Route Europe and visiting remembrance sites along the way.

In turn, with EASTory through their Eyes and Persecution through their Eyes, young Europeans are invited to learn about personal stories of people who experienced WWII and its consequences across Europe, reflecting on the complexity of such shared history. The ‘through their Eyes’ series combines an online and travelling exhibition with youth events in partner locations and is funded by the Citizens, Equality, Rights and Values programme of the EU.



LRE Foundation

The CTHGC commemorates the victims and survivors of the Nazi regime and various genocides preceding and following the Holocaust.


The **Cape Town Holocaust & Genocide Centre** is a Non-Governmental Organization dedicated to fostering a more **compassionate** and **just** society where human rights and diversity are esteemed.

Through impactful exhibitions, events, and workshops, the Centre **commemorates** the victims and survivors of the Nazi regime and various genocides preceding and following the Holocaust.

Established in 1999, it was the **first** **Holocaust Centre in Africa**, driven by the steadfast commitment to provide **free Holocaust and genocide education**. A primary objective from the outset was to extend this educational outreach to underprivileged communities locally and nationally and to individuals who might not have the financial means to visit.

The **impact and success** of the Centre’s programmes with schools and civil society was an important factor leading to the **inclusion of Holocaust studies in the curriculum of all South African schools**, making the study of the Holocaust mandatory for the students in grade 9 (14-15 years old).

Today, the Centre takes an additional step by **subsidizing** **transportation for disadvantaged groups**, eliminating financial barriers that might otherwise impede access to valuable educational experiences. Demonstrating a dedication to comprehensive support, the Centre also extends its commitment by offering complimentary meals and educational materials to groups of learners originating from the most underprivileged and economically challenged areas of the country.

Through these initiatives, the Centre annually reaches thousands of high school learners and hundreds of teachers, fostering a broader and more inclusive understanding of history and human rights. At the same time the Centre provides a wide range of programming for members of the **local Jewish community, citizens of Cape Town and international visitors**.

Collaborating with external experts, the Centre curates exhibitions and runs programs on other acts of mass violence, such as the Armenian Genocide, *Holodomor*, Rwandan Genocide, and more, emphasizing the **global impact of hatred** and the imperative of preventing history from repeating itself.

In addition to historical exhibitions, the Centre employs the power of art for **expression and healing.** Collaborations with artists from around the world present diverse mediums that offer fresh perspectives on human suffering, resilience, and the triumph of the human spirit.

The exhibitions and the accompanying programs serve as a **testament to the enduring power of memory and education**. By confronting the darkness of the past, the Centre aims to inspire a renewed commitment to humanity, understanding, and peace, in the hope that the lessons learned from history lead to a **brighter and more inclusive future**.

Cape Town Holocaust & Genocide Centre

The Fondation Pro-mahJ contributes to the development of the collections of the Musée d'art et d'histoire du Judaisme in Paris.

The Fondation pour le musée d'art et d'histoire du Judaïsme (Pro mahJ), in Paris, was created in 2003 on the initiative of Claire Maratier, daughter of painter Michel Kikoïne (1892-1968), to promote the work of artists from the École de Paris and mobilize its resources in support of the mahJ. As an essential supporter of the enrichment of the mahJ's collections and the promotion of its heritage and activities, the foundation is committed to supporting contemporary artists whose work is rooted in the École de Paris and resonates with the mahJ's collections.
Your support will help preserve one of the finest collections of works of art and objects illustrating the heritage of Jewish culture in Europe and around the Mediterranean, from Antiquity to the present day, preserved and hosted by the musée d'art et d'histoire du Judaïsme (mahJ), as well as strengthening the museum's activities, particularly its educational initiatives. The mahJ is France's largest museum devoted to Jewish art and culture, and a place of reference for education, promoting cultural diversity and combating prejudice and discrimination, for people from all walks of life. 
The mahJ is also developing an active policy of research into Jewish history and archeologia, through conferences, symposia and meetings. It actively campaigns for better dissemination of Jewish history and heritage and for it to be taken into account in public policy.


Fondation Pro mahJ 

Fundación Kahlo was established to preserve Frida’s legacy and promote Mexican, Indigenous, and Latin American art and culture.

**Fundación Kahlo**, a newly formed nonprofit organization based in New York City, was conceived and established by the Kahlo family to preserve Frida’s legacy and promote Mexican, Indigenous, and Latin American art and culture on a global scale. The Foundation will play a pivotal role in the development, opening, and ongoing stewardship of the museum, as well as launching a slate of public-facing initiatives that reflect Frida’s artistic legacy and humanitarian values.

In addition to completing the museum, **Fundación Kahlo** will spearhead a range of cultural initiatives, including:

-         The **Kahlo Art Prize**, a biennial award recognizing visionary contemporary artists

-         **Las Ayudas**, a grantmaking program inspired by the Kahlo family’s lifelong support of community, indigenous creatives, educators, and social changemakers

Fundación Kahlo

We preserve, develop, and promote the assets comprising the Domaine national de Chambord which is on Unesco's world heritage list.

Chambord has aroused admiration and fascination to the world for over 500 years. Placed on France’s first list of historical monuments in 1840, and a UNESCO World Heritage Site since 1981, it is one of the most breathtaking construction of the Renaissance. Far from being a residential palace or a hunting lodge, Chambord embodies the values of humanism, inventiveness and human genius.

Preserving this heritage means constantly questioning how it can be made accessible to the widest possible audience. With this objective in mind, each year new developments and innovative projects are presented to visitors, a rich program of events punctuates the life of the estate, and ecological actions are implemented. The estate is also developing a strategy to diversify its own resources, notably by reviving its vocation as a food-producing farm.

Chambord’s projects are structured around four development priorities: Chambord cultural and artistic, Chambord educational and social, Chambord sustainable and agricultural, and Chambord innovative. To support us in this approach, we are looking for partners who share our values and wish to promote them.

American Friends of Chambord

Creative Commons (CC) stewards a universally accessible infrastructure for open knowledge, culture, and collaboration. 

Creative Commons is the global nonprofit organization behind the CC licenses and public domain tools, enabling the free and open distribution of otherwise copyrighted work. We give every person and organization in the world a simple and standardized way to grant copyright permissions for images, music, research, journal articles, educational resources, and cultural artifacts; ensure proper attribution; and allow others to copy, distribute, and make use of those works.

We've come a long way since we first got started in 2001. When Creative Commons was  founded, the internet was a budding universe with high potential, and platforms widely used today like Wikipedia and Google were only just taking off. CC’s founders were keen to ensure that, as the internet continued to grow, safeguards to knowledge, culture, and creativity were firmly in place, and the Creative Commons license suite was born.

Now more than ever, CC recognizes the urgent need for these licenses in advancing Better Sharing, key to preserving our global commons. As we look toward the next 20 years, CC seeks to fearlessly advocate for Open Knowledge to address the many challenges our global community faces today from the Climate Crisis and educational inequalities to the spread of "fake news" and barriers in access to cultural heritage.

Creative Commons

Our mission is to conserve the Port Royal Sound for the environmental, cultural and economic well-being of our area.


The Port Royal Sound—a tidal inlet of the Atlantic Ocean—is the body of water that defines the Lowcountry of South Carolina, from the beaches of Hilton Head to the salt marshes of Beaufort. The mission of the Port Royal Sound Foundation (PRSF) is to conserve the Port Royal Sound for the environmental, cultural, and economic well-being of our area. PRSF strives to be the leading authority and advocate for the Port Royal Sound, providing and supporting education, research, and conservation initiatives to preserve it. 
PRSF began in 2011 and opened the doors to its FREE Maritime Center museum in 2014. We center our exhibits, events and programs around ecology, art, culture, history, and recreation to ensure meaningful, well-rounded engagement with our community and the Sound. We believe that high-quality educational activities and outdoor experiences should be accessible for all, regardless of limiting circumstances. For this reason, much of what we offer is free or has minimal program fees, and our funding comes largely from generous donors and grants. 
The following is a description of programs that will be supported, in part, by your donation:

Education
•	Maritime Center: a FREE museum housing 50+ exhibits (including live animals, gardens, history, biology, art, and more) that require ongoing updates, care, and maintenance
•	Field Trips: hands-on learning experiences for all grade-levels; agendas and curricula support South Carolina teaching standards; 3,000+ students/year
•	Pluff Mudder Summer Camp: week-long junior naturalist activities and nature experiences for children 6-13 years old, including nature hikes, kayaking, fishing, crafts, microscope activities, games, and more
•	Adult Pluff Mudder Camp: naturalist-led program for adults new to the Lowcountry or who want to learn more about the land, water, and animals of the Port Royal Sound 
•	Junior Naturalist Program: preparing the next generation to love and protect our beautiful waters and be certified as a Junior Naturalist
•	Tuesday Talks/SoundVision Webinar Series: public lectures from local experts in ecology, art, culture, science, photography, fishing, birding, turtle watch, and more
•	Saturday Programs: naturalist-led educational programs for people of all ages, including nature hikes, fishing/crabbing, crafts, reptile meet & greets, and many more
•	Storytime: weekly opportunity for young children to watch the Sound come alive through the pages of a book, paired with a fun activity or animal encounter afterwards
•	STEAM Festival: annual event that showcases the innovation and excitement of STEAM (science, technology, engineering, art, and math); 800+ attendees each year

Research
•	Citizen Scientist Program: local community members and organizations assist in the collection and compilation of long-term, widespread water quality data in collaboration with USCB and Clemson Extension Adopt-A-Stream; 75+ volunteers sampling 19 sites across the county
•	State of the Sound Symposium: first annual research symposium in February 2022 that convened 11 area experts from SCDNR and USCB to present what knowledge currently exists about the ecology of the Sound and how future research can help us better understand and preserve it; select recordings can be found at https://www.youtube.com/playlist?list=PLAv\_68a8MqnvXUf6ggGXXkefjMS4\_\_E5E 
•	State of the Sound Report: a comprehensive report that collects and analyzes historical data about water quality and the health of the Sound; currently being written, will be made available to the public and scientists to inform future research

Conservation
•	Annual Recycled Art Contest: 100+ entrants from schools, families, and amateur and professional artists make art displays with litter or items that would be recycled; art is displayed in the Maritime Center and a jury decides winners in multiple categories 
•	Litter pickups: quarterly clean of highway around the Foundation; volunteers average approximately 100 pounds of trash each time; 1,500 bags of litter kept out of the Sound since 2014

While this list is not exhaustive, it gives you an idea of the breadth and depth of our commitment to the health of the Port Royal Sound and its inhabitants. Being a coastal community comes with a lot of perks, as well as a lot of responsibility. Preserving the healthy water and unique wildlife supported by the Sound goes hand-in-hand with preserving the scenery, seafood, art and recreation in which we take pride and that make our home so special. Caring for the Sound is about more than just protecting the environment- it’s about protecting our Lowcountry lifestyle, today and for generations to come.

Port Royal Sound Foundation

Using art as a vehicle for social change, while connecting the shared history, values and futures of Africa and its Diaspora!

The experiences and cultural contributions of people of African descent have been marginalized throughout history and MoCADA’s mission is to undertake the responsibility of rewriting that history in order to give a more accurate portrayal of the contributions of people of African descent to the artistic and global landscape.

The Museum of Contemporary African Diasporan Arts (MoCADA) uplifts the visual, literary, and performing arts as a conduit that connects the shared history, values, and futures of Africa and its diaspora, for the purpose of advancing dialogue on pressing social + political issues faced by these communities. We give platform within our safe spaces to artists whose work honor, celebrate, and expand this rich conversation while inviting our community in to explore, engage, and thrive within our collective evolution.

For 20 years, MoCADA has empowered vulnerable communities and instilled a sense of pride in visitors through representation and access to the arts including 100+ groundbreaking artists from 20+ countries (Terence Nance, Dread Scott, Wangechi Mutu, etc) whose voices have gone largely ignored; to Black, LatinX, Indigenous, especially, low income, children, women, immigrants, elders, LGBTQ+, people living with disabilities etc from the communities of Central Brooklyn and beyond.

Museum of Contemporary African Diasporan Art (MoCADA)

The Serge Rachmaninoff Foundation carries Rachmaninoff's music, legacy and artistry out into the world from his house, Villa Senar

History: Thanks to the commitment of the Serge Rachmaninoff Foundation, discussions among the artist's heirs were successfully concluded in 2021. The Canton of Lucerne purchased the listed property and is responsible for the maintenance and renovation of the house and the surrounding park. The Serge Rachmaninoff Foundation is responsible for the programs and cultural events at Rachmaninoff's Villa Senar, wit-hout any financial support from the Canton of Lucerne. 

VILLA SENAR is the name of the artist house of the composer, conductor, pianist, Hollywood star and family man Sergei Rachmaninoff (SE=Sergei, NA=Natalia, R=Rachmaninoff). Expelled from his native Russia, the artist lived in exile in various countries from 1917 onwards. On the Hertenstein peninsula near Weggis in the canton of Lucerne, he found a new home and renewed creative energy.  



Our mission as a foundation is to create international awareness for Rachmaninoff's Villa Senar and to develop and establish its artistic program over the coming years and make an artistic contribution to the region and beyond. We want to communicate Rachmaninoff's Villa Senar as a cultural and educational center with a broad partici-pation with the highest quality standards from home. 

Rachmaninoff's Villa Senar locally and regionally and, together with partners, posi-tion the Hertenstein peninsula as a special and sustainable place of art and culture. Attention will also be paid to international activities, as the name Rachmaninoff is a global trademark. 

The magic of the place, its uniqueness and class should continue to shape the fu-ture; we always want to treat the soul of Senar and the Hertenstein peninsula near Weggis with respect. 

Performing and communicating Sergei Rachmaninoff's work at his former place of residence. His personality, his interests, his musical depth, his role models, visions, zeitgeist, curiosity for new and unusual things, enthusiasm for technology, architec-ture, literature, poetry and art form the foundation of the cultural program. 

Rachmaninoff's Villa Senar is a place of inspiration and home. The aura of this cen-ter (family home/meeting place/garden and nature) and the creative power can be experienced and experienced on site during a visit. The real presence, the quality and authenticity of the location and content, and the intensive time spent at Villa Senar make every visit unique and, in this sense, special for every visitor. 

The cultural program is designed for broad cultural participation, seeks the inter-faces to the present and enables suitable, fine, subtle, high-quality approaches for every target group. 

As an artists' residence, Villa Senar offers a home for all generations and different disciplines. Sergei Rachmaninoff was a family man and patron of all the arts, uniting art and people in his home through his charisma, his values and his interests. 



PROMOTION: Website, program sheet, word of mouth, channels of our partners, allies and sponsors, regionally via associations and public institutions, volunteers, friends and Rachmaninoff fans.

NEED: In the oversupply of leisure activities, the oversaturation of a variety of offers, a discomfort with high culture, perceived barriers and associated fears of not under-standing something in the music and culture sector, couch coziness created by Co-vid, we need new formats that convey closeness to people in a relaxed, fresh and un-conventionally conventional way. We offer a feeling of home, a sense of arrival, a kind of cultural exile within your "own four walls". 

TARGET GROUPS: The projects are tailored to specific target groups and/or are aimed at cross-generational, broad and public participation: 

Children Educational and participative projects with the Weggis music school and the music schools of the canton of Lucerne. Interdisciplinary theater, music, dance, light and sound: Gänsebliemli im Rosengarten, SENAR ARTS ACADEMY, SENARADEN im Park & Boot, Carte Jaune for the talent promotion of the Lucerne music schools

Senior citizens Cooperation with the senior citizens' universities of Lucerne, Weg-gis, Zurich, Basel, cultural associations and service clubs. 

Youth premieres and co-development of new music. Inclusion of virtual reality, augmented reality and new media. Up-to-date, close and at eye level. Sustainabi-lity programs, new regional policies for the promotion of the community. We deal with questions about the future and are committed to values and meaningfulness. 

Young adults and families SENARaden in the park or on the boat, exhibitions, sound walk, art exhibitions in the park with an out-door stage created by spatial designers for Rachmaninoff's Villa Senar. Picnic openair, barrier-free and relaxed, Celebrating Rachmaninoff Podcast in collaboration with Decca Classic and WFMT Radio Chicago, RACHMANINOFF ECHOES - The staging of Rachmanin-off's artifacts in his villa using virtual reality and augmented reality.

Afficionados and Afficionadas-To-Be concerts, residencies, master classes, workshops, public expert tours - thematically coordinated, film: The Alchemy of Piano Playing, jazz evenings, literature & music, competitions and commissioned works on Rachmaninoff.



CHANCE: Potential, unique location, curious people, Rachmaninoff's Villa Senar has not been open to the public until now, the house belongs to the Canton of Lucerne, this partnership needs to be well positioned in the long term, we start "from scratch" and can react optimally to current events, small team, manageable size of the venue, small, fine, barrier-free, approachable, potential outdoors, involvement of the region, already established partnerships and strong allies, agility through rapid decision-making and a doer mentality of the people involved, network. Rachmaninoff as a mil-lennium pianist, Hollywood star, family man, composer, conductor, promoter of the arts and mobility, speed freak, entrepreneur, architect is attractive, his music appeal-ing and is the perfect music to introduce an audience to "classical music" and open up new audiences. 



RISK: A good financial basis must be established, project-based financing, provisions should be made to enable long-term planning, partnership with the canton without a performance mandate and financial support, demands from the canton of Lucerne, few personnel resources, reliance on voluntary commitment which can also slow down processes, recruitment of voluntary work, establishment in uncertain times, consumer behavior of the public has changed, planning uncertainty.

INDICATORS regular evaluation, experts on the voluntary Board of Trustees with regular exchanges, partnerships with know-how, demanding and quality-conscious advisors/friends/network. 



NETWORKING: Rachmaninoff's Villa Senar sees itself as a networker and meeting place, with freedom for the special, the new and the tried and tested. Projects with our partners: Lucerne Festival, Lucerne Theater, Lucerne University of Applied Sci-ences and Arts - Music, Tourism, Engineering, Business, Architecture, Design & Art, Lucerne Museum of Transport, Hans Erni Museum, Weggis Music School, Lucerne Cantonal Music Schools, Lucerne Symphony Orchestra, schools, Stella Matutina House of Education - House of the Future, Baldegg Monastery, Senior:inside univer-sities, IG Kultur (Freie Szene), Richard Wagner Museum, Saint Charles Hall, Künst-lerhäuser global, Library of Congress Washington, Philadelphia Orchestra, Van Pelt University Philadelphia, National Symphony Orchestra, Swiss Embassy in Washing-ton, Interessengemeinschaft Musikstadt Luzern, Zurich Opera, Tonhalle Orchestra Zurich, Lucerne Tourism, Switzerland Tourism, artists, associations and allies, sponsors and patrons. 



The nucleus and center of the events are Rachmaninoff's Villa Senar and the park. Due to the limited space available, we also use the venues of our partners as satelli-tes. We strive for broad participation, want to connect cultural institutions via Lake Lucerne, create national attention and deepen international relationships. 



MANAGING DIRECTOR: The Serge Rachmaninoff Foundation has employed the Managing & Artistic Director, Andrea Loetscher, since June 1, 2022. As a musician with a teaching diploma and soloist diploma, a master's degree in mar-keting and management from the University of Basel, as an entrepreneur and music school director, she has local roots and a national and international network. In 2024, she will also complete an MBA in Business Development & Marketing at the Univer-sity of Basel. The Managing Director is supported in financial matters by Ludwig von Mutius, economist, financial consultant and former CFO of major international com-panies. Ludwig von Mutius makes his expertise fully available to the Serge Rachma-ninoff Foundation on a voluntary basis. In addition, the Serge Rachmaninoff Founda-tion has employed the Managing Assistant, Salome Rüttimann, on a 40% basis since 1.1.24. Volunteers for concert support, guided tours and other work. 

 Serge Rachmaninoff Foundation

Founded in 1965 the CCC elevates underserved communities and gives voice to equality through contemporary art and education.

Chinese Culture Center of San Francisco (CCC) is a longstanding community arts organization serving San Francisco's Chinatown. Our community relationships have roots in shared struggle and resilience, founded by Chinese Americans during the Civil Rights movement to rectify racist pasts and to actively shape Chinatown’s future as its first cultural center. Our community, SF Chinatown and underserved local artists, face systemic inequalities and invisibility, which are threatened by poverty, gentrification, language barriers, historical exclusion, and a lack of cultural resources. Today, CCC builds community stability, uplifts voice, and visibility through innovative arts programming and advocacy. CCC’s approach to equitable change is through arts programming and advocacy that elevate community stories (exhibitions and walking tours), incubate local artists (artist-in-residence), and forge cross-racial and cross-sectoral collaborations (community art projects), believing in local impact, with broader regional and international impact.  

Annually, we provide a platform for over 50 artists through exhibitions, festivals, and artist residencies, educate 2,000 underserved students through social justice tours and in-school programming, engage 50,000 diverse audience members to experience art and build skills, and advocate alongside partners to achieve community-wide change. We empower low-income artists and underserved community members with the voice and tools to champion for their community, to foster a sense of belonging and safe place and enable a healthy cultural life. CCC's advocacy has attracted investments and inspired local leaders on artistic strategies for social change. Our passionate team composed of women-led, bilingual, immigrant, queer, and working-class individuals, intimately understands the community's challenges, ensuring our stories are shared on our own terms.

Chinese Culture Foundation of San Francisco

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We are a nonprofit, so instead of charging fees we rely on the generosity of donors like you.